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Couverture de Last Looks

Last Looks

De : Howard Michael Gould
Lu par : John Michael Higgins
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    Description

    NOW A MAJOR MOTION PICTURE!

    A razor-sharp, exquisitely paced, madly fun debut thriller that gleefully lampoons Hollywood culture and introduces the highly eccentric yet brilliant ex-detective gone rogue: Charlie Waldo.

    There are run-of-the-mill eccentric Californians, and then there's former detective Charlie Waldo.

    Waldo, a onetime LAPD superstar, now lives in solitude deep in the woods, pathologically committed to owning no more than 100 possessions. He has left behind his career and his girlfriend, Lorena, to pay self-imposed penance for an awful misstep on an old murder case. But the old ghosts are about to come roaring back.

    There are plenty of difficult actors in Hollywood, and then there's Alastair Pinch.

    Alastair is a onetime Royal Shakespeare Company thespian who now slums it as the "wise" Southern judge on a tacky network show. He's absurdly rich, often belligerent, and typically drunk—a damning combination when Alastair's wife is found dead on their living room floor and he can't remember what happened.

    Waldo's old flame Lorena, hiding peril of her own, draws him toward the case, and Alastair's greedy network convinces Waldo to take it on. But after such a long time away from both civilization and sleuthing—and plagued by a confounding array of assailants who want him gone—Waldo must navigate complicated webs of ego and deceit to clear Alastair's name... or confirm his guilt.

    ©2018 Howard Michael Gould (P)2018 Penguin Audio

    Commentaires

    “Some books are just plain fun, sidesplitting in the case of Carl Hiaasen and Tim Dorsey. And now, thanks to Last Looks, we can add Howard Michael Gould to that list...The relentlessly entertaining Last Looks actually resembles the work of Michael Connolly more than Hiaasen or Dorsey, its lightness wrought by the colorful Hollywood grotesques in a manner that would make Nathanael West (‘The Day of the Locust’) proud.”—Providence Journal

    “A wild, madcap homage to and satire of the Hollywood noir thriller. Gould, an accomplished screenwriter and showrunner, knows how to keep it fast, smart, and funny.”—The Philadelphia Inquirer

    “The plot is good and the protagonist is even better. It's fast, funny, and well worth a sequel."Kirkus Reviews (starred review)

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