Light in August

Ugwu, a boy from a poor village, works as a houseboy for a university professor. Olanna, a young woman, has abandoned her life of privilege in Lagos to live with her charismatic new lover, the professor. And Richard, a shy English writer, is in thrall to Olanna's enigmatic twin sister. As the horrific Biafran War engulfs them, they are thrown together and pulled apart in ways they had never imagined.

In a daring tour de force, Colum McCann takes on the most intractable of conflicts: the Troubles in Northern Ireland. In this, his fourth book, McCann, a writer of fierce originality and haunting lyricism, turns to the Troubles and reveals, as only fiction writers can, the reverberations of political tragedy in the most intimate lives of men and women, parents and children.

The hero of Everyman is obsessed with mortality. As he reminds himself at one point, "I'm 34! Worry about oblivion when you're 75." But he cannot help himself. He is the ex-husband in three marriages gone wrong. He is the father of two sons who detest him, despite a daughter who adores him. A masterful portrait of one man's inner struggles, Everyman is a brilliant showcase for one of the world's most distinguished novelists.

In exploring everyday life and its intersections with death, this enduring collection of stories offers a naturalistic depiction of the working class in early twentieth-century Dublin. Joyce masterfully portrays frustrations and aborted desires to escape the mundane; transformative epiphanies both great and small; and the restraints, loneliness, violence, and contemplations of lives lived. 

A contemporary classic, The Remains of the Day is Kazuo Ishiguro's beautiful and haunting evocation of life between the wars in a Great English House. In the summer of 1956, Stevens, the ageing butler of Darlington Hall, embarks on a leisurely holiday that will take him deep into the countryside – and into his past.

A Signature Performance: Kenneth Branagh plays this like a campfire ghost story, told by a haunted, slightly insane Marlow.

Flaubert’s Parrot deals with Flaubert, parrots, bears and railways; with our sense of the past and our sense of abroad; with France and England, life and art, sex and death, George Sand and Louise Colet, aesthetics and redcurrant jam; and with its enigmatic narrator, a retired English doctor, whose life and secrets are slowly revealed.

When an industrial accident unleashes an "airborne toxic event", a lethal black chemical cloud floats over the Gladneys' lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys - radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings - pulsing with life yet suggesting something ominous.

As teenagers, Ifemelu and Obinze fall in love in a Nigeria under military dictatorship. The self-assured Ifemelu departs for America, where Obinze hopes to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London. Fifteen years later, after so long apart and so many changes, will they find the courage to meet again, face to face?

At its heart lies the marriage of Peter and Maureen Tarnopol, a gifted young writer and the woman who wants to be his muse but who instead is his nemesis. Their union is based on fraud and shored up by moral blackmail, but it is so perversely durable that, long after Maureen’s death, Peter is still trying—and failing—to write his way free of it.