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Twenty-four-year-old Catherine Fellingham keeps a low profile - in society and in her family. A practical young woman, she leaves the spotlight to her beautiful younger sister and prefers quiet pursuits such as reading. But all that changes the moment she learns of her mother’s very excellent scheme to keep the family out of debtors’ prison. The scatter-brained Lady Fellingham has been selling commissions in the king’s army, and Catherine must shake off her indifference in order to save her family from a potentially ruinous scandal.

Earning the nickname Lady Agony was no minor achievement for Lady Agatha Bolingbroke. It required a great deal of effort to make herself so disagreeable, but she did it for a good cause: The fewer invitations she received, the more time she had to paint. Her mother, refusing to accept an unpopular daughter - or, worse, a talented one - insists on dragging her to every event of the season. To thwart her parents and to vent her frustration, Agatha creates a wicked alter ego: a caricaturist whose mocking illustrations take ruthless aim at the ridiculousness of the ton.

Why, yes, the former Beatrice Hyde-Clare is distracted. Having settled comfortably into marriage to the duke of Kesgrave, she is nevertheless surprised to find herself in an interesting condition. And it has to be that—the unsettling prospect of motherhood—that causes her to overlook the obvious clue that Roger Dugmore had indeed been killed in his sleep.

Flora Hyde-Clare’s visit to her beau’s ancestral home was always going to be a disaster. Her mother’s nervous habit of rambling nonsensically, her father’s thinly veiled contempt, her own desperate desire to make a good impression on Sebastian Holcroft’s parents, and his seemingly endless parade of siblings all guaranteed that their stay in the country would be intolerably awkward at best. Yet for all her dire misgivings, Flora never imagined one of the household servants would wind up slain in his own bed. But that is precisely what happens to the handsome young land steward.

As the London Daily Gazette’s popular gossip columnist, she is extremely adept at sneaking into houses, assuming disguises and overseeing a vast network of spies to ensure she stays abreast of the beau monde’s comings and goings. If it sometimes seems as though she was hiding behind the settee during a particularly fierce quarrel between a husband and his wife, it’s most likely because she was hiding behind the settee during their fierce quarrel.

Verity Lark—England's most tenacious gossip, the London Daily Gazette's most dogged reporter—relishes a challenge, which is why she refuses Colson Hardwicke's offer of menial employment. If the infuriating scoundrel really needs the sister of a radical reformer to be distracted with girlish chitchat, he can bloody well erupt into giggles!

Beatrice, Duchess of Kesgrave, emerges from a wretched night’s sleep to discover him embracing the most beautiful woman she has ever seen. His former mistress! It is shocking, yes, but not so very alarming, for Penelope Taylor is actually there to see Bea. Her dearest friend has been brutally slain, and as Millicent Lloyd happened to be sleeping in the courtesan’s bed at the time, Mrs. Taylor is the only suspect. The magistrate is impatient to cart her off to Newgate and refuses to acknowledge the truth that is glaringly obvious to her: She was the intended victim.

Bedeviled by Colson Hardwicke’s treatment—summarily dumping her via tersely worded message!—Verity Lark is lying awake in her bed seething over his behavior when she hears a floorboard creak. Immediately alert to the presence of a late-night intruder, she deftly thwarts the attack. Taking her would-be kidnapper captive is easy. Figuring out what he wants with her—well, that part is tricky and she wonders if it could have something to do with one of her many alter egos.

It is hardly surprising Verity Lark can’t sleep at night with all the thoughts darting through her mind: her recent stay in Newgate, her debt to Colson Hardwicke, the horrible abuse suffered by the children at Fortescue’s that her reporting on the orphan asylum several years earlier had failed to uncover. And then of course there are the shooting lessons she has promised to give to the Duchess of Kesgrave. Verity has spent three months cruelly mocking the former spinster for her investigative pretensions, and now she is obligated to teach the woman how to fire a deadly weapon.

As eager as Beatrice, Duchess of Kesgrave, is to meet her husband’s newly discovered illegitimate half sister, she does not want it to happen like this: in the keeper's house at Newgate. Yes, that Newgate, the abject prison filled with squalor and misery to which Verity Lark has been consigned for murder. Found standing over the slain corpse of an old tormentor with a still-warm pistol in her hand, she is obviously guilty. It is an open-and-shut case with little for an unduly curious duchess to investigate. Except it all seems a little too simple and straightforward.

It's 2017, and a raging virus has drastically reduced the world's population of men, transforming all but a fraction into a race of putrid, brain-dead zombies. So what's single, ambitious 23-year-old Hattie Cross to do for fun, not to mention romance? In this hilarious marriage of post-apocalyptic fiction and super smart chick-lit with a wry twist, novelist Lynn Messina spoofs dating manuals, monsters, and the superficial media world, all the while creating a feisty, funny heroine with heart.