Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show took its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.

Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.

Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals, and Dragnet remains a key influence on subsequent police dramas in many media.

The show's cultural impact is such that after seven decades, elements of Dragnet are familiar to those who have never seen or heard the program. The ominous, four-note introduction to the brass and tympani theme music (titled "Danger Ahead"), composed by Walter Schumann, is instantly recognizable.[2] It is derived from Miklós Rózsa's score for the 1946 film version of The Killers.[3] Another Dragnet trademark is the show's opening narration: "Ladies and gentlemen: the story you are about to hear is true. Only the names have been changed to protect the innocent." This underwent minor revisions over time. The "only" and "ladies and gentlemen" were dropped at some point. Variations on this narration have been featured in subsequent crime dramas, and in parodies of the dramas (e.g. "Only the facts have been changed to protect the guilty").

The radio series was the first entry in a Dragnet media franchise encompassing film, television, books and comics.

THE ADVENTURES OF THE FALCON

This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1943, and then came to TV around ten years later in a Syndicated series produced for distribution by NBC Films; the series was about an American agent whose code name was "Falcon".

The success of the films led to a radio series that premiered on the American Blue Network in April 1943, and aired for the next ten years on various networks. It was here that his transition into a private eye was finalized, with The Falcon, now called Michael Waring working as a hardboiled insurance investigator, with an office and a secretary, Nancy.

Barry Kroeger was the first radio voice of the Falcon, followed by James Meighan, Les Tremayne, George Petrie, and Les Damon. Nearly all the shows were broadcast from New York.

Each show usually started out with a telephone call to The Falcon from a beautiful woman. Answering in his slightly British accent, he would reply to her and another adventure would follow.

Waring was snappy and sarcastic with the incompetent police who were inevitably unable to solve the mysteries without his help. Like the films, the radio plots mixed danger, romance and comedy in equal parts.

A total of about 88 shows, representing the length of the run, are available today.

THE ADVENTURES OF THE FALCON

This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1943, and then came to TV around ten years later in a Syndicated series produced for distribution by NBC Films; the series was about an American agent whose code name was "Falcon".

The success of the films led to a radio series that premiered on the American Blue Network in April 1943, and aired for the next ten years on various networks. It was here that his transition into a private eye was finalized, with The Falcon, now called Michael Waring working as a hardboiled insurance investigator, with an office and a secretary, Nancy.

Barry Kroeger was the first radio voice of the Falcon, followed by James Meighan, Les Tremayne, George Petrie, and Les Damon. Nearly all the shows were broadcast from New York.

Each show usually started out with a telephone call to The Falcon from a beautiful woman. Answering in his slightly British accent, he would reply to her and another adventure would follow.

Waring was snappy and sarcastic with the incompetent police who were inevitably unable to solve the mysteries without his help. Like the films, the radio plots mixed danger, romance and comedy in equal parts.

A total of about 88 shows, representing the length of the run, are available today.

THE ADVENTURES OF THE FALCON

This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1943, and then came to TV around ten years later in a Syndicated series produced for distribution by NBC Films; the series was about an American agent whose code name was "Falcon".

The success of the films led to a radio series that premiered on the American Blue Network in April 1943, and aired for the next ten years on various networks. It was here that his transition into a private eye was finalized, with The Falcon, now called Michael Waring working as a hardboiled insurance investigator, with an office and a secretary, Nancy.

Barry Kroeger was the first radio voice of the Falcon, followed by James Meighan, Les Tremayne, George Petrie, and Les Damon. Nearly all the shows were broadcast from New York.

Each show usually started out with a telephone call to The Falcon from a beautiful woman. Answering in his slightly British accent, he would reply to her and another adventure would follow.

Waring was snappy and sarcastic with the incompetent police who were inevitably unable to solve the mysteries without his help. Like the films, the radio plots mixed danger, romance and comedy in equal parts.

A total of about 88 shows, representing the length of the run, are available today.

