My guest this week is Dana Lynn Lewis, a Portland artist whose work is fabulous but does not stay politely inside the gallery by any means. Dana is the founder of Gather:Make:Shelter, a long running collaborative project that brings professional artists together with people experiencing houselessness and poverty making work side by side, sharing meals.

Paying participants for their time and then bringing those stories and objects into public view in a way that refuses the kind of usual us and them bifurcation that so many cities dealing with homelessness confront. She really breaks that down with her incredibly beautiful work approach.

In this conversation, we go back to the moment that this work really ignited Dana's time in Senegal during the 2016 election. She discusses the kinda strange clarity that came from being far away looking in on the United States, people around her with every reason to be cynical, insisting that something important was happening and something good would come out of this.

And she embraced that idea. She talks about her return to Portland in a very important human moment under the steel bridge that became the seed of an idea. It quickly became gather, make shelter through the beautiful work that she does. We also talk about connection and the central role that plays in her life and work.

We venture into her background and her Jewish upbringing and the role that Jewish summer camp played in her work, and we also talk about the idea that there's Dana, the artist, and Dana, the activist. For her, it's all emergent out of this sense of connection. Finally, we do talk about her beautiful, beautiful, multimedia artistic work, and there are links for you to encounter her work up online, including the link to Gather:Make:Shelter.

This is a two-parter because we had so much to talk about. The second part of the conversation will be out next week. Enjoy my conversation with the one and only Dana Lynn Lewis

The Genesis: Conversations About Jewish Arts and Culture is conceived of and created by Rabbi Josh Rose, and is a program of Art/Lab: Jewish Arts and Culture. Theme music by Rabbi Josh Rose.

Links:

Art/Lab: Innovating Jewish Arts and Culture: www.artlabpdx.org

Gather:Make:Shelter www.gathermakeshelter.org/

Dana Lynn Louis: www.danalynnlouis.com/

Russo Lee Gallery: www.russoleegallery.com/exhibitions

In this episode I sit down with artist Cara Levine and we discuss how grief informs her work in tangible ways. Cara's work is on exhibit right now at the Oregon Jewish Museum and Center for Holocaust Education. She lives in California now, but was a Portlander for a time. Her multi-media work is in a sweet spot between engaged in real world problems and ethereal other-worldliness. Cara is also influenced by mysticism, and is a student of it. So I was eager to sit down with her and learn more about her and the work she's brought into the world.

Cara describes Carve; The Mystic Is Nourished From This Sphere, a large-scale "bowl / hole" that doesn't just hold people's words, but amplifies them—turning the gallery itself into an instrument and a vessel for community care. That opens into a conversation about what happens when an artwork accidentally (and then intentionally) becomes a structure for collective ritual and shared vulnerability.

From there we go into pain. We cover the surprising role that migraines play in her creative thinking and what she learned about surrender. The conversation dips into the worldliness of her work as we touch on her piece This Is Not a Gun. And of course, we finish off with her sharing something she loves and her opinion on the best Jewish food.

Enjoy the conversation.

Links

Art/Lab: artlabpdx.org

Cara Levine caralevine.com

Oregon Jewish Museum & Center for Holocaust Education OJMCHE.org

Beit Kohenet —https://www.beitkohenet.org/

Rabbi Jill Hammer —https://jillhammer.net/

Bruce Nauman https://www.artdex.com/bruce-nauman-the-art-and-irony-of-revealing-mystic-truths/

Brian Eno's Apollo: https://en.wikipedia.org › wiki › Apollo:_Atmospheres_…

The Genesis: Conversations About Jewish Arts and Culture is conceived of and created by Rabbi Josh Rose, and is a program of Art/Lab: Jewish Arts and Culture. Theme music by Rabbi Josh Rose.

This episode takes a different tack on one of this podcast's central themes; Jewish culture—how it's made, displayed, argued over, and lived. In this episode, I sit down with Rebekah Sobel, the Director of the Oregon Jewish Museum and Center for Holocaust Education (OJMCHE), for a conversation that treats museums not as neutral storehouses, but as active cultural engines: places where communities decide what gets remembered, how it gets framed, and who gets to speak.

