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« Ces gamins blancs, Huck et Tom, m’observaient. Ils imaginaient toujours des jeux dans lesquels j’étais soit le méchant soit une proie, mais à coup sûr leur jouet. [...] On gagne toujours à donner aux Blancs ce qu’ils veulent. » Qui est James ? Le jeune esclave illettré qui a fui...

PULITZER PRIZE WINNER #1 NEW YORK TIMES BESTSELLER NATIONAL BOOK AWARD WINNER A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and darkly humorous, told from the enslaved Jim's point of view NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST ONE...

'Truly extraordinary books are rare, and this is one of them' – Roddy Doyle 'His [Dominic Hofman] performance is terrific: variously wry, poignant and thoughtful as he imbues Jim with the humanity and agency denied to him by Twain' – The Guardian, Audiobook of the Week James is a profound...

Une série de meurtres brutaux secoue la petite ville de Money, Mississippi : des hommes blancs sont retrouvés atrocement mutilés. Mais ces meurtres recèlent un mystère, car sur chaque scène de crime on retrouve un second cadavre qui ressemble comme deux gouttes d’eau à Emmett Till, un garçon noir lynché dans la même ville en 1955. Lorsqu’un duo d’enquêteurs tout en second degré est dépêché sur les lieux, il se heurte à la résistance attendue du shérif, de ses adjoints, du légiste et d’une cohorte de Blancs tous plus racistes les uns que les autres. Les deux agents spéciaux pensent avoir affaire à des crimes punitif.

Percival Everett's The Trees is a must-listen that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.

Kevin Pace is working on a painting that he won't allow anyone to see: not his children, not his best friend, Richard, not even his wife, Linda. The painting is a canvas of 12 feet by 21 feet (and three inches) that is covered entirely in shades of blue. It may be his masterpiece or it may not; he doesn't know or, more accurately, doesn't care. What Kevin does care about are the events of the past.

Finalist for the Los Angeles Times Book Prize Finalist for the PEN / Faulkner Award for Fiction Percival Everett by Virgil Russell is a story inside a story inside a story. A man visits his ageing father in a nursing home, where his father writes the novel he imagines his son would write. Or is...

It turned out that my music had never left me. It had been stolen, yes, but not stolen away. I had simply never been free to play it . . . When Arthur Champion, a gifted young music scholar, is sent away to war, he experiences the unimaginable hellscape of the Somme trenches. Surviving the...

Jim spielt den Dummen. Es wäre zu gefährlich, wenn die Weißen wüssten, wie intelligent und gebildet er ist. Als man ihn nach New Orleans verkaufen will, flieht er mit Huck gen Norden in die Freiheit. Auf dem Mississippi jagt ein Abenteuer das nächste: Stürme, Überschwemmungen, Begegnungen mit Betrügern und Blackface-Sängern. Immer wieder muss Jim mit seiner Schwarzen Identität jonglieren, um sich und seinen jugendlichen Freund zu retten. Percival Everetts »James« ist einer der maßgeblichen Romane unserer Zeit, eine unerhörte Provokation, die an den Grundfesten des amerikanischen Mythos rüttelt.

'[Percival Everett's] books always feel like an encounter with substantive, playful thinking . . . sad, affecting and marvelous' New York Times A finalist for the Pulitzer Prize in Fiction, Telephone is an astonishing story of love, loss and grief from Percival Everett, author of The Trees, Dr...

Erasure is Percival Everett's hilarious satire about race and publishing, now an Oscar-nominated film, American Fiction, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross. 'Hilarious . . . Everett is a first-rate word-wrangler.' – Nicholas Lezard, The Guardian...

I Am Not Sidney Poitier is a comic tour de force from the Pulitzer Prize-nominated author of The Trees, Dr No and Erasure (adapted into an Oscar-nominated film). The sudden death of Not Sidney Poitier’s mother orphans him at age eleven. He is left with a name no one understands, an uncanny...

From the Booker-prize shortlisted author of Erasure, adapted into the Oscar-winning film American Fiction 'This is the work of an American master at the peak of his powers' – Financial Times Enthralling and ferociously funny, James by Percival Everett is a profound meditation on identity...

Time Out Chicago, Top 10 Book of 2005 Winner of the 2006 PEN USA Literary Award for Fiction Training horses is dangerous—a head-to-head confrontation with 1,000 pounds of muscle and little sense takes courage, but more important, patience and smarts. It is these same qualities that allow John...

Damned If I Do is a set of brilliantly postmodern short stories from Percival Everett, author of The Trees, Dr No and Erasure, now an Oscar-nominated film. An artist, a cop, a cowboy, several fly fishermen and even a reluctant romance novelist inhabit these revealing and often hilarious stories...

‘American literature’s philosopher king – and its sharpest satirist’ The New Yorker On a windswept landscape somewhere north of Denver, Robert Hawks, a feisty and dangerously curious hydrologist, finds himself enmeshed in a fight over Native American treaty rights. What begins for Robert...

‘American literature’s philosopher king – and its sharpest satirist’ – The New Yorker Craig Suder, third baseman for the Seattle Mariners, is in a slump. His batting average is shocking, his marriage somehow worse, and he secretly fears he’s inherited his mother’s insanity. Ordered...

‘Everett has mastered the movement between unspeakable terror and knock out comedy’ – The New York Times David Larson can never go home. His parents are dead. His sister and her hippie husband, staunchly anti-war, won't even have the newly returned Vietnam veteran in the house. So Larson...

In Assumption, the follow-up to the wickedly funny I Am Not Sidney Poitier, Percival Everett is in top form as he once again upends our expectations about characters, plot, race, and meaning. Ogden Walker, deputy sheriff of a small New Mexico town, is on the trail of an old woman’s murderer...

Erasure is Percival Everett's hilarious satire about race and publishing, now an Oscar-nominated film, American Fiction, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross. 'Hilarious . . . Everett is a first-rate word-wrangler.' – Nicholas Lezard, The Guardian...