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10FPS A Photojournalism Podcast for Everyone

10FPS A Photojournalism Podcast for Everyone

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 A Photojournalism Podcast by Photojournalists for EveryoneWLOY Loyola Radio Art Sciences sociales
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    • Episode 175: Stephen Shames (Documentary Photography) Part 1

      Episode 175: Stephen Shames (Documentary Photography) Part 1
      Feb 18 2026
      Stephen Shames: A Lifetime in Photography – Lessons on Social Documentary, the Black Panthers, and Child Poverty (Part 1) Introduction In the latest episode of “10 Frames per Second,” host Molly & Joe interview legendary American photojournalist Stephen Shames. Over a 50‑year career, Shames has documented everything from the Black Panther Party to child poverty in America, testifying before the U.S. Senate and publishing twelve monographs. If you’re a photographer, journalist, activist, or anyone who cares about visual storytelling, this interview is a goldmine. Below we break down the most actionable takeaways, organize them into easy‑to‑read sections, and show you how to apply Shames’s methods to your own work. Who Is Stephen Shames? FactDetailProfessionPhotojournalist & documentary photographerCareer span50+ years (1960s‑present)FocusSocial issues – child poverty, racism, civil rightsNotable achievementsTestified before the U.S. Senate (1986), 42 museum collections, 12 monographs (e.g., Power to the People, Outside the Dream), new book Stephen Shames – A Lifetime in Photography – Purchase Directly with Autograph and Print from Stephen via eBay HEREKey collaborationsBlack Panther leader Bobby Seale, New York Times reporter Earl Caldwell, various grassroots organizations How Stephen Shames Discovered Photography College activism – While studying at UC Berkeley during the 1960s, he witnessed the civil‑rights movement and anti‑Vietnam protests.First camera purchase – After hitch‑hiking to New York’s East Village, he bought a camera at a pawn shop.Choosing the “artist of the movement” – Frustrated by student‑government politics, he decided to capture the larger picture rather than be a “politician.” “I just wanted to look at the big picture and try and move people with photography.” Working with the Black Panther Party Why the Panthers Accepted a White Photographer Shared goals – Economic and social justice, not just race.Pragmatism – Panthers needed allies outside the Black community to build coalitions (Peace & Freedom Party, Young Lords, Young Patriots).Personal connection – Bobby Seale liked Shames’s images and invited him to use them in the Panther newspaper. Key Facts About the Panthers (From the Interview) Founded: October 1966 (initially ~20 members).National expansion: Post‑1968, 10,000+ members, 50‑60 chapters.Community programs: “Breakfast for School Children,” feeding 10,000+ kids daily.Self‑defense model: Legal gun ownership (California) + law books; later, they shifted to “cameras are better weapons.” Lesson for Photographers Build trust by aligning with a group’s mission, not merely your identity. Stephen Shames Research‑First Approach “Journalism is two‑dimensional; you need to experience the culture you want to document.” Steps to Deep‑Dive Research Read nonfiction – History, journalism, policy reports.Read fiction – Novels written by members of the community.Listen to music – Understand emotional tone and cultural references.Watch movies / documentaries – Visual language and storytelling cues.Live the bubble – Immerse yourself in daily life, food, rituals. Why It Matters Breaks the “bubble” of your own biases.Helps anticipate reactions and capture authentic moments. Stephen Shames on Building Trust & Relationships Core Principles Honesty: Be transparent about your intent.Respect: Never mock or look down on subjects (e.g., drug addicts, police).Reciprocity: Offer subjects control—let them tell you when to stop.Presence: Stay physically in the community (sleep on sofas, eat meals together). Practical Tactics Find a community “gatekeeper.” Example: a nun from Catholic Social Services who introduced Shames to Chicago projects.Sit down for a conversation before shooting – explain the project, listen to concerns.Share your work later (photos, stories) to reinforce the relationship. “If you’re honest, people will accept you, even if you’re a ‘liberal New York Jew.’” Bullet‑Point Checklist Identify and contact a respected local figure or organization. Explain your project in plain language. Offer a clear “opt‑out” for subjects. Spend time off‑camera – meals, conversations, errands. Follow up after the shoot with thank‑you notes or shared images. Cameras vs. Guns: The Evolution of “Weapons” 1960s‑70s: Panthers used firearms legally to patrol police.Today: Shames notes that cameras and smartphones are the most powerful weapons for exposing injustice.Why the shift? Legal restrictions on open carry.Instant global distribution of visual evidence. “The camera is a much better weapon because it puts the story directly in front of the world.” Lessons for Modern Photographers InsightHow to ApplyResearch beyond headlinesRead novels, watch local films, listen to playlists from the community.Immerse, don’t observe from a distanceStay in the neighborhood ...
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      53 min
    • Episode 174: Stephanie Keith (Documentary Photography)

