The British composer Ethel Smyth needed both talent and fierce determination to succeed in a professional musical career in her day. Born in 1858, she defied her father to study music in Leipzig. She became friends with Clara Schumann, Brahms and Dvořák. In 1903, her opera Der Wald was performed at the Metropolitan Opera. She also became a high-profile figure in the women’s suffrage movement, for which she was jailed briefly in 1912.

The premiere of her 64-minute vocal symphony, The Prison, took place at Usher Hall in Scotland on today’s date in 1931, when she was 73, and increasingly deaf. The text was by H.B. Brewster, who had been Smyth’s close friend and, perhaps, her lover, and is a dialogue between an innocent prisoner awaiting execution and his soul in search of spiritual peace.

In a New York Times interview, James Blachly, the conductor of the first recording of The Prison, suggests, “It’s a summary of her entire career. It’s a farewell. There’s a real sense of making peace with that, and also reconciling herself to the death of [Brewster,] her closest creative companion. It’s about love and life and loss and self-worth.”

Ethel Smyth (1858-1944): The Prison; Dashon Burton, bass-baritone; Experimental Orchestra and Chorus; James Blachly, conductor; Chandos 5279