We prepare for a remake/legacyquel combo with the original Freaky Friday.

Discussions include:

Jodi Foster the wunderkind, Barbara Harris the comedy institution, the 70s were a strange time, and the greatest special effects ever committed to film.

We wrap up 2025 and our coverage of the Running Man with Edgar Wright's new adaptation.

Discussions Include: Movies getting literal, Stephen King's edgy phase, a director's job is tone control, secret badass Michael Cera, and a SkyDance corporation.

Brad and Beth cover the original attempt to adapt Stephen K- ahem - Richard Bachman's sci-fi novel. Discussions include: this movie has two governors, Wu-tang clan references to Richard Dawson, Mega Man enemies, and hoping for a better effort from Edgar Wright.

Brad and Beth review Brad's annual movie calendar and highlight favorite new watches.

We conclude our coverage of the Fright Night pairing with the 2011 remake!

Discussions Include: Don't call it Hotlanta, 2011 is what is wrong with us, nothing could save Mr. Woodcock, international treasure Toni Collette, The Imaginarium of Doctor Parnassus, and Vegas, baby!

We kick off the 2025 edition of Creepy Cuts with a campy favorite!

Discussions Include: This movie's apparent influence on Buffy, friends in the 80s were slim pickins, two Tom Hollands, the goolem reveal, crosses working like a patronus, and is Humperdink hot?

All the stars are born (for now) as we conclude our discussion of this batch of remakes! Ethan Fogus joins us to talk about the most recent version.

Discussions Include: Being a pop music stick in the mud in high school, Lady Gaga the icon, Bradley Cooper the director, songwriting in movies being super believable, and this movie is a bummer!

We settle into a bubble bath surrounded by candles and beer cans to take on the first rock and roll iteration of A Star Is Born.

Discussions Include: Barbra is good at singing, Kris Kristofferson the method actor, whether you should touch a ribbon microphone, and the apparent absence of Joan Didion dialogue.