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The Low Road

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 A young petty criminal, Lee, wakes in a seedy motel to find a bullet in his side and a suitcase of stolen money next to him, with only the haziest memory of exactly how he got there. Soon he meets Wild, a morphine-addicted doctor who is escaping his own disastrous life. The two men form an unwilling, unlikely alliance and set out for the safety of a country estate owned by a former colleague of Wild’s named Sherman. As they flee the city, they develop an uneasy intimacy, inevitably revisiting their pasts even as they desperately seek to evade them. Lee is haunted by a brief stint in jail, while Wild is on the run from the legacy of medical malpractice. But Lee and Wild are not alone: they are pursued through an increasingly alien and gothic landscape by the ageing gangster Josef, who must retrieve the stolen money and deal with Lee to ensure his own survival. By the time Josef finally catches up to them, all three men have been forced to confront the parts of themselves they sought to outrun. Part classic film-noir crime-thriller, part modern tale of despair and desperation, The Low Road seduces the reader into a story that unfolds and deepens hypnotically. This is a brilliant debut novel.©2007 Chris Womersley (P)2012 Bolinda Publishing Suspense Thrillers et romans à suspense

Commentaires

"The Low Road is richly and powerfully written. It is also an almost unbearably intense, tragic, and unrelentingly dark story of addiction, regret, despair, and failed dreams that left this reader mightily impressed." (Australian Bookseller & Publisher)
"Womersley is a gifted writer with a curious and liberated command of the language … The Low Road is an engrossing, confronting and excellent novel from a talented young Australian writer." (ABC First Tuesday Bookclub)
"As unflinching as Cormac McCarthy and as perverse as Ian McEwan, The Low Road blazes too with the lyricism of T.C. Boyle. It is a surprising and stunning debut." (The Australian Financial Review)
"It is difficult to believe that The Low Road is a first novel. It has the controlled pace of an experienced hand … rife with images, it unfolds like a film … Womersley’s language is polished and assured, each word precisely chosen, and every image finely constructed." (The Age)
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