      Episode 174: Stephanie Keith (Documentary Photography)
      Jan 27 2026
      Inside the Front‑Line of Resistance: Photojournalist Stephanie Keith on Visual Anthropology, ICE Protests & the Power of Community Observers 📸 Who Is Stephanie Keith? Background: Studied cultural anthropology at Stanford.Photojournalism degree from the International Center of Photography (ICP).Master’s in photography from NYU. Career Highlights: Pulitzer‑Prize finalist (2022) for breaking‑news coverage of a deadly Bronx fire.Works with Getty Images, Reuters, The New York Times, Bloomberg, and New York Magazine. Specialties: Brooklyn culture, Coney Island, drag‑queen competitions, Muslim holidays, Caribbean life, Haitian‑American voodoo.Since 2017 – chronicling the rise of white nationalism and ICE actions across the U.S. “Anthropology taught me to live inside a community, not just look at it from a distance.” – Stephanie Keith 🧐 What Is “Visual Anthropology” and Why Does It Matter for Photojournalism? Visual AnthropologyTraditional Breaking‑News CoverageImmersive – Long‑term, relational storytelling.Immediate – Focus on the moment of impact.Emphasizes culture, rituals, and everyday lives.Emphasizes who, what, when, where of the event.Seeks multiple angles (social, political, personal).Prioritises speed and exclusivity. Stephanie explains that her anthropology training helped her “get involved” with stories, allowing her to capture nuances a standard news shoot might miss. 🚦 The “Observers” of Minneapolis: Community‑Driven Resistance Who Are They? A loose, hyper‑local network of volunteers who monitor ICE vehicle movement.Operate in Signal chat groups (encrypted messaging).Work in shifts – morning, afternoon, evening – armed only with a whistle, phone, and cold‑weather gear. How They Operate Spotting ICE Vehicles – When an ICE convoy appears, an observer posts its location in the chat.Alerting the Neighborhood – Whistles or car horns sound to warn residents.Some “guard” establishments (e.g., Marissa’s Bakery) lock doors and screen entrants. Documenting the Scene – Many observers carry phones, providing live footage that journalists later verify. “If ICE represents fascism, observers are the front line of American resistance.” – Stephanie Why This Model Works Decentralized – No single command structure; anyone can join a shift.Hyper‑local – Neighbors protect neighbors.Low‑cost – No paid staff, just community solidarity. 📷 Behind Stephanie Keith‘s Iconic New York Magazine Photo Location: Outside the Whipple Federal Building, Minneapolis – a known ICE hotspot.Subject: A woman in a fur‑trimmed hood, glasses, and a full‑face gas mask (the only mask that works in tear‑gas scenarios).Process: Stephanie asked for consent, then shot 30‑plus frames to perfect focus and framing. Result: The image became the cover story, symbolizing everyday resistance. 🤝 Collaboration in the Field: How Journalists Share Information Signal Chats: Real‑time location sharing, ICE alerts, safety tips.Buddy System: Journalists travel in pairs or small groups, often in cars, to stay warm and safe.Cross‑Outlet Support: Reporters from Reuters, New York Magazine, Star Tribune, European outlets (Finland, Germany) all contribute intel.Editors like Jodi Kwan at New York Magazine shape story angles (e.g., focusing on the observers rather than ICE vehicles). “If it weren’t for the observers, we’d have far less knowledge of what’s happening.” – Stephanie 🛡️ Staying Safe: HEFAT Training & Practical Gear HEFAT (Hostile Environment Field Awareness Training) – Key takeaways from Stephanie’s Reuters training: Situational Awareness: Constantly locate threats and your nearest exit.Exit Planning: Park cars a few blocks away; know multiple escape routes.Crowd‑Control Devices: Full‑face gas mask for tear‑gas or pepper‑spray.Know how to don it quickly, even with glasses. Physical Gear Checklist: Helmet, vest, body armor.Extreme‑weather clothing – insulated jackets, gloves, thermal layers.Gas mask + cartridges (full face). Stephanie’s advice: “Pack like you’re preparing for the worst – the weather, the gear, the exit route.” 📚 What Early‑Career Photographers Can Learn 1. Find a Mentor Adrees Latif (Reuters) helped Stephanie refine technique, gain confidence, and navigate assignments. 2. Embrace Community Over Competition Share locations, tips, and safety info in chat groups.Prioritise collective safety over exclusive scoops. 3. Blend Anthropology with Journalism Immerse yourself in the community you’re documenting.Aim for story depth rather than just “the headline moment.” 4. Prepare Logistically Bring all essential gear (mask, cold gear, backup batteries).Use buddy system; never work alone in high‑risk zones. photojournalist Stephanie Keithvisual anthropology in journalismMinneapolis ICE protestscommunity observers resistanceHEFAT training for journalistshow to stay ...
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      41 min
    • Archive Episode 81: Eman Mohammed (Gaza Conflict Photography)