Catch all 12 1001 podcasts at www.bestof1001stories.com

During this time, Yours Truly, Johnny Dollar attracted some of the best writers in Hollywood, including Jack Johnstone, E. Jack Neuman (using the pen name John Dawson), Robert Ryf, and Les Crutchfield. Bob Bailey also wrote a script while he was playing Johnny Dollar. He used the pen name Robert Bainter (Bainter was his middle name) as the scriptwriter for "The Carmen Kringle Matter", which was aired on Saturday, December 21, 1957 on the West Coast, and on the following day for the rest of the country.

Bob Bailey, generally thought of as the most popular of the Johnny Dollars, brought a new interpretation to the character – tough, but not hard-boiled; streetwise, but not overly cynical, Bailey's Dollar was smart and gritty when he had to be. But Bailey's Johnny Dollar was also human. His character would get emotionally involved in a number of his cases. He had a streak of impatience, and would occasionally not fully listen to a witness and rush off on a tangent before realizing his mistake.

The weekday serialized episodes are generally acknowledged as some of the finest radio detective shows ever produced. There were fifty six multi-part shows in all: fifty four five-part shows, one six-part show, and one nine-part show. The serialized episodes continued until November 2, 1956 when the series again reverted to a once a week, thirty minute format. Bob Bailey continued in the lead, until "The Empty Threat Matter" of November 27, 1960, when the Hollywood run ended.

The guest stars and supporting casts were always first rate, attracting the best radio actors in both Los Angeles and New York. Pat McCracken was played by several actors – most frequently, by Larry Dobkin. Particularly noteworthy was the work of Virginia Gregg, who played many roles, including Johnny's girlfriend Betty Lewis. Harry Bartell was also a frequent guest, who did many of the Spanish dialect roles when Johnny went to a Latin American country. Other frequent guest performers were Parley Baer, Tony Barrett, John Dehner, Don Diamond, Sam Edwards, Herb Ellis, Frank Gerstle, Stacy Harris, Jack Kruschen, Forrest Lewis, Howard McNear, Marvin Miller, Jeanette Nolan, Vic Perrin, Barney Phillips, Jean Tatum, Russell Thomson, Ben Wright, and Will Wright. Vincent Price co-starred as himself in "The Price of Fame Matter" and went to Europe with Johnny on the case.

In December 1960, the show moved to New York. Robert Readick started the New York run as Dollar, but only lasted a short while. Jack Johnstone continued to write for the show and submitted scripts from California. Johnstone wrote about 350 Johnny Dollar scripts under his own name and his pen names Sam Dawson and Jonathan Bundy. Johnstone wrote the last episodes of both Yours Truly, Johnny Dollar and Suspense. He used the Bundy pen name when writing the last Suspense episode, "Devilstone".

And so, an era passed. Yours Truly, Johnny Dollar was the last continuing detective series of the Golden Age of Radio. Mandel Kramer was the last Johnny Dollar, and a close second in popularity to Bailey, when the final episode, "The Tip-Off Matter", was aired on September 30, 1962.

Material for this description was prepared by Stewart Wright.

During this time, Yours Truly, Johnny Dollar attracted some of the best writers in Hollywood, including Jack Johnstone, E. Jack Neuman (using the pen name John Dawson), Robert Ryf, and Les Crutchfield. Bob Bailey also wrote a script while he was playing Johnny Dollar. He used the pen name Robert Bainter (Bainter was his middle name) as the scriptwriter for "The Carmen Kringle Matter", which was aired on Saturday, December 21, 1957 on the West Coast, and on the following day for the rest of the country.

Bob Bailey, generally thought of as the most popular of the Johnny Dollars, brought a new interpretation to the character – tough, but not hard-boiled; streetwise, but not overly cynical, Bailey's Dollar was smart and gritty when he had to be. But Bailey's Johnny Dollar was also human. His character would get emotionally involved in a number of his cases. He had a streak of impatience, and would occasionally not fully listen to a witness and rush off on a tangent before realizing his mistake.

