Frank and Gaz close out. The odyssey is over. They draw inspiration from Strong Songs to do some DIY deconstruction on She Loves You and This Boy. They finally track down the vital lost chord, pan diatonic monster cluster, and reharmonisation of a simple three-note motif that changed the world. And, of course, it all wouldn't have come together with Ringo and his trusty left-hand. Thanks to content contributor Galeazzo Frudua for lending his deconstructed vocal chords. And our friend Ash for displaying Ringo's prowess. And Darius De-Von for his fresh and upbeat reaction vids. Thanks folks.

Frank and Gaz are back for their last hurrah in two parts. Once again they come off a long historic run, putting the Beatles 1964 music into the broader sweep of musical history. They consider the legitimacy of comparisons between Lennon/McCartney and Mahler, Beethoven, Bach and even Mach (Tufnel/St Hubbins). Drawing on Frank's part-time classical education, they may have uncovered the mystery of the 'Aeolian Cadence'. Typically eclectic and tangential. Good luck! [In part II they will deconstruct She Loves You and This Boy!, inspired by podcasts like Strong Songs.

Frank and Gaz go long and deep on the question of who got to meet the Beatles 'for real' in Australasia and beyond. In navigating the sensitive theme of sex and rock 'n' roll, they return to classical roots in the writing of Petronius, Ovid and Apuleius. Informed by these texts and the more recent 'Sex and the Beatles: 400 entries', they ask whether Beatles lyrics from 1963-64 suggest less innocent themes. Are there power games at play? And when John Lennon compared the tour to Satyricon, did he have in mind scopophilia?