Épisodes

  • Minor Violence and Productive Confusion (JENNET THOMAS + SALLY O'REILLY)
    Feb 13 2026

    Guest artists JENNET THOMAS and SALLY O'REILLY come together to discuss their work via the short story 'Critique' by Ben Marcus. Published in 2018 by Alfred A Knopf and Grant Books, it is one of 13 stories appearing in 'Notes from the Fog' which explore dysfunction, desolation and disconnection within a woundingly funny collision of art and reality.

    'The Big Throw' at SET Social 23 April 2026

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    Get in touch! artfictionspodcast@gmail.com

    "...narrative plot and how sticky and unpleasant it can be" JT

    "The idea of just working in response to the infinity of the universe is appalling to me" SO'R

    Sally and Jennet's conversation encompasses anti-plot, delirium, vertigo, maximalism, hermeticism, visitations and the grotesque. Yearning superpowers of persuasion, they go on and about carboot sales, ontological slippage, lemon sucking, deceptive loops, skewing language, twiddling knobs, automatic sterilisers, visually flamboyant, minor violences, constricting constraints, painting barcodes, slyly political, shifting rules, making knickerbockers, troubling reality, social reproductions, found objects, draped flesh and ecstatic technology talk. As well as working in a factory, the pleasure of difficulty, a taste in the head, reality from the inside out, audience participation as part of the materials, weirdness coming into the living room, jumping to the whip of the ref, being wary of simplification and elegance, well made in a brutal violent sense at gunpoint, and a seal in mud with a lion's head.

    JENNET THOMAS

    jennetthomas.com

    @jennetthomas

    'School of Change' 2012

    'All Suffering SOON TO END!' 2010

    'Return of the Black Tower (after John Smith)' 2007

    SALLY O'REILLY

    sallyoreilly.org.uk

    @manfredopenarms

    'The Money Laundering Service' 2025

    'Dog Shelves' 2024

    'Where They Gather' 2022

    'Estee Lauder Factory' 2022

    'The Annual Retrieval' 2016

    'The Virtues of Things' 2015

    "I can't breath"

    Eric Garner

    George Floyd

    ARTISTS

    John Smith

    Kit Downes

    Klara Kofen

    Leo Chadburn

    Matt Rogers

    Maz Murray

    Simeon Barclay

    WRITERS + BOOKS

    Christine Brooke-Rose

    Frieze magazine

    M John Harrison

    Muriel Spark

    Russell Hoborn 'Riddley Walker'

    Sally O'Reilly 'Help in Cucumbers'

    Will Self

    William Empson

    FILM + TELEVISION

    'Bedknobs and Boomsticks'

    'Brimstone and Treacle'

    Dennis Potter

    Michael Kitchen

    'The Terminator'

    GALLERIES + ORGANISATIONS

    Bandcamp

    Horse Hospital

    Matts Gallery

    ICA Institute Contemporary Art

    October House Records

    Opera North

    Royal Opera House

    SET Social

    SLG South London Gallery

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    1 h et 7 min
  • Beautiful Viciousness and Colourful Ova (CARRIE MOYER)
    Jan 29 2026

    Guest artist CARRIE MOYER

    joins JILLIAN KNIPE to discuss her work via 'Cassandra at the Wedding' by Dorothy Baker. Published in 1962 by Houghton Mifflin (US) and Victor Gollancz (UK), most recently Daunt Books, with sympathetic tenderness and acerbic wit, it follows twin sisters Cassandra and Judith as they navigate Judith’s wedding to a very pleasant and capable young doctor.

    The other key characters are their father, a retired philosophy professor who fancies a Brandy soda tipple, the ghost of their dead mother and their maternal grandmother.

    Get in touch with us via artfictionspodcast@gmail.com

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    "it feels like all of the interesting innovations have been done by women painters in terms of abstraction"

    Carrie and Jillian's conversation encompasses activism, wit, abandonment, confusion, family, ambivalence, agitpop, snarkiness, ambiguity, galaxy, queer, optical bliss, transitional places, menacing edge, geological time, mental illness, burying identity, utter distaste, ominous vibe and deadpan humour. They also talk about family as a cult, female body parts, destabilised vibration of colours, digging under conventions, being a lesbian in public, hard edge abstraction, vicious in a great beautiful smart way, wholesome hetro homemakers, abstract expressionism as a language and what the future is supposed to hold for you as a young woman.

