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The Nearest Exit

A Novel

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The Nearest Exit

De : Olen Steinhauer
Lu par : David Pittu
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Milo Weaver has nowhere to turn but back to the CIA in Olen Steinhauer's brilliant follow-up to the New York Times bestselling espionage novel The Tourist

The Tourist, Steinhauer's first contemporary novel after his awardwinning historical series, was a runaway hit, spending three weeks on the New York Times bestseller list and garnering rave reviews from critics.

Now faced with the end of his quiet, settled life, reluctant spy Milo Weaver has no choice but to turn back to his old job as a "tourist." Before he can get back to the CIA's dirty work, he has to prove his loyalty to his new bosses, who know little of Milo's background and less about who is really pulling the strings in the government above the Department of Tourism-or in the outside world, which is beginning to believe the legend of its existence. Milo is suddenly in a dangerous position, between right and wrong, between powerful self-interested men, between patriots and traitors-especially as a man who has nothing left to lose.

“Milo Weaver, Steinhauer’s hero, is the opposite of Swagger and Reacher—he is conflicted and neurotic and hopelessly sentimental—but no less entertaining.” —Malcolm Gladwell, TheNewYorker.com

“Milo’s company is at least as valuable to the series’s appeal as is his flair for international trickery.” —Janet Maslin, The New York Times

Dur à cuire Espionnage Espions et politique Policier Suspense Thrillers et romans à suspense
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Couverture de The Last Tourist
The Last Tourist De : Olen Steinhauer

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Praise for the Milo Weaver series

THE TOURIST
“A protagonist who’s as winning as he is wily.” —Stephen King, Entertainment Weekly

“[Steinhauer] excels when the focus is on Weaver, an intriguing, damaged man yearning to break free of his dark profession.” —People

“The kind of principled hero we long to believe still exists in fiction, if not in life.” —The New York Times Book Review (Editor’s Choice)

THE NEAREST EXIT
“Milo Weaver, Steinhauer’s hero, is the opposite of Swagger and Reacher—he is conflicted and neurotic and hopelessly sentimental—but no less entertaining.” —Malcolm Gladwell, TheNewYorker.com

“Milo’s company is at least as valuable to the series’s appeal as is his flair for international trickery.” —Janet Maslin, The New York Times

AN AMERICAN SPY
“Olen Steinhauer’s Milo Weaver novels are must-reads for lovers of the genre.” —The Washington Post

“Readers are irresistibly drawn into Weaver's dogged struggle to unravel a complicated game of cat and mouse.” —USA Today

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