Couverture de Corporate Rock Sucks

Corporate Rock Sucks

The Rise and Fall of SST Records

Aperçu
Essayez pour 0,99 €/mois Essayer pour 0,00 €
Offre valable jusqu'au 29 janvier 2026 à 23 h 59.
Jusqu'à 90% de réduction sur vos 3 premiers mois.
Écoutez en illimité des milliers de livres audio, podcasts et Audible Originals.
Sans engagement. Vous pouvez annuler votre abonnement chaque mois.
Accédez à des ventes et des offres exclusives.
Écoutez en illimité un large choix de livres audio, créations & podcasts Audible Original et histoires pour enfants.
Recevez 1 crédit audio par mois à échanger contre le titre de votre choix - ce titre vous appartient.
Gratuit avec l'offre d'essai, ensuite 9,95 €/mois. Possibilité de résilier l'abonnement chaque mois.

Corporate Rock Sucks

De : Jim Ruland
Lu par : Jim Ruland
Essayez pour 0,99 €/mois Essayer pour 0,00 €

3 mois pour 0,99 €/mois, puis 9,95 €/mois. Possibilité de résilier chaque mois. Offre valable jusqu'au 29 janvier 2026 à 23 h 59.

9,95 € par mois après 30 jours. Résiliez à tout moment.

Acheter pour 22,11 €

Acheter pour 22,11 €

3 mois pour 0,99 €/mois

Après 3 mois, 9.95 €/mois. Offre soumise à conditions.

À propos de ce contenu audio

A no-holds-barred narrative history of the iconic label that brought the world Black Flag, Hüsker Dü, Sonic Youth, Soundgarden, and more, by the co-author of Do What You Want and My Damage.

Greg Ginn started SST Records in the sleepy beach town of Hermosa Beach, CA, to supply ham radio enthusiasts with tuners and transmitters. But when Ginn wanted to launch his band, Black Flag, no one was willing to take them on. Determined to bring his music to the masses, Ginn turned SST into a record label. On the back of Black Flag’s relentless touring, guerilla marketing, and refusal to back down, SST became the sound of the underground.

In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü, Bad Brains, Sonic Youth, Dinosaur Jr, Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s--until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. Throughout this investigative deep-dive, Ruland leads readers through SST’s tumultuous history and epic catalog.

Featuring never-before-seen interviews with the label's former employees, as well as musicians, managers, producers, photographers, video directors, and label heads, Corporate Rock Sucks presents a definitive narrative history of the ’80s punk and alternative rock scenes, and shows how the music industry was changed forever.

Musique
Les membres Amazon Prime bénéficient automatiquement de 2 livres audio offerts chez Audible.

Vous êtes membre Amazon Prime ?

Bénéficiez automatiquement de 2 livres audio offerts.
Bonne écoute !

    Ces titres pourraient vous intéresser

    Couverture de Our Band Could Be Your Life
    Couverture de Days and Days Couverture de From Punk to Monk
    Couverture de Born to Run
    Couverture de Grunge Is Dead
    Couverture de Walking Disaster
    Couverture de Tranny
    Couverture de MC5
    Couverture de George Harrison
    Couverture de Art Sex Music

    Commentaires

    “SST Records became a radiant supernova of creativity and possibility. A true and livable alternative to lame shit. And then, somehow, it fell apart when it was poised to create another universe. It became radioactive, a black hole. This book is that ‘somehow’—part archeology, part autopsy.”

    Todd Taylor, Razorcake

    “‘Get in the van,’ to borrow a phrase from another Black Flag book you may have heard of, has become something of a cliche, but it's no less true for punk bands in 2022 than it was in 1981. No matter how talented you are or how good your songs, you still, at long last, have to put in the work. The same applies to writers. For Corporate Rock Sucks, it's clear Jim has logged thousands and thousands of miles, talking to seemingly everyone who ever even heard of SST, digging up old record reviews and interviews and photos and zines no one has probably looked at for decades. It all adds up to an informative and fun read on a highly influential, and highly dysfunctional, record label.”

    Luke O'Neil, author of Welcome to Hell World: Dispatches from the American Dystopia

    “With Corporate Rock Sucks, Jim Ruland asserts his power as a leading chronicler of Southern California punk rock. His exhaustive research and incisive commentary form a detailed and dynamic work worthy of the gargantuan legacy of SST—one of America’s foremost independent record labels that gave rise to Black Flag, the Meat Puppets, Minutemen, Hüsker Dü, Sonic Youth, Dinosaur Jr., and many others. An essential read for those curious about the label’s serpentine path and pre-broadband DIY music culture.”

    Erin Osmon, author of Jason Molina: Riding with the Ghost and John Prine

    “The improbable rise and slow-motion implosion of SST Records is legendary, but nobody has painted a complete picture of the dark saga until now. Ruland combines his personal knowledge of the SoCal punk scene, in-depth research, and interviews with key players to tell the whole sordid tale. Corporate Rock Sucks is a must-read for fans of ‘80s/‘90s hardcore, punk, and alternative rock.”

    S.W. Lauden, editor of Forbidden Beat: Perspectives on Punk Drumming
    "When tracing the lineage of independent record labels in the American Punk scene during the 1980s, SST Records can definitely be cited as the vanguard to the whole shebang. With a history gnarled with legal issues, money issues, blown release dates, hard-living, and a devilish penchant for pushing against punk’s parameters, their tale is a tough one to wrangle, but Jim manages to cut through all the convolutions to deliver the straight dope on the influential imprint in a concise, informative and entertaining way."—Tony Rettman, author of Straight Edge: A Clear-Headed Hardcore Punk History and NYHC: New York Hardcore 1980-1990.
    Aucun commentaire pour le moment