Résultats pour "Christopher Isherwood" dans Classiques

George is heartbroken after the death of his lover, Jim. A professor of English in sunny, suburban California, George grieves in solitude, surrounded by easy-going, uncomprehending youth. Beneath his British restraint, waves of sorrow and anger surge. He doggedly persists with the routines of his past life, heading out to work, to the gym, on again to dinner. From his solitude springs defiance; he will triumph over loneliness and alienation, he will find love again, he will feel joy.

A lonely young Brit working on a novel is charmed by his landlady and her bohemian lodgers. He rooms with an English runaway and want-to-be star, the delightfully decadent Sally Bowles, and holidays on the Baltic coast with a repressed Englishman and his swaggering German lover.

First published in the 1930s, The Berlin Stories contains two novels, The Last of Mr. Norris and Goodbye to Berlin. Classics of modern fiction, these novellas capture 1931 Berlin—charming, grotesque, and dangerous, as Hitler was ascending to power. The Berlin Stories is inhabited by a wealth of characters, in particular the nightclub performer Sally Bowles, whose misadventures were popularized on stage and screen in I Am a Camera and Cabaret.

The scene is 1920s Kensington and Philip and Joan are testing the very limits of politeness and restraint as they fight to expunge the oppression of their mother–by whatever means necessary. In his first novel, Christopher Isherwood paints an intimate portrait of the battle between old and young as he explores the destruction of a son by a domineering parent.

Full-cast dramatisations of three insightful novels by Christopher Isherwood, plus a bonus interview Novelist and playwright Christopher Isherwood is best known for The Berlin Stories of pre-Hitler Germany, which inspired the musical Cabaret. Many of his works have been adapted for stage and...

Un giovane uomo, alter ego dell’autore, nel 1930 si trasferisce a Berlino per insegnare inglese. Sono gli ultimi anni della Repubblica di Weimar, poco prima dell’ascesa del Nazismo e su questo sfondo si muovono una serie di personaggi sopra le righe: artisti, intellettuali, borghesi, ricchi, poveri, folli. Tra cabaret e caffè, tra case signorili e squallide pensioni, tra file per il pane e manifestazioni di piazza, tra crisi economica, Isherwood ci consegna una purissima, scabra narrazione che ci ricorda come la Storia sia sempre contemporanea.