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When Sid comes back and Shana meets him, she too disappears leaving no trace behind. Nandita's face turns into that of an 80 year old woman's after touching Maggi's bloodied scalp. Aditya, Monty and Albert, while searching for Sid and Shana, find blood soaked clothes of a couple next to giant footsteps on the other side of the bungalow wall.

Tina makes one final attempt to break the wedding but even that fails. She leaves the venue before the wedding. Anish meets her on the way and tells her all how everything was a hoax and that he had conspired with Pari to make her realize the love hidden in her heart for him. Tina finally gets love and her love story.

As the party goes on, Aslam finds his wife Zubeda in the arms of Aditya in a room. When Maggi informs Monty that the intern Sid is making out with his daughter Shana in the pool, he fires a bullet at Sid with his rifle. However to everyone's utter shock, Sid mysteriously disappears from the pool.

Aagha displays incredible courage in her attempt to avenge her personal loss from a ghost which cannot be killed. When all try to leave Valdi in the car, Aagha soon realises that the roads of Valdi are nothing but a trap. She momentarily loses her cool when she finds the dead bodies of the two people in the woods who are also sitting with them in the car.

Aditya, Nandita and Aagha encounter a truck on their way to their bungalow that is hell bent on killing them. At the party in the bungalow, when Aditya and Zubeda see that Nandita is possessed, Zubeda makes out with Nandita to satisfy the evil spirit.

Aagha and the rest find Tavde in the woods who joins them in the bid to escape Valdi. The ghosts of Maggi and Jhanvi match the high speeds of the car and try to attack the occupants. Aagha leads everyone back to the painting in the bungalow to find clues about escaping the village. There, all of them encounter people they thought were dead.

As the ghosts attack Aagha, Nandita and Havaldar Tavde, Aagha finds the way out to escape from the place and all three wake up in a car accident and don't remember anything about the events in the bungalow. Six years later, at a party Aagha finds herself back at the same bungalow. She knows she can change the events of the past with this opportunity.

Tina makes few more attempts to break Anish's wedding but constantly fails. Nothing works for her. She gets drunk and is found by Pari in a compromising position with Anish.

Tina plans a Christmas party as another attempt to bring her friends together which succeeds. But Anish and Pari end up becoming good friends rather than lovers. Anish gets impatient and asks Tina for her answer to her proposal. She brainwashes him again and blackmails Rohit to be a part of her plan.

Tina reaches Goa with Rohit to break the marriage. She plans to speak her heart out to Anish, but finds him deep in love with not only Pari, but also her family. Tina then tries to create a misunderstanding between the 2 families but fails.

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Aditi is a young girl who can charm her way into anyone's heart, but she prefers to stay alone. As an upcoming journalist, she decides to do a story on a haunted house. Little does she know that her life is about to change—forever! The photographer duo—Ratan and Ravi—are her team-mates for the project. But they cannot understand the mystery shrouding her persona, her sudden behavioral changes and the sharp personality differences in her. Are these just mixed signals, or is there someone else making her behave this way?

This is a groundbreaking account of the development of Indian business and enterprise from the colonial period to the present. It not only introduces listeners to formative business leaders (including Jamsetji Tata, Ghanshyam Das Birla and Walchand Hirachand Doshi) and leading firms (Wadia Group, Kirloskar Brothers Limited and Shapoorji Pallonji) but also analyses their presence in the country’s economy, their growth over time and their true impact on society.

Deh ke jwarbhate ke bich prem ka chand atma ke gagan par khilta aur doobta hai. Purnima aur amawasya ke bich hi kahin prem aakar leta hai aur prakash aur andhere ki sandhirekha par hi ansu aur aag ki patkatha rachi jati hai. Upanyas ‘Bujhaye na bujhe’ isi prem ki kahani kahta hai.