"Xe Sands's eerie performance beckons listeners into this horror story.... Sands's vocal fry and emotional tone will keep listeners on edge as Tamsin becomes more and more obsessed with the door in her basement.... Sands's unsettling performance and consistent pacing are remarkable." (AudioFile)

"A taut, ominous gothic that plays with preconceptions of gender and genre alike. Starling illuminates her characters brilliantly, and isn't afraid of the dark corners behind them. This book runs like clockwork—but it's unpredictable too, unnervingly so, like a machine finely calibrated to self-destruct. It reads like Shirley Jackson writing an episode of Severance."—Isaac Fellman, author of Dead Collections and The Two Doctors Górski.

"A stylish and chilling technothriller, Last to Leave the Room had me rapt at every page. Starling once again succeeds with this tense, atmospheric tale of genius and hubris, one that will have readers question their sense of identity until the chilling end."—Victor Manibo, author of The Sleepless

"No two Caitlin Starling books are the same, save for their intelligence, imagination, and compulsive readability. But with Last to Leave the Room, Starling has outdone herself. If, by the end of Chapter 3, you're not *desperate* to know what happens next, you're as baffling as non-Euclidean geometry."—Nat Cassidy, author of Mary: An Awakening of Terror and Nestlings