On today's episode of "Conversations On Dance", we are joined by Eduardo Vilaro, Artist Director of Ballet Hispánico New York. Eduardo makes his fourth appearance on the show, running through a broad range of topics, from how the political climate is directly impacting his arts organization to viral celebrity comments on the arts. He dives into the programming for the company's upcoming City Center season, titled "Mujeres: Women in Motion" featuring varied, dynamic choreographic works from four latina women. Ballet Hispánico New York's City Center season runs from April 23rd through the 26th, and tickets can be purchased at nycitycenter.org.

Come see us this weekend in NYC!

On Sunday April 19th, join us as we host Works & Process at the Guggenheim in NYC, featuring the talents of the Philadelphia Ballet and choreographer Juliano Nunes. We will be talking to Juliano about the process of creating a brand new full length "Romeo & Juliet" for the company, set to premiere in Philadelphia on April 30th. Tickets for Works & Process are nearly sold out, but you can catch the last few available on worksandprocess.org.

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On today's episode of "Conversations On Dance", we are joined by acclaimed choreographer Akram Khan, weeks before his brand new full length production "Lady Macbeth" premieres at the Royal Danish Ballet. He tells us how the dancers of the company have immersed themselves through months of singular focus, how the work's plot has evolved since its inception, and how much his own dance language has fused with classical ballet vernacular to create the world of this ballet. "Lady Macbeth" runs April 24th through June 4th at the opera house mainstage in Copenhagen.

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On today's episode of "Conversations On Dance" we are joined by Royal Danish Ballet soloist Tobias Praetorius. He takes us on his journey as a young student falling in love with the theater, ultimately rising to the rank of soloist in the company, while coming to embrace and explore the company's rich Bournonville history. Tobi's own choreographic talents and love of Bournonville will converge when he will choreograph the lost second act of Bournonville's "Napoli" in an upcoming Royal Danish Ballet staging. Until then, you can catch him in regular performances with the company.

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On Conversations on Dance, we welcome Maria Calegari and Bart Cook to revisit a March Madness-style bracket of George Balanchine ballets created by Indiana University students during COVID, using head-versus-heart choices to spark memories and discussion about dancing and staging the repertory. As we debate matchups, Maria and Bart reflect on musicality, design collaborations, costuming, performance traditions, coaching details, and more. The bracket ultimately yields different winners among the four of us.

Follow along with a bracket of your own. Click here to view and download.

LINKS:

Website: conversationsondancepod.com

Instagram: @conversationsondance

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Today, on "Conversations on Dance", we talk with Ken Browar and Deborah Ory, the minds (and cameras) behind NYC Dance Project. We talk with Ken and Deborah about their book, Martha Graham Dance Company, 100 years, and how their backgrounds in dance and editorial fashion shaped their approach. They explain how early dancer sessions evolved into a slow, highly collaborative process focused on a few images that suggest continuing movement rather than freezing it. For the Graham centennial, they installed a studio setup at the company for three years, photographed 25 works from largely current repertory, combined studio and location shoots, used historical research and images as references. The resulting book, Martha Graham Dance Company, 100 Years" is available for purchase here.

00:00 Welcome and Guest Intro

01:24 Deborah Dance to Camera

02:28 Ken Fashion Roots

03:55 First Dancers and Launch

05:50 Instagram and Early Growth

06:18 Fashion Meets Dance Craft

08:48 Shooting Movement Not Freeze

10:41 Slow Shoots and Safe Space

14:04 Dancer Perfection and Control

15:21 Graham Company Shift

17:17 Why the Centennial Book

18:31 Building the Studio Setup

19:30 Building the Book Archive

19:46 Choosing 25 Iconic Works

21:15 Studio Shoots and Coaching

22:05 Editing and Page Sequencing

23:07 Outdoor Locations Strategy

24:15 Researching Graham Repertory

25:52 No Reshoots and Costume Logistics

26:26 Group Shots and Precision

28:45 Costumes and Fabric Movement

31:47 Where to Buy and Signed Copies

33:10 Future Projects and Farewell

LINKS:

Website: conversationsondancepod.com

Instagram: @conversationsondance

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Today on the Conversations on Dance podcast, we talk with former New York City Ballet dancer and Balanchine répétiteur Deborah Wingert about her early training at Central Pennsylvania Youth Ballet, where rigorous daily classes, musical and artistic context, and early teaching responsibilities shaped her discipline and curiosity. Wingert recounts being accepted to the School of American Ballet, performing key workshop roles, and joining NYCB at 16, including formative experiences and personal coaching from George Balanchine before his death in 1983. She describes thriving as a detail-oriented “sponge,” navigating later casting and body-image pressures, and building a wide repertory across Balanchine and Robbins works. After leaving NYCB, she began teaching privately and at multiple New York schools, then expanded into staging Balanchine works around the world.

