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    Description

    Fasten your seatbelts for a rapid-fire, sophisticated thrill ride that propels you through one of the most infamous financial scandals in history! With a spicy blend of humor, pathos, and music, the big biz machinations of Kenneth Lay, Jeffrey Skilling, and Andy Fastow are laid bare as razzle-dazzle entertainment. Lucy Prebble’s Enron casts a shocking new light on today’s economy and how we got here. 

    Recorded before a live audience at the Skirball Cultural Center, Los Angeles, in October of 2010. 

    Director: Rosalind Ayres 

    Producing Director: Susan Albert Loewenberg 

    Chris Butler as Trader/Geek/Others 

    Jackie Emerson as Voice of the Daughter 

    Greg Germann as Andrew Fastow 

    Pamela J. Gray as Sheryl Sloman/Elyse Deluca/Irene Grant 

    Gregory Itzin as Kenneth Lay 

    Kasey Mahaffy as Trader/Employee/Others  

    Jon Matthews as Trader/Arthur Andersen/Lehman Brother/Judge 

    Julia Mcilvaine as Gayle Davenport/Others 

    Amy Pietz as Claudia Roe  

    Russell Soder as Trader/Grubman/Others 

    Steven Weber as Jeffrey Skilling 

    Kenneth Alan Williams as Lawyer/Others

    Matthew Wolf as Employee/Trader/Others  

    Associate Producers: Christina Montaño, Jennifer Brooks 

    Recording Engineer/Sound Designer/Editor: Mark Holden for The Invisible Studios, West Hollywood 

    Foley Artist: Theresa Arrison 

    Music Supervisor: Scott Willis 

    Original music composed by Adam Cork and musical direction by Dale von Seggern  
    ©2011 L.A. Theatre Works (P)2011 L.A. Theatre Works
    Drames et pièces de théâtre États-Unis Divertissement et arts du spectacle
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    Ce que les auditeurs disent de Enron

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    • Dallas
    • 28/07/2020

    Hideous

    I purchased this book thinking it would offer additional insights to the Enron debacle. Hundreds, probably thousands of Americans lost their jobs and their pensions due to the malfeasance of Ken Lay, Jeff Skilling and Andy Fastow. To make this into a “comedy” is disgusting. I’d be willing to bet that few, if any, of the theater goers understand Mark to Market accounting or special purpose entities, but all who saw this farce should be aware of the depth of despair this accounting scandal caused. To make it into a joke is not funny.

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