Rebekah comes to this work through anthropology and archaeology. She says that objects don't "tell the truth" on their own—people interpret them. One of the through lines of our conversation is that Jewish culture is always being curated, whether it's in a gallery, a classroom, a feed, or a synagogue. And right now—especially post–October 7—the Jewish communal conversation is being curated by outrage and polarization more than by the tradition's own capacity for multi-vocal debate. Rebekah describes the museum's work in light of this moment: holding public trust while admitting that every exhibit is perspectival; creating spaces for people to be together again before they make declarations; and pushing access to Holocaust education statewide.

Finally we talk about what it looks like when Jewish culture is presented in real time to a real public—like OJMCHE's programming around Steve Marcus's "Psychedelicatessen," where religious symbolism collides with counterculture humor. I hope you enjoy my conversation with Rebekah Sobel.

Links:

Art/Lab www.artlabpdx.org

More on Rebekah Sobel here: www.linkedin.com/in/rebekah-sobel-5321b75/

Oregon Jewish Museum and Center for Holocaust Education: www.ojmche.org/

Polin Museum (Warsaw) polin.pl/en/about-museum

The Genesis: Conversations About Jewish Arts and Culture is conceived of and created by Rabbi Josh Rose, and is a program of Art/Lab: Jewish Arts and Culture. Theme music by Rabbi Josh Rose.

In this episode I sit down with writer, poet, and Alexander Technique teacher Eve Bernfeld to talk about what it means to sustain a creative life in the middle of parenting, teaching, and everyday obligations. We talk about discipline and devotion — daily writing practices, working through creative resistance, and what happens when you take yourself seriously as an artist even when time, energy, and certainty are in short supply.

Our conversation moves through Jewish prayer, fairy tales, and Jewish magic as living creative resources rather than abstract traditions. Eve reflects on discovering tkhines (vernacular women's prayers), writing contemporary poetic prayers that emerge directly from domestic life, and finding her way back to speculative and magical fiction rooted in Jewish sources. Along the way we talk about vulnerability, belonging, the body as part of artistic practice, and how creativity can be a way of reclaiming parts of ourselves we thought we had left behind.

Show Notes

Art/Lab (Portland) — https://artlabpdx.org/

Eve Bernfeld's Website: http://www.evebernfeld.com/

Tkhines (Yiddish women's prayers) — YIVO Encyclopedia — https://encyclopedia.yivo.org/article.aspx/Tkhines

The Artist's Way (Morning Pages origin) — Julia Cameron — https://juliacameronlive.com/the-artists-way/

"Shitty first drafts" https://www.penguinrandomhouse.com/books/10332/bird-by-bird-by-anne-lamott/

Alexander Technique (general overview) — AmSAT — https://www.amsatonline.org/alexander-technique/what-is-the-alexander-technique/

Omer: A Counting https://www.ccarpress.org/shopping_product_detail.asp?pid=50132

Grimm tale "The Jew in the Thorns https://sites.pitt.edu/~dash/grimm110.html

The Genesis is created, produced and edited by Rabbi Joshua Rose and is supported by Art/Lab: Innovating Jewish Arts and Culture. Theme music composed by Rabbi Joshua Rose

My guest today is journalist Rebecca Clarren. Her work has appeared in Mother Jones, High Country News, The Nation, and Indian Country Today. For her reporting, she's won a Hillman Prize, received an Alicia Patterson Foundation Fellowship, and earned multiple grants from the Fund for Investigative Journalism. But as you'll hear in our conversation, she's much more than a journalist.

Her debut novel, which we touch on, is Kickdown, which was shortlisted for the PEN Bellwether Prize. Clarren is also a published poet; her work has appeared in North American Review, Catamaran, CutBank, and Poetry Northwest.

We spend most of our time talking about The Cost of Free Land: Jews, Lakota, and an American Inheritance, an extraordinary book in which she turns her journalistic eye on her own story—and her family's. It was named a Best Book of 2023 by several publications, won the Will Rogers Medallion Award, and was shortlisted for the High Plains Book Award and the Great Plains Book Award.

Rebecca and I talk about Jewish identity and values, and how those shape her work. She has a passion for amplifying marginalized and silenced voices—and for uncovering the stories that get buried beneath the dominant narrative. We talk about storytelling, contested truth, and what it means to hold multiple perspectives at once.

