Épisodes

  • H.M.S. Pinafore; Or, The Lass That Loved A Sailor-W. S. Gilbert
    Oct 10 2026
    H.M.S. Pinafore; Or, The Lass That Loved A Sailor by W. S. Gilbert is a delightful comic operetta that explores themes of love, class, and duty aboard a British warship. The story humorously contrasts societal expectations with personal desires, showcasing the timeless struggle between heart and hierarchy. Its witty dialogue and charming melodies have made it a beloved classic that continues to resonate with audiences today, reminding us of the universal quest for love and acceptance. The operetta's enduring appeal lies in its clever satire and the way it captures the spirit of rebellion against social constraints, making it a joy to experience in any era.

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    1 h et 3 min
  • Hester A Story of Contemporary Life, Volume 3-Margaret O. Oliphant
    Sep 12 2026
    Hester: A Story of Contemporary Life, Volume 3 by Margaret O. Oliphant delves into the complexities of human relationships and societal expectations in a contemporary setting. This volume continues to explore themes of identity, morality, and the struggles individuals face in their pursuit of happiness and fulfillment. Oliphant's keen observations and rich characterizations offer listeners a timeless reflection on the human condition, making it relevant even in today's world. The narrative invites contemplation on personal choices and the impact of societal norms, ensuring that its insights resonate with audiences across generations. Experience this enduring tale that captures the essence of life’s challenges and triumphs.
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    6 h et 41 min
  • Love of Landry-Paul Laurence Dunbar
    Aug 28 2026
    Love, murder and class commentary in Mrs Gaskell's usual brilliant style! This novel was originally serialised and published by Charles Dickens, with whom Mrs Gaskell had several disagreements. She chose to avoid melodrama and concentrate on psychological realism to produce a moving story of people meeting and parting across class divides. - Summary by Beth Thomas

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    2 h et 40 min
  • Our Village, Volume 2-Mary Russell Mitford
    Aug 27 2026
    Love, murder and class commentary in Mrs Gaskell's usual brilliant style! This novel was originally serialised and published by Charles Dickens, with whom Mrs Gaskell had several disagreements. She chose to avoid melodrama and concentrate on psychological realism to produce a moving story of people meeting and parting across class divides. - Summary by Beth Thomas

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    8 h et 22 min
  • Moorland Cottage-Elizabeth Cleghorn Gaskell
    Aug 26 2026
    Love, murder and class commentary in Mrs Gaskell's usual brilliant style! This novel was originally serialised and published by Charles Dickens, with whom Mrs Gaskell had several disagreements. She chose to avoid melodrama and concentrate on psychological realism to produce a moving story of people meeting and parting across class divides. - Summary by Beth Thomas
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    4 h et 31 min
  • Primrose Path-Bram Stoker
    Aug 25 2026
    Love, murder and class commentary in Mrs Gaskell's usual brilliant style! This novel was originally serialised and published by Charles Dickens, with whom Mrs Gaskell had several disagreements. She chose to avoid melodrama and concentrate on psychological realism to produce a moving story of people meeting and parting across class divides. - Summary by Beth Thomas

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    3 h et 9 min
  • Romance of the Moors-Mona Caird
    Aug 24 2026
    Love, murder and class commentary in Mrs Gaskell's usual brilliant style! This novel was originally serialised and published by Charles Dickens, with whom Mrs Gaskell had several disagreements. She chose to avoid melodrama and concentrate on psychological realism to produce a moving story of people meeting and parting across class divides. - Summary by Beth Thomas
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    2 h et 56 min
  • Whose Body (Version 3 - dramatic reading)-Dorothy L. Sayers
    Aug 23 2026
    Love, murder and class commentary in Mrs Gaskell's usual brilliant style! This novel was originally serialised and published by Charles Dickens, with whom Mrs Gaskell had several disagreements. She chose to avoid melodrama and concentrate on psychological realism to produce a moving story of people meeting and parting across class divides. - Summary by Beth Thomas
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    6 h et 45 min