Join us for an in-depth conversation about the significance of short films in the industry as we shine a lens on the BAFTA-qualifying London Short Film Festival.

In this episode, we had the privilege to interview two key names behind LSFF: Artistic Director and Co-founder, Philip Ilson, and film programmer and curator, Lucy Peters.

This week, we’re joined by the brilliant George Somner for a deep and wide-ranging conversation about creativity, filmmaking, and the journey of finding your voice in the industry.

We start by sharing what we’ve all been watching this year, chatting about the difference between scary films and slashers, and diving into Kitty’s surprising new love for Cars. George talks about some of his favourite films from both a technical and performance perspective, including how he once tweeted producers just to get access to certain movies. We explore underrated films, our fascination with director Ruben Östlund, and the many layers that make storytelling so compelling.

George opens up about how he began his career and how patience and persistence helped him find his footing as an actor. He reflects on how his approach to creativity has evolved, the balance between control and surrender in acting, and the lessons that have shaped him as both an artist and a producer.

We also talk about 13:8 Films, the production company George founded, and his experiences working on short films such as Peter, Man Code, and Starboy. He shares insights into funding, collaboration, and what it means to build something with other creatives who share your passion. The conversation touches on finding a healthy balance between acting and producing, how to approach pre-production and production with intention, and the importance of feeling safe and supported within the industry.

We finish by discussing the power of short films, their role in storytelling, and why short film festivals continue to matter so much for emerging voices.

This week, we’re joined by the brilliant Meghan Treadway for a rich and honest conversation about creativity, resilience, and the life of an artist. We chat about what we’ve all been watching lately, the films that have stayed with Meghan, and her love for good television. She shares her favourite cinema hot takes, along with the moments that shaped her career and the lessons that continue to guide her.

Meghan opens up about the early days of her journey, from drama school to her time on the West End in Witness for the Prosecution, and her experience on screen in Murder Before Evening Song. We explore how those two worlds differ beyond just stage versus screen, and how she prepares and stays grounded through each process.

We also talk about rejection and setbacks, how to keep going when things get hard, and how to reconnect with the joy of creating. Meghan shares her thoughts on what art truly means to artists, what she’s learned from teaching young actors, and why it’s so important to step back from pressure and comparison.

She reflects on her experiences within the UK’s crime genre, the types of characters she hopes to portray next, and gives a special mention to playwright Ava Pickett as one to watch. The episode closes with advice for any creatives finding their way in the industry and a reminder that comparison really is the thief of joy.