    CARRIE MOYER

    'Always Venus, Never Mars' Pilar Corrias 23 Jan - 7 Mar 2026

    carriemoyer.com

    @carrie.moyer.studio

    'Queer Abstraction' Des Moines Art Center by Curator Jared Ledesma 1 Jun - 8 Sep 2019

    'Cave Dwellers who Paint Abstraction' 2025

    'Radiant Granularity' 2025

    'Art Glass' 2016

    ARTISTS + CURATORS

    Amy Sillman

    Anish Kapoor

    Béla Bartók

    David Getsy

    Dona Nelson

    Elizabeth Murray

    Frank Stella

    Helen Frankenthaler

    Jack Whitten '9.11.01' 2006 after Sep 11 2001

    Judy Chicago

    Laura Owens

    Louise Fishman

    Mary Reid Kelley and Patrick Kelley 'Best Femmes Forever'

    Morris Louis

    Pat Steir

    Rebecca Byrne

    Rochelle Feinstein

    Sabine Moritz

    Stephen Meuller

    William Butler Yeats

    BOOKS + AUTHORS + FILM

    Anna Burns 'The Milkman' narrator Brid Brennan

    Arundhati Roy 'Mother Mary Comes to Me'

    Audible

    'Carrie Moyer' 2021 with contributions by Lauren O'Neill-Butler, Katy Siegel, Joanna Dinah Fateman by Rizzoli Electa

    Flann O'Brien 'The Third Policeman' narrator Jim Norton

    J D Salinger 'Catcher in the Rye'

    John Gray 'Men are from Mars, Women are from Venus'

    'The Ice Tower'

    Travis Jeppesen 'Queer Abstraction (Or How to Be a Pervert with No Body) Some Notes Toward a Probability' Mousse magazine 2019

    'Young Man with a Horn' 1950

    UNIVERSITIES + ORGANISATIONS

    Boston University

    Daunt Books

    Hunter College, New York

    London Film Festivals

    MoMA, New York 'Jack Whitten: The Messenger' 2025

    Pratt Institute

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    1 h et 13 min
  • Catch Up with ALICE BROWNE
    Dec 2 2025

    From Episode 9, ALICE BROWNE chats with JILLIAN KNIPE about what she's been doing, reading and seeing, as well as her hopes for the year ahead.

    We delve into worship, floating, yellow, sainthood, caves, underwolds, pergatory, visceral visions, dark spaces, psychological potential, sharing dreams, self destruction, happy endings, vertical journeys, painting cracks, slapstick behaviour, maleable materials, early renaissance paintings and being a shit actress.

    ALICE BROWNE

    alicebrowne.com

    @alicerbrowne

    ARTISTS

    Adam Hennessey

    Ann Hamilton

    Gabriela Giroletti

    Giovanni de Paolo

    Hannah Hughes

    Hannah Tilson

    Jennifer Caroline Campbell

    Josephine Baker

    Laura White

    Lauren Godfrey

    Lena Brazen

    Lucy Mayes

    Mikhail Karikis

    Oona Grimes

    Pia Pack

    Zadie Xa

    BOOKS + WRITERS

    The Call of Cthulhu by H P Lovecraft

    Cherry Smyth

    The Divine Comedy by Dante

    Drowned World by J G Ballard

    Love Letter by George Saunders

    The Natural Pigment Handbook by Lucy Mayes

    Woman on the Edge of Time by Marge Piercy

    ORGANISATIONS + COLLECTIVES

    A P P E A R Artworks

    Binder of Women

    Bow Arts

    Gillian Jason Gallery

    Hypha Studios

    National Gallery

    Outpost Gallery

    Pinnacle Climbing Club

    Sainsbury Wing

    Salts Mill

    Turner Prize

    Afficher plus Afficher moins
    39 min
  • Reconfigured Memories and Watery Connections (ALINE MOTTA)
    Oct 22 2025

    Guest artist ALINE MOTTA

    joins PELUMI ODUBANJO to discuss her work via 'Water is a Time Machine' by the artist herself. Originally published in Brazilian Portuguese by Fósforo Editora and Luna Parque Edições in 2022, the text reconfigures memories by using a non-linear perception of time and is part of a multi-layered project including video and performance. It includes personal documents that belong to the artist's mother, her calendars and journals from the 1970s and an account of her death in 2011, which is the central piece and backbone of the work.

