An unsettling collection of full-cast dramas from the long-running BBC Radio 4 horror series. Throughout five series of Fear on 4 from 1988-1997, Edward de Souza was The Man in Black, a sinister raconteur who introduced a weekly half hour of terror and suspense. Here, he welcomes us to his house of horrors as he presents 13 terrifying tales that will make your flesh crawl. With eerie sound effects that enhance the atmosphere of dread, these bloodcurdling adaptations run the gamut from the mysterious to the macabre. With superb casts including Imelda Staunton, Bernard Cribbins, Anna Massey, Thora Hird and Sean Barrett.

Twelve BBC Radio 4 full-cast dramatisations of short stories by the Queen of Crime. First broadcast in the early 2000s, the stories were adapted and brought up-to-date for a contemporary audience. The stories are 'Philomel Cottage'; 'Swan Song'; 'Magnolia Blossom'; 'Witness for the Prosecution'; 'The Gates of Baghdad'; 'The Hounds of Death'; 'In a Glass Darkly'; 'The Dressmaker's Doll'; 'The Case of the Perfect Carer'; 'The £199 Adventure'; 'The Gypsy'; and 'The Last Seance'. Duration: 6 hours approx.

In his late 30s, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death. In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands.

Bill Nighy, Barbara Shelley and Peter Sallis are among the cast in six classic BBC Radio dramatisations of stories by one of Britain's most popular science fiction authors. 'The Day of the Triffids', first broadcast in 1968, is set in a world in which most people have been left blind after a meteor shower, and lethal carnivorous triffids are roaming the land. 'The Kraken Wakes', dramatised for radio in 1998, is a gripping story of monsters from the deep, alien invasion and ecological disaster.

Over a prolific 40-year career, The Fall created a world that was influential, idiosyncratic and fiercely original - and defied simple categorisation. Their front man and lyricist, Mark E Smith, spun opaque tales that resisted conventional understanding; The Fall's worldview was an education in its own right. Who wouldn't want to be armed with a working knowledge of M R James, shipping-dock procedures, contemporary dance, Manchester City and Can? The group inspired and shaped the lives of those who listened to and tried to make sense of their work.