We also talk powerfully about grief and loss, and how they've informed her life and her work. Israel and Gaza come up because we're talking about competing narratives and moral urgency—and she offers a striking framework for balancing truth and compassion, rooted in learning with her rabbi.

It's a rich conversation, and I think you'll enjoy it. This is my conversation with Rebecca Clarren.

The Genesis is created, produced and edited by Rabbi Joshua Rose and is supported by Art/Lab: Innovating Jewish Arts and Culture. Theme music composed by Rabbi Joshua Rose

----

Links & Show Notes

Art/Lab: artlabpdx.org

Rebecca's website: https://www.rebecca-clarren.com/

Indian Land Tenure Foundation: https://iltf.org/

Peter Beinart's Being Jewish Adrer the Destruction of Gaza: https://www.penguinrandomhouse.com/books/775348/being-jewish-after-the-destruction-of-gaza-by-peter-beinart/

A Christmas message (!) from Rabbi Josh

Rabbi Josh Rose sits down with writer Nikki Schulak to talk about humor as survival strategy, artistic method, and truth-telling device. What begins as a discussion of comedy quickly opens into an exploration of trauma, Jewish family life, grief, and the way humor can both conceal and reveal what hurts most. Nikki reflects on how comedy functioned in her childhood, in her eccentric Jewish family, and in the complicated dynamics between piety, cruelty, affection, and love.

The conversation moves into Nikki's radical commitment to honesty on the page. Known for writing with almost no filter, Nikki talks openly about shame, depression, sex, marriage, mental health, and the personal costs of telling the truth publicly. From her seventh-grade journals to her current Substack, vulnerability wasn't a strategy she adopted—it's who she's always been. Along the way, she shares the story behind her Prozac tattoo, her experience with depression, and why making mental health visible matters to her.

Josh and Nikki also dig into questions of marriage, intimacy, and unconventional family structures. Nikki speaks frankly about her long marriage, having an affair, the therapy that followed, and the surprising, hard-won equilibrium her family ultimately found. The discussion is not theoretical or ideological—it's grounded in lived experience, with all the discomfort, humor, and tenderness that entails.

The episode closes with reflections on parenting, teaching preschool, politics, and why humor remains an essential tool for surviving a tragic and absurd world. It's a conversation about truth, timing, and courage—about what happens when you refuse to look away from your own life, and insist on telling it as clearly and honestly as you can.

Links

Art/Lab artlabpdx.org

The Genesis on Youtube: youtube.com/@thegenesisjewishpodcast

Nikki Schulak's Website: nikkischulak.com

Her Substack: nschulak.substack.com

I sit down with Art/Lab director Shoshana Gugenheim—my longtime collaborator—to clarify what changed since Co/Lab went on hiatus and Art/Lab spun out as its own org and we tackle the basic question: why a Jewish contemporary arts fellowship, and why now? We talk about creativity as core to being human and Jewish, and how Art/Lab serves artists and audiences who don't always find a home in synagogues or legacy institutions.

We reflect on October 7 and the year that followed: how Jewish artists across the country were censored or sidelined, and how our cohort became a rare room where people could bring divergent views, grief, and complexity without an ideological litmus test. That experience also shaped the (paused-for-now) gallery vision: a space for experimentation and public-facing work by contemporary Jewish artists in the Pacific Northwest.

Then we lay out what Art/Lab looks like today: the flagship nine-month fellowship (this year's theme: memory), public workshops drawn from our growing network of 38 artists, this podcast, deep partnerships with the Oregon Jewish Museum and Eastside Jewish Commons, and new educators joining our text study series. We also share two big updates: Art/Lab's selection for the 2026 Jerusalem Biennale and fresh support from CANVAS—along with the real-world fundraising trade-offs arts programs face.

Finally, Shoshana name-checks what she's loving right now and we close with some breads-and-spreads talk and an open invite to learn more, get involved, or support the work.

Links from the Show

• Art/Lab website — artlabpdx.org

• CANVAS — bycanvas.org

• Jerusalem Biennale — jerusalembiennale.org

• Oregon Jewish Museum & Center for Holocaust Education — ojmche.org

• Eastside Jewish Commons — ejcpdx.org

• Guerrilla Girls at the Getty — "How to Be a Guerrilla Girl" (Getty Research Institute) — getty.edu