    FOLLOW US ON INSTAGRAM! @artfictionspodcast

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    EMAIL US DIRECTLY! artfictionspodcast@gmail.com

    Aline and Pelumi discuss the book's stories around the artist's family members and their lives in Rio de Janeiro at the turn of the 20th century, a time of political turmoil which immediately followed the abolition of slavery. Their conversation encompasses floating, bombs, bridges, tuberculosis, mistranslation, iconography, submerging, chemotherapy, prayer, breathing, stoicism, Catholicism, time machines, interracial marriage, film school, personal archives, double images, direct communication, permanent connections, exchanging cells, changing organs, fraught connections, Congolese traditions, disciplinarian mothers, avoiding sugarcoating, intentional disorientation, umbilical cords, oral histories, heavy heartedness, Yoruba influences, colonial erasure, speculative studies, layers of time, writing in fragments, metaphors of motherhood, constructing new narratives, sleeping in hammocks, foundations of thought, clothes being archives, abolition of slavery, lineage as language, contradictions in relationships, the beginning of the Republic, the way histories are told in (black) families, trying to find reasons for a person's death, the magic of making someone breath under water, using words to make maps, connecting personal history with collective history, envisioning new pasts to free us from old narratives and manifest new futures, plus a recipe to treat bruises.

    ALINE MOTTA

    alinemotta.com

    @1alinemotta

    'A água é uma máquina do tempo' / 'Water is a time machine'

    '(Outros) Fundamentos' / '(Other) Foundations'

    'Pontes sobre Abismos' / 'Bridges over the Abyss'

    INSTITUTIONS

    Bienal de São Paulo 2023 'Choreographies of the Impossible'

    Buenos Aires, Palermo Buenos Aires, Argentina

    Centre Pompidou, France

    MALBA Museo de Arte Lanoamericano de Buenos Aires / Latin American Art Museum of Rietberg Museum, Zurich

    ARTISTS + FILM + WRITERS

    'BLKNWS: Terms & Conditions' 2025

    John Akomfrah 'Vertigo Sea' 2015

    Kathleen Collins 'Whatever Happened to Interracial Love?' 2016

    Kahlil Joseph

    'Losing Ground' 1982 Machado de Assis 'Father Against Mother' 1906

    Professor Stuart Hall (1932-2014)

    Rosana Paulino

    Saidiya Hartman 'Lose Your Mother: A Journey Along the Atlantic Slave Route' 2006

    'The Cruz Brothers and Miss Malloy' 1980

    PLACES

    Angola

    Australia

    Bahia

    Bahia

    Brazil

    Burma

    Cachoeira

    Congo

    Germany

    Ghana

    Guanabara Bay

    Myanmar

    Niterói

    Nigeria

    Portugal

    Rio de Janeiro

    São Paulo

    Sierra Leone

    Torres Strait Islands

    TERMS + CULTURAL GROUPS

    ase/ashe

    Bantu languages

    capoeira martial art movement

    Kimbundu/Mbundu language

    maracatu dance

    ori

    orishas

    oyinbo/oyibo

    samba dance

    Yoruba

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    1 h et 5 min
  • Wild's Eye and Archiving Obsessions (AYO AKINGBADE)
    Sep 1 2025

    Guest artist AYO AKINGBADE

    joins ELIZABETH FULLERTON to discuss her work via 'In the Eye of the Wild' by Nastassja Martin. Published in 2021, the story follows the aftermath of a French anthropologist's gruesome attack by a bear, while she is living with the Evan people on Russia's Kamchatka Peninsula.

    FOLLOW US on INSTAGRAM!

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    SUPPORT US via PATREON!