00:00 Meet The Hosts

00:11 Debra Wingert Overview

01:35 First Ballet Spark

04:16 CPYB Magic And Context

06:31 Rigor And Early Teaching

14:24 SAB Audition And Move

16:50 Workshop Breakthrough Roles

18:57 Joining NYCB At Sixteen

25:10 Balanchine Coaching Moments

27:21 Life After Balanchine

28:19 Other SAB Teachers

33:22 Body Image And Confidence

35:09 Backstage Ballet Devotion

35:34 Staying in the Company

36:39 Outside Projects and Robbins

38:07 Leaving NYCB and Starting to Teach

40:55 Outreach and Repertory Staging

43:10 Learning to Stage New Works

45:33 Musicality and Version Options

51:18 Keeping Patterns and Details Alive

55:56 Dream Ballets and Future Stagings

01:04:06 Closing Thanks and Signoff

LINKS:

Website: conversationsondancepod.com

Instagram: @conversationsondance

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Stanton Welch and Julie Kent join the Conversations on Dance podcast this week and reflect on nearly three years leading Houston Ballet, praising the dancers’ versatility, focus, and the engaged Houston community, and describing the value of sharing leadership. They discuss how the company’s identity is shaped by having a prolific choreographer as artistic director in Stanton and what they look for in dancers. Looking ahead, they highlight a variety of works still to come this season including Welch’s new 12-minute piece to Mason Bates featuring electronics and live percussion, and they outline how Welch’s Giselle differs musically and dramatically, with expanded characters and staging, while Kent coaches intention and relationships.

For more information on performances still to come this season, visit houstonballet.org.

Houston Ballet 25/27 Season announced here: https://www.houstonballet.org/seasontickets/2026-2027-season-announced/

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TIMESTAMPS:

00:00 Welcome Back Catch Up

02:14 Partnership Leading Together

03:01 Studio Time And Support

04:21 Choreographic Hub Culture

07:54 Auditions Finding Versatility

13:35 Season Variety Story Ballets

18:44 Programming And Identity

21:39 New Work Alice Topp

25:43 Staging Hazards and Effects

25:57 Avatar as Ballet Pitch

26:22 More Dancers on Stage

27:17 New Work Mason Bates

29:08 Reimagining Giselle

31:32 Coaching Story Over Steps

34:39 Technique vs Artistry Debate

38:12 Season Highlights Dances

39:50 Rehearsal Timing and Stamina

41:21 Next Season Tease and Farewell

LINKS:

Website: conversationsondancepod.com

Instagram: @conversationsondance

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On today's episode of "Conversations On Dance" we are joined by dance writer Marina Harss. Marina tells us about her recent excursions to Vienna and Copenhagen, where she traveled to document some of the most exciting new dynamics in European dance companies, including a renewed focus on Copenhagen's genius choreographer Bournonville, new directors in the Royal Danish Ballet and the Vienna State Ballet, and buzzy new Ratmansky productions in both companies. Marina wrote on these experiences in the New York Times and the New York Review Of Books. Both articles are available online today.

Alexei Ratmansky’s Leap of Faith - By Marina Harss for The New York Review

For Royal Danish Ballet, It’s Back to Bournonville - By Marina Harss for the New York Times

At City Ballet, Alexei Ratmansky’s Morality Tale Is Wrapped in Farce - By Marina Harss for the New York Times

Get Marina's book on Ratmansky: The Boy from Kyiv: Alexei Ratmansky's Life in Ballet

Sneak Peek of Ratmansky's newest work for Miami City Ballet, mentioned in this episode.

Listen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondance

LINKS:

Website: conversationsondancepod.com

Instagram: @conversationsondance

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