The weekday serialized episodes are generally acknowledged as some of the finest radio detective shows ever produced. There were fifty six multi-part shows in all: fifty four five-part shows, one six-part show, and one nine-part show. The serialized episodes continued until November 2, 1956 when the series again reverted to a once a week, thirty minute format. Bob Bailey continued in the lead, until "The Empty Threat Matter" of November 27, 1960, when the Hollywood run ended.

The guest stars and supporting casts were always first rate, attracting the best radio actors in both Los Angeles and New York. Pat McCracken was played by several actors – most frequently, by Larry Dobkin. Particularly noteworthy was the work of Virginia Gregg, who played many roles, including Johnny's girlfriend Betty Lewis. Harry Bartell was also a frequent guest, who did many of the Spanish dialect roles when Johnny went to a Latin American country. Other frequent guest performers were Parley Baer, Tony Barrett, John Dehner, Don Diamond, Sam Edwards, Herb Ellis, Frank Gerstle, Stacy Harris, Jack Kruschen, Forrest Lewis, Howard McNear, Marvin Miller, Jeanette Nolan, Vic Perrin, Barney Phillips, Jean Tatum, Russell Thomson, Ben Wright, and Will Wright. Vincent Price co-starred as himself in "The Price of Fame Matter" and went to Europe with Johnny on the case.

In December 1960, the show moved to New York. Robert Readick started the New York run as Dollar, but only lasted a short while. Jack Johnstone continued to write for the show and submitted scripts from California. Johnstone wrote about 350 Johnny Dollar scripts under his own name and his pen names Sam Dawson and Jonathan Bundy. Johnstone wrote the last episodes of both Yours Truly, Johnny Dollar and Suspense. He used the Bundy pen name when writing the last Suspense episode, "Devilstone".

And so, an era passed. Yours Truly, Johnny Dollar was the last continuing detective series of the Golden Age of Radio. Mandel Kramer was the last Johnny Dollar, and a close second in popularity to Bailey, when the final episode, "The Tip-Off Matter", was aired on September 30, 1962.

Material for this description was prepared by Stewart Wright.

During this time, Yours Truly, Johnny Dollar attracted some of the best writers in Hollywood, including Jack Johnstone, E. Jack Neuman (using the pen name John Dawson), Robert Ryf, and Les Crutchfield. Bob Bailey also wrote a script while he was playing Johnny Dollar. He used the pen name Robert Bainter (Bainter was his middle name) as the scriptwriter for "The Carmen Kringle Matter", which was aired on Saturday, December 21, 1957 on the West Coast, and on the following day for the rest of the country.

Bob Bailey, generally thought of as the most popular of the Johnny Dollars, brought a new interpretation to the character – tough, but not hard-boiled; streetwise, but not overly cynical, Bailey's Dollar was smart and gritty when he had to be. But Bailey's Johnny Dollar was also human. His character would get emotionally involved in a number of his cases. He had a streak of impatience, and would occasionally not fully listen to a witness and rush off on a tangent before realizing his mistake.

The weekday serialized episodes are generally acknowledged as some of the finest radio detective shows ever produced. There were fifty six multi-part shows in all: fifty four five-part shows, one six-part show, and one nine-part show. The serialized episodes continued until November 2, 1956 when the series again reverted to a once a week, thirty minute format. Bob Bailey continued in the lead, until "The Empty Threat Matter" of November 27, 1960, when the Hollywood run ended.

