Gripping Erotic Suspense, Seductive Narrator!

This is one of those rare audio books that will gently push everything else out of your head, a thoroughly engrossing tale told in a voice that will soothe, seduce and excite.

The characters in "Widdershins" are very compelling, and the narrator gives each just enough nuance without intruding on my freedom to imagine. The story starts tugging at my curiosity right off the bat. Within a few pages, I am drawn to Percival Endicott Whyborne -- he has an endearing clumsiness and is so shy I really want to follow him to see why.

The mystery unfolds at a tantalizing pace. Hints are dropped every few pages: a mysterious cipher needs translating, tied to a murder of a wealthy young man “in a seedy part of town.” As it escalates, the richly woven tale incorporates elements of the occult, an ancient Egyptian curse, a secret cult, hideous carnivorous monsters and more. And it is all experienced through the very accessible perspective of our very likable hero.

In addition to the scholarly Whyborne, the book is populated by several enticing players: the dashing detective Griffin Flaherty, the feisty and loyal Dr. Christine Putnam, and a colorful cast of thugs, hookers, pompous bosses and a creepy old-world ghoul. These characters are drawn so well that I can really see them as I listen.

The narration spirals in on you. The first few pages feel aloof and have some technical problems that are unfortunate, but these glitches soon clear up and the timbre of this narrator’s voice comes through clearly. He seems just right for Whyborne: youthful, intelligent, and hesitant, at first. But as the story progresses, as the character grows in confidence, the narrator seems to come closer to the reader’s ear. It’s a pleasant sensation, soothing and familiar.

There is also another sort of suspense, even more adroitly developed. When Whyborne becomes all aflutter over Griffin, the story takes on steam, building up an erotic attraction between two men that, in the Victorian setting, would have been extremely taboo. But this is not a “gay romance” so much as a good story that just happens to include gay characters. The story is erotic, but not tawdry. This is a firstly a suspenseful mystery, then a romance and a love story. Sex comes in due course, but it is not the center of the story. I like that, and the narrator is very good at imbuing these characters with just the right amount of personality to support the carefully crafted sensuality at which Jordan L. Hawk excels.

For me, there are multiple memorable moments in the tantalizing escalation of the romantic attachment between the two lead characters (who just happen to be men). I think this would work equally well for a man and a woman, but there are also unique aspects to a gay romance that the author captures with great sensitivity. The narrator is right there, making these increasingly-erotic encounters both believable and, admittedly, a bit arousing.

I suppose my favorite moment is when Griffin and Whyborne escape hideous monsters by setting off an explosion, and are blown out of the old house and land in the snow. The masculine, muscular Griffin lands on top of the slight, delicate Whyborne, pinning him down. There is a fantastically erotic moment, when Griffin gently asks Whyborne "What am I to do with you?" And Whyborne -- stepping across a hitherto taboo threshold -- says "Whatever you want."

That, and the ending, resonate for me as perfect renditions of a love story between two men, who are perfectly matched.

"Widdershins" is breaking new ground, I think -- moving the genre of "gay fiction" several leagues forward. It's hard to find quality fiction with prominent gay characters. So often, books featuring gay characters make that gayness the center of attention, and the story is all about simplistic sex and "hot" this and "hot" that, shimmering torsos and shallow dialogue. We are beyond that. Widdershins is a gripping story by a talented writer who totally "gets" the nuances of gay romance, read by a narrator who clearly knows whereof he speaks.

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33 personnes ont trouvé cela utile

Highly Enjoyable Story, Less Successful Narration

~~I was provided this audiobook at no charge by the author, publisher and/or narrator in exchange for an unbiased review via AudiobookBlast dot com~~

I had read Widdershins, the first book in the Whyborne & Griffin series, in ebook form before my experience with the audiobook. I already knew that Widdershins offered up a fun and exciting historical story with fantastical elements, as well as a touching romance between two men who hadn't believed they could find acceptance, love, and trust in someone. As I do with audiobooks, I hoped to listen to the narration of this story and have it come alive in a new way. Unfortunately, that didn't happen for me.

I've read this is Julian G. Simmons' first foray into narration and that there were some technical issues that made this a less successful start. I haven't listened to any of the later books in this series (but I've read he's improved and certainly there are readers here who've greatly enjoyed the narration of this one), so I can only speak to what I found.

There was not a distinct enough voice for Griffin. I felt there was an attempt, but it was unsuccessful for my ear. The other voices that were distinct (save for Christine and Whyborne), felt unrefined and fell too much on the caricature side for my preferences, and they didn't stay consistent. Also, at times there was a cadence or rhythm he fell into that made sentences lack punch and drew me away from the story.

This next comment falls on me and how I listen to audiobooks, but it's worth mentioning in case other people are the same. I'm in a car much of the time I'm reading an audiobook, therefore sound of the road intrudes. Each time any character whispered or spoke in low tones, I completely missed what was being said. My phone was up to the highest volume, and I'd miss it every single time. From other audiobooks, I know it's a fine line to "whisper" while still being heard at an audible level for the reader. I'm chalking up this issue to a combination of new narrator, my device's limitations, and my environment. Obviously, a perfect storm of poor sound experience.

