“I think that when you don't have an abundance of time, you cherish the time you have more. So that goes for my kids and for writing. I take it very seriously and I do cherish it. It doesn't feel like a job. It doesn't feel like work… But then the same with them, because I'm getting pulled in two different directions. I cherish the time when I can just focus on them more. I think it just helps me to be a better mom and a better writer.” — Marlee Bush

Marlee Bush lives in Alabama with her husband and children. With degrees in Criminology and English, she’s obsessed with true crime and documentaries. Her favorite stories to tell are the kind that make you double check the locks on your door at night. When She Was Me is her debut novel, and her second novel Whispers of Dead Girls, came out last May.

Among other things, Marlee and Carter discuss the identity shift that results from getting published, how Marlee started writing while working in a call center, and why making money from writing should not determine your status as a professional writer. At the end of their conversation, they make up a creepy story using a line from Elise Hart Kipness’s Dangerous Play.

“I think people think that the first publishing contract is a windfall... But for most of us, it's the beginning of the story. All it is, is an open door to the writing life. And if you want to succeed... you're going to roll up your sleeves and get to work like everybody else who wants to do anything well in this life.” — Lisa Unger

Lisa Unger is the New York Times and internationally bestselling author of twenty-three novels. Her critically acclaimed novels have been featured on “Best Book” lists from the Today Show, Good Morning America, Entertainment Weekly, and many others. She has been nominated for, or won, numerous awards including the Strand Critics, ITW Thriller, and Goodreads Choice. In 2019, she received two Edgar Award nominations in the same year. Her non-fiction has appeared in The New York Times, Wall Street Journal, and others. Lisa is the current co-President of the International Thriller Writers organization.

Among other things, Lisa and Carter discuss pushing yourself out of your comfort zone by attending writing conferences, why increasing your own visibility is critical for both debut and legacy authors, and learning to let go when writing. At the end of their conversation, they make up an interesting story using a line from Chris Pavone’s The Doorman.

“What I noticed was that I started writing stories and just doing things like, ‘oh, wait, when I write, I don't need other guys. And I don't need a sound man. And I don't need a stage. And I don't need gear.’ It was so nice to be able to make something without all the crap associated with it.” — Michael Kardos

Michael Kardos is the author of the novels Fun City Heist, Bluff, Before He Finds Her, and The Three-Day Affair. His story collection Quick Change and One Last Good Time won the Mississippi Institute of Arts & Letters Award, and his short stories have appeared in many magazines and anthologies, and have won two Pushcart Prizes. He is also the author of The Art and Craft of Fiction: A Writer’s Guide, which is taught at universities across the country, and he co-directed the creative writing program at Mississippi State University for 15 years.

Among other things, Michael and Carter discuss how Michael went from a career in music to getting his MFA, their thoughts on craft books for new writers, and feeling uneasy most of the time while you’re writing a book. At the end of their conversation, they make up a strange story using a line from Kristen Perrin’s How To Solve Your Own Murder.