A Signature Performance: Kenneth Branagh plays this like a campfire ghost story, told by a haunted, slightly insane Marlow.

It is the story of 11-year-old Pecola Breedlove--a black girl in an America whose love for its blond, blue-eyed children can devastate all others--who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning and the tragedy of its fulfillment.

To the Lighthouse is one of Virginia Woolf's most autobiographical works, and since she was an active member of the Bloomsbury Set, it inevitably echoes the once revolutionary thoughts that were to shape our world. Set in the pivotal years spanning World War I, it describes a gathering of artists, intellectuals and children at the Ramsays' holiday home in the Scottish Isles. Guided through their parallel streams of consciousness, we are given a poignant sense of the isolation coexisting with togetherness, and of a permanence that can survive the seeming transience of life.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental literary powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives we are drawn into a literary journey which stunningly reproduces the complex, confusing and contradictory nature of human experience.

"Tremblez, les sorcières reviennent !" disait un slogan féministe des années 1970. Image repoussoir, représentation misogyne héritée des procès et des bûchers des grandes chasses de la Renaissance, la sorcière peut pourtant, affirme Mona Chollet, servir pour les femmes d'aujourd'hui de figure d'une puissance positive, affranchie de toutes les dominations. Qu'elles vendent des grimoires sur Etsy, postent des photos de leur autel orné de cristaux sur Instagram ou se rassemblent pour jeter des sorts à Donald Trump, les sorcières sont partout.

Partant de l'analyse des interdits misogynes, solides remparts d'une supériorité masculine dont la réalité paraît sérieusement ébranlée, Virginia Woolf définit les conditions d'existence et la spécificité de la création pour les femmes. Il faut d'abord "une chambre à soi", dont la portée va bien au-delà du matériel. Il suffit d'entrer dans n'importe quelle chambre de n'importe quelle rue pour que se jette à votre face toute cette force extrêmement complexe de la féminité.

With accomplished precision and gentle eloquence, Jhumpa Lahiri traces the crosscurrents set in motion when immigrants, expatriates, and their children arrive, quite literally, at a cultural divide. The nine stories in this stunning debut collection unerringly chart the emotional journeys of characters seeking love beyond the barriers of nations and generations.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman ( Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel The Hours, brings the impressionistic prose of this classic to vibrant life.

The Tempest was the last of Shakespeare's comedies, completed just before he retired to his native Stratford-upon-Avon; perhaps this delightful comedy was intended to signal the playwright's farewell to his beloved theater. The Tempest reflects Shakespeare's mature genius, with its story of innocence tempered by intrigue, hilarity bounded by melancholy. Audiences the world over still thrill to see The Tempest's dark comedy and magical fantasy.

This is how wars are fought now by children, hopped up on drugs, and wielding AK-47s. In the more than 50 violent conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them. How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But it is rare to find a first-person account from someone who endured this hell and survived. In A Long Way Gone, Beah, now 26 years old, tells a riveting story in his own words: how, at the age of 12, he fled attacking rebels and wandered a land rendered unrecognizable by violence.

Dans un intérieur bourgeois londonien, M. et Mme Smith se répandent en propos décousus, futiles et saugrenus, tandis que la pendule sonne "autant de fois qu'elle veut". Arrivent M. et Mme Martin, invités à dîner ; surviennent la bonne et le capitaine des pompiers. Chacun rivalise d'absurdité et les propos incohérents s'enchaînent. À la fin, les deux couples, retombés en enfance, se disputent en prononçant des sons incompréhensibles.

Generations of readers young and old, male and female, have fallen in love with the March sisters of Louisa May Alcott's most popular and enduring novel, Little Women. Here are talented tomboy and author-to-be Jo, tragically frail Beth, beautiful Meg, and romantic, spoiled Amy, united in their devotion to each other and their struggles to survive in New England during the Civil War. It is no secret that Alcott based Little Women on her own early life.

"La Lettre à Ménécée" est une lettre écrite par le philosophe Épicure à son disciple Ménécée. Le texte résume la doctrine éthique d'Épicure et propose une méthode pour atteindre le bonheur, en même temps qu'elle en précise les conditions.

New Selected Poems contains poems chosen by Carol Ann Duffy from her first six acclaimed collections, from Standing Female Nude to Feminine Gospels, and a handful of other poems collected here for the first time. Endlessly varied and wonderfully inventive, this volume is the perfect introduction for new listeners, the essential selection for students, and a glorious sum of parts for old acquaintances.

One of Jane Austen’s most beloved works, Pride and Prejudice, is vividly brought to life by Academy Award nominee Rosamund Pike ( Gone Girl). In her bright and energetic performance of this British classic, she expertly captures Austen’s signature wit and tone. Her attention to detail, her literary background, and her performance in the 2005 feature film version of the novel provide the perfect foundation from which to convey the story of Elizabeth Bennet, her four sisters, and the inimitable Mr. Darcy.