Résultats pour "On Social Music" dans Sciences sociales et politiques

Legal luminary Burt Neuborne argues that the structure of the First Amendment as well as of the entire Bill of Rights was more intentional than most people realize, beginning with the internal freedom of conscience and working outward to freedom of expression and finally freedom of public association. This design, Neuborne argues, was not to protect discrete individual rights - such as the rights of corporations to spend unlimited amounts of money to influence elections.

Hearts on Fire is about the creative explosion in Canadian music of the early 2000s, which captured the world's attention in entirely new ways. The Canadian wave didn't just sweep over one genre or one city, it stretched from coast to coast, affecting large bands and solo performers, rock bands and DJs, and it connected to international scenes by capitalizing on new technology and old-school DIY methods.

In Move On Up, Aaron Cohen tells the remarkable story of the explosion of soul music in Chicago. Record producers and songwriters broadcast optimism for black America's future through their sophisticated, jazz-inspired productions for the Dells and many others. Musicians like Phil Cohran and the Pharaohs used their music to voice Afrocentric philosophies that challenged racism and segregation, while Maurice White of Earth, Wind, and Fire and Chaka Khan created music that inspired black consciousness.

Hop on the beat, let's go! Le podcast qui vous parle de musique, de façon générale, mais surtout de musique algérienne, pour vous faire découvrir nos artistes, entre interprètes, producteurs, topliners, artistes visuels, you name it! Découvrez l'univers musical algérien et ses nombreux talents cachés. Hop on the beat vous est présenté par 3 hosts : Rey, marketeur, fondateur de Social Butterfly Agency et manager d'artiste. Rïyo, vocaliste, rappeuse, productrice et model. Hexixx, chanteur, rappeur et producteur. Ils sont parfois accompagnés d'un guest-host, choisi minutieusement ...

Lo expuesto por nosotros aquí sobre las relaciones del lenguaje con la música debe también ser aplicado por las mismas razones a las relaciones del mimo con la música. También el mimo, como simbólica reforzada de los grandes gestos del hombre, es, comparado con la significación general de la música, un símbolo cuyo sentido interior se nos revela muy superficialmente, esto es, como sustrato del cuerpo movido por la pasión.