The guest stars and supporting casts were always first rate, attracting the best radio actors in both Los Angeles and New York. Pat McCracken was played by several actors – most frequently, by Larry Dobkin. Particularly noteworthy was the work of Virginia Gregg, who played many roles, including Johnny's girlfriend Betty Lewis. Harry Bartell was also a frequent guest, who did many of the Spanish dialect roles when Johnny went to a Latin American country. Other frequent guest performers were Parley Baer, Tony Barrett, John Dehner, Don Diamond, Sam Edwards, Herb Ellis, Frank Gerstle, Stacy Harris, Jack Kruschen, Forrest Lewis, Howard McNear, Marvin Miller, Jeanette Nolan, Vic Perrin, Barney Phillips, Jean Tatum, Russell Thomson, Ben Wright, and Will Wright. Vincent Price co-starred as himself in "The Price of Fame Matter" and went to Europe with Johnny on the case.

In December 1960, the show moved to New York. Robert Readick started the New York run as Dollar, but only lasted a short while. Jack Johnstone continued to write for the show and submitted scripts from California. Johnstone wrote about 350 Johnny Dollar scripts under his own name and his pen names Sam Dawson and Jonathan Bundy. Johnstone wrote the last episodes of both Yours Truly, Johnny Dollar and Suspense. He used the Bundy pen name when writing the last Suspense episode, "Devilstone".

And so, an era passed. Yours Truly, Johnny Dollar was the last continuing detective series of the Golden Age of Radio. Mandel Kramer was the last Johnny Dollar, and a close second in popularity to Bailey, when the final episode, "The Tip-Off Matter", was aired on September 30, 1962.

Material for this description was prepared by Stewart Wright.

For over twelve years, from 1949 through 1962 (including a one year hiatus in 1954-1955), this series recounted the cases "the man with the action-packed expense account, America’s fabulous freelance insurance investigator, Johnny Dollar". Johnny was an accomplished 'padder' of his expense account. The name of the show derives from the fact that he closed each show by totaling his expense account, and signing it "End of report... Yours Truly, Johnny Dollar".

Terry Salomonson in his authoritative "A Radio Broadcast Log of the Drama Program Yours Truly, Johnny Dollar", notes that the original working title was "Yours Truly, Lloyd London". Salomonson writes "Lloyd London was scratched out of the body of (the Dick Powell) audition script and Johnny Dollar was written in. Thus the show was re-titled on this script and the main character was renamed. Why this was done was unclear – possibly to prevent a legal run-in with Lloyd’s of London Insurance Company." Although based in Hartford, Connecticut, the insurance capital of the world, freelancer Johnny Dollar managed to get around quite a bit – his adventures taking him all over the world.

There were some unusual devices used in the show that help set it apart from other shows. There was no partner, assistant, or secretary for Johnny. The character closest to a continuing role was that of Pat McCracken of the Universal Adjustment Bureau, who assigned Johnny many of his cases. Another atypical aspect gave the show additional credibility – frequently, characters on the show would mention that they had heard about Johnny’s cases on the radio. Johnny often used his time when filling out his expense accounts to give the audience background information or to express his thoughts about the current case.

No fewer than eight actors played Johnny Dollar. Dick Powell, of Rogue’s Gallery fame, cut the original audition tape, but chose to do Richard Diamond, Private Detective instead. Gerald Mohr, of The Adventures of Philip Marlowe fame, auditioned in 1955, prior to Bob Bailey getting the title role. Through the first three actors to play Johnny Dollar (Charles Russell, Edmond O'Brien, and John Lund), there was little to distinguish the series from many other radio detective series. Dollar was just another hard-boiled detective in a medium that was overloaded with the stereotype. Charles Russell, the first to play the role, would throw silver dollars to bellboys and waiters. Luckily, this trite gimmick did not survive long.

On October 3, 1955, after a hiatus of over a year, the show came back with a vengeance. A new production team, including director/writer Jack Johnstone, a new star, Bob Bailey, from the radio series Let George Do It, and a new format would set the series apart from its competitors. Johnny's cases were now a continuing serial, five days a week, for fifteen minutes each evening. With 75 minutes of airtime, minus commercials and openings and closings, there was sufficient time to develop good storylines and interesting characters.