What happens when you take H.P. Lovecraft's cosmic horror and hand it to the people he feared most?

In Matt Ruff's Lovecraft Country, the real monsters aren't lurking in ancient tomes or sunken cities. They're wearing badges, drawing red lines on maps, and deciding who gets to exist in public after dark.

In this episode, Michael Kilman and Matt Wellstrom dig into Matt Ruff's genre-bending novel set in 1950s Jim Crow America, where a Black Korean War veteran and his family navigate sundown towns, racist hauntings, shape-shifting elixirs, and a white occultist with questionable motives, all while facing horrors that don't need magic to be terrifying.

We explore:

• Why H.P. Lovecraft's cosmic dread actually maps more accurately onto the Black experience than onto his own
• How each chapter uses supernatural horror as an allegory for real Jim Crow era injustices including redlining, minstrelsy, and white allyship with strings attached
• The question of whether a white author can write the Black experience with integrity, and what Matt Ruff does right
• Why neutrality is power, and what Ruby's time as a white woman reveals about race, attractiveness, and privilege
• How the monsters in this book never kill a single Black character

Also featuring tangents on Stephen King, Buffy the Vampire Slayer, the Colorado Constitution written in three languages, and why racism is always the real monster.

Next episode: Roger Zelazny's Lord of Light

Resistance Reads is a podcast exploring literature, power, and resistance through a social science lens. Hosted by Michael Kilman (Anthropology) and Matt Wellstrom (Political Science).

Matt and Michael dig into John Milton's Paradise Lost, the 17th-century epic poem that tells the story of the Fall from Satan's perspective. They explore why Satan reads as the tragic hero, how Milton's own political defeats and blindness shaped the work, the structural impossibility of free will in a world with an omniscient God, and why Eve gets a far more sympathetic treatment here than in almost any other retelling of the Eden story. The conversation moves into the Lilith midrash, the historical roots of Satan as a concept, and how the Jewish experience of oppression shaped the God of the Torah. They close with the Denver Gay Revolt as a model of effective resistance, and what Milton's Satan can teach us about working inside a broken system rather than just protesting outside it.

Next up: Lovecraft Country by Matt Ruff.

Matt and Michael dig into Amor Towles' A Gentleman in Moscow, the story of Count Alexander Rostov, an aristocrat placed under house arrest in a five-star Moscow hotel for thirty years. What does it mean to keep your greatest qualities when everything else has been stripped away? They explore the Count's resistance through community and craft rather than power, the extraction logic baked into both capitalism and communism, the tragedy of true believers like Mishka, and why the Bishop is the most recognizable villain in the book. Plus: Napoleon burning Moscow, redundancy versus efficiency as civilizational philosophy, and why the bread was better in Berlin.

Next episode: Paradise Lost by John Milton.

What does it mean to exist outside every category society offers? Michael Kilman and Matt Wellstrom explore Let the Right One In by John Ajvide Lindqvist through an anthropological lens, examining isolation, otherness, gender identity, and what vampires tell us about capitalism and nationalism. Featuring the theory of Mary Douglas, and a discussion of bullies as conservative enforcers of social norms. Next episode: A Gentleman in Moscow.

Kurt Vonnegut's Mother Night follows an American playwright who becomes one of the most effective Nazi propagandists of World War II — while secretly working as an American spy. But here's the question the book forces you to sit with: does the spying matter if the propaganda worked?

Michael Kilman and Matt Wellstrom explore the psychology of propaganda, the Nuremberg trials, why satire fails against fascism, the relationship between art and political resistance, and what Vonnegut's darkest novel has to say about the world right now.

You are what you pretend to be. So what does that mean when what you're pretending to be is a Nazi?

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In this episode of Resistance Reads, Michael Kilman and Matt Wellström discuss Percival Everett’s novel James, a powerful retelling of Adventures of Huckleberry Finn from Jim’s perspective. We explore how Everett reimagines one of the most influential works in American literature while confronting the realities of slavery, race, and freedom.

We compare Everett’s novel with the original text, examining character development, historical context, and the journey down the Mississippi River. The conversation focuses on the creation of race, structural violence, and the systems of power that shaped the experience of slavery. We also discuss the psychological dimensions of oppression, including code switching, hierarchy, and survival.

This episode connects literary analysis with anthropology, history, and political theory. We break down how the construction of race during the colonial period shaped American society, including key moments like Bacon’s Rebellion. We also explore the influence of the Civil War, minstrel culture, and the broader legacy of these systems in contemporary discussions of justice and humanity.

If you are interested in literature, history, anthropology, and resistance, this conversation will deepen your understanding of both James and the enduring impact of Mark Twain’s work.

Subscribe for more discussions on power, resistance, and the anthropology of literature.

This episode dives into We by Yevgeny Zamyatin, a pioneering dystopian novel that helped define the genre. We examine the author’s life, the political context of the book, and the inner conflict of D-503 as he grapples with individuality, love, and rebellion inside a tightly controlled society.

Our discussion covers themes of authoritarianism, emotional suppression, regulated relationships, and the illusion of happiness without struggle. We also critique the novel’s writing style and narrative choices, asking how frustration, self-indulgence, and discomfort shape the reader’s understanding of power and control.

The conversation expands into contemporary concerns, including cognitive dissonance, apathy, nihilism, state violence, fascism, masculinity, economic pressure, and family planning. By unpacking We, we explore how literature helps us confront political justifications for cruelty and better understand the social realities we are living through today.

In this episode, we dive deep into Buffalo Hunter Hunter by Stephen Graham Jones, unpacking its powerful exploration of colonialism, genocide, Indigenous history, and reimagined vampire lore. Through a close reading of the novel, we examine how horror becomes a vehicle for confronting historical injustice and moral accountability.

We discuss Stephen Graham Jones’ background as a Blackfeet author, the haunting moral evolution of Goodstab, and how characters like The Cat Man embody the violence and consequences of white colonialism. The novel’s unique take on vampire mythology serves as both transformation and indictment, reflecting the enduring impact of oppression on identity, memory, and culture.

Our conversation expands beyond the book to address broader themes including the colonization of America, the influence of Indigenous governance on American democracy, and the lasting harm of policies like the Dawes Act. We explore how capitalism functions as a modern extension of colonialism, the cultural costs of technological dominance, and why libraries and local journalism remain essential to informed, resilient communities.

This episode highlights how horror forces readers to confront uncomfortable truths about history, race, power, and accountability, making Buffalo Hunter Hunter both a cathartic and deeply unsettling reflection of the past and present.