      Archive Episode 81: Eman Mohammed (Gaza Conflict Photography)
      Jan 20 2026
      Photojournalism From Gaza to the World: Eman Mohammed’s Journey, Resilience, and the Power of Long‑Term Stories Archive Episode – Aired in 2023 Discover how Eman Mohammed became Gaza’s first female photojournalist, why she chooses long‑term projects over spot news, and how her iconic “jacuzzi‑on‑the‑rubble” image captures resilience after war. Learn insights for aspiring photojournalists and storytellers. Table of Contents Who Is Eman Mohammed?Breaking Barriers: The First Woman Photojournalist in GazaThe Iconic Jacuzzi Image: Symbol of Life After ConflictWhy Long‑Term Projects MatterPreparing for War Coverage: Gear, Safety, and Mental HealthBehind the Book: The Cracks in My Lens (2022)The “Broken Souvenirs” Project: Trauma Without BordersKey Takeaways for Emerging PhotojournalistsFurther Resources & Links 1. Who Is Eman Mohammed? Award‑winning photojournalist and Senior TED Fellow based in Alexandria, Virginia.Born in Saudi Arabia, raised from age two in Gaza.Published in The Guardian, CNN, Le Monde, Vice, The Washington Post, and more. “I was a complete mess during my first war—no protective gear, no electricity, a twisted ankle, and a 22‑day conflict.” – Eman Mohammed Her career is a blend of visual artistry, human‑rights advocacy, and mental‑health awareness. 2. Breaking Barriers: The First Woman Photojournalist in Gaza ChallengeHow Eman RespondedMale‑dominated fieldTurned resistance into motivation; asked “why isn’t there a woman photojournalist?”Cultural taboosLeveraged her unique access to women’s stories that male crews cannot reach.Lack of role models locallyInspired by women photographers worldwide—Rula Halawani (West Bank), Marie Colvin (Syria), etc.Limited resourcesBegan with a simple backpack, later secured protective gear and international support. 3. The Iconic Jacuzzi Image: Symbol of Life After Conflict The Story Behind the Shot Setting: After the 2008‑2009 Gaza war, a jacuzzi survived the demolition of a Palestinian man’s house.Visual: Children taking a bubble bath on top of the rubble—a shocking yet hopeful tableau. Why It Resonates Resilience: Shows life continuing amid devastation.Human Connection: Highlights an unusual friendship between a Palestinian worker and his Israeli boss, hinting at shared humanity.Narrative Depth: Eman focused on the children, not the destruction, turning tragedy into a universal story of hope. Alt Text Suggestion for Web: Children playing in a bubble bath on war‑torn rubble in Gaza, taken by Eman Mohammed, representing resilience after conflict. 4. Why Long‑Term Projects Matter From Spot News to In‑Depth Storytelling Spot news captures the immediate event (e.g., rockets falling).Long‑term projects uncover causes, aftermath, and human impact. Benefits Highlighted by Eman Mohammed Deeper Understanding: Reveals how extremism forms, how societies heal.Narrative Cohesion: Allows “layers of mental health, tragedy, resilience” to emerge over time.Ethical Responsibility: Offers a full picture rather than “half information.” Practical Steps for Photographers Identify a core question (e.g., “What happens after a house is destroyed?”).Allocate time—months or years rather than days.Build trust with subjects for ongoing access.Document both visual and oral histories. long‑term photography projects, after‑effects of war, in‑depth photojournalism 5. Preparing for War Coverage: Gear, Safety, and Mental Health Gear & Logistics (What Eman Mohammed Learned the Hard Way) Early days: No protective vest, no backup batteries, unreliable electricity.Now: One spare battery, basic body armor, portable solar charger, reliable backup storage. Safety Strategies Know the locality—local journalists share the same surprise factor as residents.Secure evacuation routes (even if embassies may be limited).Maintain communication with a trusted network of fellow journalists. Mental Health & PTSD Therapy is essential – Eman stresses continual sessions, not a one‑off fix.Peer support: Sharing experiences with other photojournalists reduces isolation.Self‑care practices: Regular sleep, nutrition, and moments of “mental break” from intense material. war photographer safety tips, photojournalism PTSD, gear for conflict photography 6. Behind the Book: The Cracks in My Lens (2022) Limited‑edition memoir chronicling a decade‑plus of Gaza coverage.Challenges: Re‑seeing traumatic images, translating feelings into words, language barrier (English not native).Therapeutic Value: Forced Eman to process memories, confront PTSD, and articulate the “smell, taste, view” of daily life under siege.Availability: A few copies remain on her website (pre‑order if you’re a collector). The Cracks in My Lens book, photojournalist memoir Gaza, limited edition photography book 7. The “Broken Souvenirs” Project: Trauma Without Borders Concept: Pair powerful images with ...
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      44 min
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