Amy Adams earned an impressive fourth Oscar nomination for her role as Peggy Dodd, wife of probable cult leader Lancaster Dodd, in Paul Thomas Anderson's 2012 drama The Master. We're joined by writer and producer Bryan Cogman to talk about Amy taking on a part that lets her play into and against type, and the thrill of a film that refuses to hold its audience's hand. Plus: the Blue Moon extended universe, being a third-party voter for Sally Field, and the worst Game of Thrones episode to watch on a first date.

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In today's special bonus episode, we're sharing our reactions to the nominations for the 98th Academy Awards—what we loved, what we hated, what we wish could have miraculously broken through. Plus: the power of active listening, the Predator: Badlands bump, and dad texts about Joel Edgerton.

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Amy Adams stepped back into cameo-plus territory with Walter Salles' 2012 adaptation of On the Road, in which she plays Jane Lee, a stand-in for real-life Beat Generation figure Joan Vollmer. We're joined by The Ankler awards editor and Prestige Junkie host Katey Rich to talk about Amy slipping into another star-studded ensemble, and how this movie benefits from turning the homoerotic subtext into text. Plus: mourning the Hollywood Film Awards, Viggo Mortensen's insistence on taking his pants off, and announcing our forthcoming podcast on Georgia Rule.

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Following her edgier turn in The Fighter, Amy Adams returned to Disney and to musical comedy in 2011's The Muppets, where she plays kind-hearted elementary school teacher and amateur mechanic Mary. We're joined by writer and critic Darren Franich to talk about Amy's special relationship with Rowlf, and why this movie is the Force Awakens of the Muppet franchise. Plus: pandering to Gen X, beefing with remote-controlled Christoph Waltz, and the alternate universe where Amy bought a zoo.

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Amy Adams officially ended her princess era in 2010's sports drama The Fighter, where she earned her third Academy Award nomination for playing Charlene, Micky Ward's fiercely loyal and foul-mouthed girlfriend. We're joined by Tribune News Service film critic Katie Walsh to talk about Amy working hard to break type, and why this movie is less conventional than it's given credit for. Plus: when bad people are good actors, Christian Bale's unconventional diet tips, and considering Melissa Leo's impact on the Marty Supreme Oscar campaign.

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In today's special bonus episode, we're sharing our 2026 New Year's resolutions for Amy Adams—and for the podcast. Then Louis ambushes Dane with a surprisingly tricky game. Plus: breaking the Bond villain glass ceiling, the difference between actors and stars, and chasing Gal Gadot.

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We're closing out TV Month with Amy Adams' arc on The Office as Jim's love interest Katy, a role she played over the course of three episodes from 2005 to 2006. We're joined by Financial Feminist host and author Tori Dunlap to talk about Amy as the perfect foil to Pam, and the hidden meaning of the show's talking heads. Plus: the death of monoculture, comparing credit scores, and defending the honor of Legally Blonde.

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A few months before Catch Me If You Can hit theaters, Amy Adams shared the screen with Martin Sheen in the 2002 Season 4 premiere of The West Wing, "20 Hours in America," where she plays a farmer's daughter named Cathy. We're joined by Screen Drafts host Clay Keller and entertainment writer Adam B. Vary to talk about Amy as a stand-in for Middle America, and all the ways this episode made us cry. Plus: the comfort of liberal cringe, when TV characters become family, and a walk and talk with the QAnon Shaman.

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