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Judith Paris

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L'offre prend fin le 15 Juillet 2026 à 23 h 59.
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Judith Paris

De : Hugh Walpole Peter
Lu par : Peter Newcombe Joyce
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3 mois pour 0,99 €/mois, puis 5,99 €/mois. Possibilité de résilier chaque mois. Offre valable jusqu'au 15 juillet 2026 à 23 h 59.

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Newly born Judith is found in by eccentric Squire Gauntry in the chilled sombre ruin of a house on a bitter winter's night, her parents having died at her birth. With such a tenuous start, the child grows up to have an intense lust for life and curiosity for every new experience.

She is the natural heir to both her parents' temperaments. With the wilfulness of her mother and the stubbornness of her father, she is redeemed by a compulsion to tell the truth and a willingness to help anyone she loves in time of trouble or distress. Judith is a generation apart from the Herries family at Uldale, but the world is changing dramatically for all branches of the family.

'Liberty is the right of every human creature.' That basic tenet of John Wesley's new creed was embraced by revolutionaries worldwide, and the storming of the Bastille in France has a profound impact. Once more the Herries clan lose a leading member, and Judith is thrown back on her own resources. Then, on the brink of womanhood, she meets a childhood friend again: the dark and dangerous Georges Paris.

Public Domain (P)2012 Assembled Stories Classiques Fiction Fiction historique Historique Sagas
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Commentaires

"In recording every word of this gigantic saga for his own company, Peter Joyce took on a huge challenge, although for a man who has recently recorded Hamlet with every part played by himself, perhaps it seemed less daunting! Over two years Joyce spent 300 hours in the studio to record the Chronicle's four volumes in 100 hours, in addition to time taken to prepare the 3000 pages for reading aloud. The result is extraordinary: an exceptional and indelible listening experience. A writer well overdue for a revival has been rescued. Joyce doesn't just read: he creates and extends Walpole's magnificent theatre." (The Spectator)
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