    EMAIL US artfictionspodcast@gmail.com

    Ayo and Elizabeth's conversation encompasses healing, hostility, joy, architecture, nepotism, romance, underdogs, irony, phobias, animism, neglect, transformation, swimming, analogue, memoir, disfigurement, hopefulness, multifaceted, strong women, self-centring, turning points, arthouse niche, tarot reading, anthropological study, defence mechanisms, shared fearlessness, spiritual guides, questioning society's expectations, power in names, thinking the worse, colonisation of microbes, French new wave and the rewards of positive thinking.

    AYO AKINGBADE

    ayoakingbade.com

    'Keep Looking' 2024, 14 minute film

    'Head of Idoani Girl' 2024, giclee print

    'Show Me the World Mister' 2023, publication

    'Faluyi' 2022, 14 minute film

    'The Fist' 2022, 24 minute film

    'Jitterbug' 2022, 24 minute film

    'Dear Babylon' 2019, 21 minute film

    'Tower XYZ' 2017 3 minute film

    BOOKS WRITERS

    Derek Walcott 'The First'

    Franz Kafka 'The Trial'

    Fred Moten

    FILM ARTISTS

    Agnès Varda

    Alfred Hitchcock

    Alice Rohrwacher 'La Chimera'

    Chantal Akerman 'Family Business'

    Chris Marker 'Sans Soleil'

    David Lynch

    Harun Farocki 'Workers Leaving the Factory' 1995

    Mark Dion

    Jacques Rivette

    Jean-Luc Godard

    Jim Jarmusch

    Julian Schnabel 'The Diving Bell and the Butterfly'

    Lumière Brothers 'Workers Leaving the Lumière Factory in Lyon' 1895

    Roni Horn

    Stanley Kubrick 'Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb'

    Steve McQueen 'Caribs' Leap / Western Deep' 2002

    Steven Spielberg

    Quentin Tarantino 'Inglorious Bastards'

    Werner Herzog 'Grizzly Man'

    ARCHITECTURE

    Dora Boatemah

    Le Corbusier

    ART INSTITUTIONS

    Artangel London

    Chisenhale Gallery

    Cinereach

    Institute of Contemporary Art

    John Hansard Gallery

    London Film Festival

    London LCC

    Spike Island

    The Baltic Gateshead

    The Whitworth

    PERFORMERS

    Ebenezer Obey 'The Only Condition to Save Nigeria'

    Josh O'Connor

    Kate Bush

    Okwui Okpokwasili

    Sade Adu

    ART FICTIONS MUSIC Griffin Knipe

    ART FICTIONS LOGO Joanna Quinn

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    1 h et 17 min
  • Mayhem Soup and Collaborative Patterning (LAUREN GODFREY)
    Jul 26 2025

    Guest artist LAUREN GODFREY

    joins JILLIAN KNIPE to discuss her work via 'Heartburn' by Nora Ephron. Published in 1983, it tells a recipe rich story of Rachel Samstat and her husband Mark's marriage breakdown as a result of his affair with Thelma Rice.

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    Lauren and Jillian's conversation encompasses misogyny, kreploch soup, fat phobia, hot sass, slaying haters, brilliant naivety, acerbic wit, catching glimpses, high drama and potatoes as a signpost for the progress and decline of relationships. Also: losing the plot, aubergine as icon, minutiae of life, mid pregnancy betrayal, magnifying tiny moments, passing on recipes through generations, mapping of time and place through food, flood of linguistic lyricism, the power of choosing clothes, menu choice as an identity market and distilling culture into a witty sentence.

    LAUREN GODFREY

    @laurengodfreystudio

    laurengodfrey.co.uk

    'Pattern Portraits podcast'

    'Group Hat'

    'What We Wore'

    GET IN TOUCH with us by EMAIL artfictionspodcast@gmail.com

    ARTISTS CURATORS

    Adam Boyd

    Anni Albers

    Anthea Hamilton

    Bethan Laura Wood

    Bruce MacLean

    Capability Brown

    Cinzia Ruggeri

    Dr George Vasey 'Harrow March 31st 2005...'

