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Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

Leo Tolstoy was born in 1828 in the Russian province of Tula to a wealthy noble family. As a child, he had private tutors but he showed little interest in any formal education. When he went to the University of Kazan in 1843 to study oriental languages and law, he left without completing his courses. Life now was relaxed and idle but with some writing also taking place. In 1852 ‘Childhood’ was published to immediate success and was followed by ‘Boyhood’ and ‘Youth’. His experience in the army and the horrors he witnessed resulted in ‘The Cossacks’ in 1862 and the trilogy ‘Sevastopol Tales’.

Dmitry Andreich Olenin, in the hope of escaping the hollowness of his privilege, joins the army and heads to the Caucasus. There among the foothills he will meet the Cossacks: a people he considers to be at one with the land. In their company he will hunt, he will drink, he will fall in love and, slowly, he will begin to understand that between people, between cultures, there is often a space that cannot be traversed.

The fortunes of the Rostovs and the Bolkonskys, of Pierre, Natasha, and Andrei, are intimately connected with the national history that is played out in parallel with their lives. Balls and soirées alternate with councils of war and the machinations of statesmen and generals, scenes of violent battles with everyday human passions in a work whose extraordinary imaginative power has never been surpassed. The prodigious cast of characters, both great and small, seem to act and move as if connected by threads of destiny as the novel relentlessly questions ideas of free will, fate, and providence.

Leo Tolstoy began his trilogy Childhood, Boyhood, and Youth in his early twenties. Although he would in his old age famously dismiss it as an ‘awkward mixture of fact and fiction’, generations of readers and listeners have not agreed, finding the series to be a charming and insightful portrait of inner growth against the background of a world limned with extraordinary clarity, grace and color.

In 1851 Leo Tolstoy enlisted in the Russian army and was sent to the Caucasus to help defeat the Chechens. During this war a great Avar chieftain, Hadji Murád, broke with the Chechen leader Shamil and fled to the Russians for safety. Months later, while attempting to rescue his family from Shamil’s prison, Hadji Murád was pursued by those he had betrayed and, after fighting the most heroic battle of his life, was killed.

The heroine of Tolstoy's epic of love and self-destruction, Anna Karenina has beauty, wealth, popularity and an adored son, but feels that her life is empty until she encounters the impetuous officer Count Vronsky. Their subsequent affair scandalizes society and family alike, and brings jealousy and bitterness in its wake. Contrasting with this is the vividly observed story of Levin, a man striving to find contentment and a meaning to his life - and also a self-portrait of Tolstoy himself.

Leo Tolstoy: The Novellas and Short Stories includes unabridged recordings of Leo Tolstoy's 12 greatest novellas in one audiobook, all read by Audie Award-winning narrators.

In the winter of 1854 Tolstoy, then an officer in the Russian army, arranged to be transferred to the besieged town of Sebastopol. Wishing to see at first hand the action of what would become known as the Crimean War, he was spurred on by a fierce patriotism, but also by an equally fierce desire to alert the authorities to appalling conditions in the army. The three Sebastopol Sketches - 'December', 'May' and 'August' - re-create what happened during different phases of the siege and its effect on the ordinary men around him.

Leo Tolstoy: The Novellas includes unabridged recordings of Leo Tolstoy's 10 greatest novellas in one audiobook, all read by Audie Award-winning narrators.

A Confession is a beautiful and thorough dive into that timeless question, “What is the meaning of life?”. After fifty-one years of life and during the height of his fame, Tolstoy began to question everything. Through a creative and insightful analogy, Tolstoy depicts the crisis of reality that emerges when one questions the existence of God. An existence that he had been taught since childhood and had followed along with his whole life. He uses deduction and logic, rationality and reason, then allows for emotions and reactions and is ultimately able to land on the answers to his questions.

Arguably the greatest literary masterpiece, War and Peace is an amazing blend of philosophy, history, spirituality, and love told through two families, the Rostovs and the Bolkonskys. The Rostovs personify the Russian spirit. Count Rostov, a generous, kind spendthrift, can deny his family nothing. His countess is a warm, loving, overindulged woman. These characteristics are reflected in their children, while the austere Bolkonskys are duty-bound.

Anna Karenina is a novel by the Russian author Leo Tolstoy, first published in book form in 1878. Widely considered to be one of the greatest works of literature ever written, Tolstoy himself called it his first true novel. A complex novel in eight parts, with more than a dozen major characters, Anna Karenina is often published in more than 800 pages.

Leo Tolstoy: The Short Stories includes unabridged recordings of Leo Tolstoy's 5 greatest short stories in one audiobook.

It happened in the seventies in winter, on the day after St. Nicholas's Day. There was a fete in the parish and the innkeeper, Vasili Andreevich Brekhunov, a Second Guild merchant, being a church elder had to go to church, and had also to entertain his relatives and friends at home. But when the last of them had gone he at once began to prepare to drive over to see a neighbouring proprietor about a grove which he had been bargaining over for a long time. He was now in a hurry to start, lest buyers from the town might forestall him in making a profitable purchase.

Alexei Tolstoy is better known for his grownup novels and stories. Here, however, is a large collection of tales he had recorded and reimagined for the younger audiences. Peasants and kings, domestic and wild animals, magical creatures and objects are mixed together in this delightful cauldron of imagination.

The Inevitable Revolution is an essay about abolishing the law of violence and replacing it with the law of love. It is a text on civil disobedience, pacifism, and anarchism, and it is Tolstoy's last non-fiction work detailing his final opinions on political, economic, and religious issues. In it, he criticizes prisons, parliaments, wars, conscription, capitalism, theft, revolutionary violence, and taxes, and praises Christianity's message of love as the solution to these problems; although he also recognizes the law of love in other religions.

In the course of this essay, Tolstoy attempts to find answers to the greatest questions of philosophy through science, philosophy, eastern wisdom, and the opinions of his fellow novelists. Finding no workable solution in any of these, Tolstoy recognizes the deep religious convictions of ordinary people as containing the key to true answers. The first attempt at its publication took place in 1882, but Tolstoy's work was removed from the journal by the Orthodox Church. The text was later published in Geneva in 1884 and in Russia as late as 1906.

This audiobook includes unabridged recordings of Leo Tolstoy's 4 greatest works of non-fiction in one audiobook. The essays included here are: What is Art?, The Inevitable Revolution, The Kingdom of God Is Within You, A Confession.

Blending fact and fiction, this trilogy by a very young Tolstoy centres on the inner life of Nikolai as he navigates the universal challenge of growing up. In relating his thoughts and feelings, his self-awareness and embarrassing mistakes, the work is timeless: regardless of era, location and environment, we are given an unvarnished portrait of one boy—both self-important and self-deprecating—as he tries to find his place in the world. The sense of nostalgia, with its strange blend of sadness and solace, is tangible as the years pass and the child becomes a young man.