Résultats pour "Le film" dans États-Unis

Inspirée de faits réels, la démonstration qu'un simple jeu peut finir en dictature. Pour faire comprendre les mécanismes du nazisme à ses élèves, Ben Ross, professeur d'histoire, crée un mouvement expérimental au slogan fort : "La Force par la Discipline, la Force par la Communauté, la Force par l'Action." En l'espace de quelques jours, l'atmosphère du paisible lycée californien se transforme en microcosme totalitaire : avec une docilité effrayante, les élèves abandonnent leur libre arbitre pour répondre aux ordres de leur nouveau leader.

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships.

Jun Nakayama was a silent-film star in the early days of Hollywood. By 1964, he is living in complete obscurity, until a young writer, Nick Bellinger, tracks him down for an interview. When Bellinger reveals that he has written a screenplay with Nakayama in mind, Jun is intrigued by the possibility of returning to movies. But he begins to worry that someone might delve too deeply into the past and uncover the events that abruptly ended his career in 1922. Like the changing social and racial tides in California - and the unsolved murder of his favorite director.

Vivvy Bouchet, daughter of a known psychic, was ten when she saved a boy’s life by making an impossible prediction. Now she’s an astrophysicist in Texas, devoted to science, but the boy she saved has become a cop who continues to believe she can see things no one else can. When he begs for help on the high-profile cold case of a kidnapped girl, Vivvy steps back into the ocean of voices that once nearly drowned her.