    George Richardson

    Gunta Stöltzl

    Holly Graham

    JB Blunk

    Jennie Moncur

    Luke Burton

    Marcus Coates 'Nature Calendar'

    Maria Zahle

    Martin Parr

    Mary Godfrey

    Nadia Hebson

    Patrick Heron

    Rosalind Nashashibi

    Rosie Gibbens

    Tacita Dean 'Kodak 2006'

    BOOKS AUTHORS WRITERS

    AA Gill

    Asako Yuzuki 'Butter'

    Bob Woodwood

    Carl Bernstein

    Carmen Callil

    David Batchelor

    David Sedaris

    JD Salinger 'The Catcher in the Rye' 'Franny and Zooey'

    John Updike

    Lena Dunham

    Lennie Goodings 'Virago founder Carmen Callil was a powerhouse who changed the publishing world for the better' The Guardian 18 Oct 2022

    Michelle Zauner of Japanese Breakfast 'Crying in H Mart'

    Miranda July 'All Fours'

    Nora Ephron 'Forget the Hamsters' The Guardian 6 Nov 2004

    Phillip Roth

    Raven Smith 'Men' 'Trivial Pursuits'

    Salena Barry

    Tank Magazine 'Pancake Day'

    Vanessa Murrell

    Virago Books Modern Classics

    ART INSTITUTIONS

    Bauhaus

    Coal Drops Yard

    De La Warr Pavillion

    Design Museum

    Gasworks

    Goldsmiths CCA

    Harewood House Trust

    ICA

    Kingsgate Project Space

    Krupa Gallery

    The Memphis Group

    New Contemporaries

    Vital Arts at Newham Hospital

    FILM

    Anijam animation initiative

    Cher

    'Ghostbusters'

    'Julie and Julia'

    Meg Ryan

    Meryl Streep

    'Sex and the City'

    Silkwood

    Stanley Tucci 'Taste: My Life Through Food'

    When Harry Met Sally

    Woody Allen

    CHEFS

    Elizabeth David

    Julia Childs

    ORGANISATIONS

    Taylors of Harrogate

    Selfridges

    NOTED PEOPLE

    James Callaghan

    Margaret Thatcher

    Margaret Ann Jay, Baroness Jay of Paddington

    Maria Montessori

    Melanie Klein

    CREDITS

    Griffin Knipe - music

    Joanna Quinn of Beryl Productions - logo

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    1 h et 16 min
  • Unfathomable Creatures and Bridging Realities (MARCUS COATES)
    Jul 1 2025

    Guest artist MARCUS COATES

    joins JILLIAN KNIPE to discuss his work via 'Welsh Incident' by Robert Graves. Published in 1929, this short poem is a retelling of an overhead conversation about "un-Welsh" creatures emerging from the sea.

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    Marcus and Jillian's conversation encompasses longing, empathy, humour, grasping, death, wolves, psychosis, parenting, migration, birds, badgers, unknowability, parenting, morality, predators, blindfolding, eagles, immigration and a willingness to be uplifted. Also: feeling inadequate, religious conformity, instinctive behaviours, war experiences, emptying yourself, the mundane, sounding pathetic, false destinations, exploitation of care, limitations of language, modes of relating, suspension of disbelief, de-centring of humanity, failure of the imagination, the ripple effect of artworks, plaster on a broken leg, stark realities of survival, travelling in the mind, proliferation of domestic cats, and the human need to buy in, to belong, to believe.

    MARCUS COATES

    @marcus_coates_

    'Conference of the Birds'

    katemacgarry.com/artworks/9111-marcus-coates-conference-for-the-birds-2019/

    'The Trip'

    https://www.youtube.com/watch?v=GEAuRv0xv8M

    'The Directors'

    artangel.org.uk/project/the-directors/

    whatsgoingon.org.uk

    'Sunbird for Palestine'

    bookworks.org.uk/publishing/shop/palestine-sunbird/

    'Dawn Chorous'

    www.youtube.com/watch?v=zF1uihdcZmY

    'The Last of its Kind'

    workplace.art/exhibitions/the-last-of-its-kind

    'Nature Calendar'

    katemacgarry.com/artworks/10446-marcus-coates-nature-calendar-2022/

    'Finfolk'

    COLLABORATORS

    Helen Macdonald 'H is for Hawk'

