Scream With Me
Horror Films and the Rise of American Feminism (1968-1980)
Impossible d'ajouter des articles
Désolé, nous ne sommes pas en mesure d'ajouter l'article car votre panier est déjà plein.
Veuillez réessayer plus tard
Veuillez réessayer plus tard
Échec de l’élimination de la liste d'envies.
Veuillez réessayer plus tard
Impossible de suivre le podcast
Impossible de ne plus suivre le podcast
Bénéficiez gratuitement de Standard pendant 30 jours
5,99 €/mois après la période d’essai. Annulation possible à tout moment
Acheter pour 17,99 €
-
Lu par :
-
Andi Arndt
-
Eleanor Johnson
-
De :
-
Eleanor Johnson
“An indispensable work of feminist criticism.” —Elle
“Convincing and illuminating.” —The Atlantic
A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.
When the Supreme Court decided to reverse Roe v. Wade in the spring of 2022, Dr. Eleanor Johnson and her class were in the middle of studying the 1968 horror classic Rosemary’s Baby, a film that understands reproductive coercion as the soul of horror. Teaching this film to her distraught students led Johnson to an epiphany: horror cinema engages directly with the combustive politics of women’s rights and the despotic atmosphere in America, both in the 1970s and today.
In ten “riveting, enlightening, and occasionally scream-inducing” (Shelf Awareness) essays, Johnson reveals with intellect and empathy how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. By weaving these iconic films into the fabric of American feminism, Johnson reveals that true horror often lies not in the supernatural but in the familiar (and all too often, lethal) confines of the home. “With wit and relish” (BookPage), Scream with Me is an accessible and “thought-provoking” (Library Journal) recognition of the power of the horror genre to shape and reflect cultural dialogues about gender and power.
adbl_web_anon_alc_button_suppression_t1
Aucun commentaire pour le moment