On the positive side, even though a distinct voice didn't always come through in the narration, a personality did. There wasn't an ambiguity at all to any character's feelings and motivation as present in the text. Being able to feel all those emotions went a long way in helping me enjoy the story when other parts left me frustrated. Also, I felt like his voice does suit the character of Whyborne very well, which is a definite positive since he is the narrator and one of the main characters. As I mentioned earlier, his presentation of Christine was also a plus. Great personality and a distinct change in voice for her.

Although I can't give a wholehearted recommendation for this audiobook based on my own expectations and experience, I can certainly say this is a book to read if you enjoy a clever blend of historical, supernatural, and romantic elements.

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22 personnes ont trouvé cela utile

Narration and Recording is horrible

The narration and recording is so bad, I didn't even make it past chapter 1. I think the book of this is fairly decent, but the audible version is just so bad.

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17 personnes ont trouvé cela utile

Love, mystery, death, with a touch of mysticism...

This was an interesting tale involving mystery and paranormal constructs that takes the listener on a journey of fanciful delight and sympathetic realism. Our protagonist, Percival Endicott Whyborne, begins the journey with such poor self-regard that one not only feels for him, but wants to slap him upside the head to make him realize his truth. Enter, Griffin Flaherty who see's in Percival what the reader see's and attempts to bring it to the forefront. There attraction and subsequent events are influenced by the times in which the story is told, yet love overcomes all...at least in fiction! Love, mystery, death, with a touch of mysticism are the tools that Hawk uses to tell this tale. Simmons, the narrator, does a great job reading this story. All in all, a great read and highly enjoyable.

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15 personnes ont trouvé cela utile

Good story, immature writing.

I really liked the story, even though there were a few difficulties with period references. For the first part of the story, I had a hard time remembering that the time frame was in the past. The book used both modern and historic references to items that didn't fit the period. I eventually just decided to *put* myself in the time frame and ignore the inappropriate references.
The narrator was difficult to get used to, but once I had, I was OK with the narration. Not the best performance, but OK. He needs to learn how to read passion.
I am not sure if I would rather read than listen.
It really was a good story with a reasonably fresh plot. I was surprised at the number of books this author has published as he seems to need either more experience or better research skills.
I know this doesn't sound like a good review, but I do recommend listening to it.

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11 personnes ont trouvé cela utile

Terrible narration and recording quality

The story is good enough to continue...in ebook format. The narration and quality of recording (it sounded like he was in a tin can!), regrettably, detracted from the enjoyment of the story.

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10 personnes ont trouvé cela utile

Not Great, Not Terrible

I had a hard time getting into Widdershins. Upon reflection, I think that had a lot to do with an Audible narrator who was so passive as to sound like every sentence he had to utter was a terrible bore and just getting up in the morning must have been a tedious chore. It made the main character sound whiney and dumb and completely unlikeable. There was no spark of intelligence at all - just confusion, annoyance, and a grievous amount of tell over show.

Story: Percival Whyborne has had to live under the cloud of his very famous and very powerful father's name for all his life. At the Ladysmith University, he is still harassed mercilessly for being a Whyborne but at least he has his books. Until Griffin Flaherty comes into the university seeking a translation of a very odd book. Suddenly both men find themselves caught up in a supernatural world and conspiracy with far reaching consequences.

As far as paranormal goes, there isn't much new here. That doesn't necessarily mean it is a bad book but a LGB theme isn't going to excuse or justify sloppy/poor writing. Plot and world building is still incredibly important and none of the characters or the University felt real. The book had a cartoony feel that, while not terrible, still never felt grounded at any time. The conspiracy ended up sounding too much like a B-movie trying to use Masons or Shriners as world dominating evil mustache twirlers. It was hard to decide who was stupider sounding - the main characters or the villains (ok, the villains were stupider). There was the spark of something good under all the mess but it was pretty well hidden.

Because the narration was so offputting, I would not recommend the Audible version. Perhaps I might have enjoyed this more had I read the book instead of listened to it.

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7 personnes ont trouvé cela utile

Difficult narration, good story

I like these characters, and I am driven to read each offering in the series as it is released. The narrator's best voice is that of Christine, which makes it hard to listen to his less-than-good attempts at Griffin and Whyborne. I think the author misses opportunities to make the relationship more compelling - but that doesn't mean I won't be buying the next in the series when it is released.

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7 personnes ont trouvé cela utile

Horrible Narration!!!

What would have made Widdershins better?

A better narrator! I could not get past the first 10 minutes of this book, because the narration was so bad. I listen to a lot of audio books and this is by far the worst narrator I have heard.

Would you ever listen to anything by Jordan L. Hawk again?

Maybe if there was a different narrator.

How could the performance have been better?

Get a different narrator.

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7 personnes ont trouvé cela utile

Didn't Finish Listening - gave up after chapter 3

Is there anything you would change about this book?

The narrator.

What was the most interesting aspect of this story? The least interesting?

World building: it was just enough different from our reality.

What didn’t you like about Julian G. Simmons’s performance?

Everything from his phrasing to his attempts to differentiate between character voices and emotional responses.

Did Widdershins inspire you to do anything?

I had previously purchased the kindle edition of this book, so after giving up on the audio version I read the book in the cloud. I also plan on reading the next few books in the series. I will be purchasing other books from the author as long as they have a different narrator.

Any additional comments?

I will avoid Mr. Simmons' performances in the future.

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4 personnes ont trouvé cela utile