    Jeff Samples

    ARTISTS & PERFORMERS

    Brian Catling

    Fiona Curran 'Your Sweetest Empire is to Please'

    Helen Chadwick

    Marylin Munroe

    Richard Ayodeji Ikhide

    Richard Burton

    Thomas Bewick

    AUTHORS & BOOKS

    Anna Burns 'The Milkman'

    Flann O'Brien 'The Third Policeman'

    Robert Graves 'Welsh Incident'

    GALLERIES & ART ORGS

    Artangel

    Freize Art Fair

    Kate MacGarry

    Royal Academy

    The Serpentine

    FILM

    'The Boy and the Heron' Hayao Miyazake for Studio Ghibli

    RESEARCH ARTICLE

    theguardian.com/environment/2024/dec/12/why-birdsong-matters-more-than-you-think

    .

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    1 h et 29 min
  • Symbolic Prose and Personal Politics (HELEN JOHNSON)
    Dec 6 2023

    Guest artist HELEN JOHNSON

    joins JILLIAN KNIPE for this final episode of Series 5, to discuss her work via 'The Birds' by Tarjei Vesaas. Published originally in 1957, then by Penguin Random House in 2019, this short novel describes the relationship between Hege and her younger, mentally challenged brother Mattis. With a sense of non-judgemental simplicity and acute sensitivity, we join the siblings as they negotiate everyday life in partial isolation and on the edge of something happening.

    HELEN and Jillian's conversation encompasses lightning, tenderness, siblings, gullibility, hiding, tapestry, holding, frustration, anguish, excavation, metaphors, equality, masking, knitting needles, dream worlds, shattered trees, portals, body punctures, art therapy, white supremacy, honest thieves, cartography lines, blinding flies, Oedipus complex, intergenerational privilege, psychotic structure, architectural blueprints, birthing shit, monetising colonialisation, not being othered, the weight of the work, creating a space for healing, writing being like a drawing, and a lot of Lacanian psychotherapy - a real learning experience !

    HELEN JOHNSON

    helenjohnson.net

    'Opening' Pilar Corrias Savile Row til 6 Jan 2024

    'Agency' Pilar Corrias 2019

    'Warm Ties' ICA 2017

    ARTISTS

    Aleksandra Waliszewska

    Aliza Nisenbaum

    Bridget Riley

    Christina Quarles

    Denzil Forrester

    Fred Williams

    Georgiana Houghton

    Joy Labinjo

    Judy Watson

    Katie Pratt

    Laura Owens

    Maja Ruznic

    Marcus Coates 'The Directors' Artangel

    Melanie Jackson

    Nicole Eisenman

    Njideka Akunyili Crosby

    Paola Balla

    Rosie Mullan

    Shanti Panchal

    Yhonnie Scarce

    AUTHORS + BOOKS

    Darian Leader 'The New Black: Mourning, Melancholia and Depression' 2008

    Jackie Wullschläger 'Monet: The Resless Vision' 2023

    Jennifer Higgie 'The Other Side: A Journey into Women, Art and the Spirit World' 2023

    Karl Ove Knausgaard

    National Gallery of Australia 'Know My Name: Australian Women Artists Since 1900' 2021 Part 1 2022 Part 2

    CURATORS + ART HISTORIANS

    Helen Molesworth 'Dialogues' David Zwirner

    Sarah McCrory

    THEORISTS + ANALYSTS + ACTIVISTS

    Anna Freud

    Donald Winnicott

    Jacques Lacan

    Joy Shaverien

    Melanie Klein

    Meriki Onus

    Sigmund Freud

    Shirley Sharon-Zisser 'What Would a Lacanian Art Therapy Look Like'

    Walter Benjamin

    Wilfred Bion

    GALLERIES + ART INSTITUTIONS

    Glasgow International

    ICA Institute of Contemporary Art

    Kunstverein in Hamburg

    Kingsgate Project Space

    Latrobe University

    MCA NSW Museum of Contemporary Art Australia

    NGV National Gallery of Victoria

    Pilar Corrias

    SeMA Seoul Museum of Art

    Tate Galleries

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    1 h et 29 min