Tommy DiMisa (“Tommy D,” the Nonprofit Sector Connector) kicks off episode #240 of Philanthropy in Phocus from his office (not the attic!) with a message he lives by: if you’ve got an idea—try it. What started as a campaign he launched on January 8, 2021 has become a weekly platform spotlighting nonprofits and the people behind the mission.

This episode takes an unexpected but perfect turn when Tommy’s original guest can’t make it—so he calls in the cavalry: Britt Carroll and Izzy Ades-Lawlor from Best Buddies New York. Together, they unpack what Best Buddies is all about: inclusion, belonging, and opportunity for people with intellectual and developmental disabilities (IDD)—starting with real, one-to-one friendships.

Britt shares Best Buddies’ origin story (founded in 1989 by Anthony Kennedy Shriver at Georgetown) and walks through the organization’s major program “pillars,” including Friendship, Jobs, Living, Family Support, and Leadership Development / Transitions—all designed to expand access, independence, and community. Izzy adds what she’s focusing on now: growing school involvement and helping lead promotion for upcoming events—especially the Friendship Walks.

You’ll also hear one of the most powerful “mission moments” of the episode: Britt tells the story of Charlotte, a Best Buddies Jobs participant working at Asphalt Green in NYC—where members know her by name, greet her warmly, and credit her with making their days better. It’s a real reminder that when employers lead with inclusion, the ripple effects are massive.

• Best Buddies NYC Friendship Walk: May 2
• Best Buddies Long Island Friendship Walk: May 9 (10AM–1PM), Marjorie Post Park (Massapequa)
• Ways to help: start a team, donate, volunteer, sponsor, or open doors to employment partnerships

Tommy’s closing message says it all: it’s not about ability—it’s about access.

Tommy “Tommy D” DiMisa is back “in the attic” for Episode 239 (recorded January 16th), and he’s joined by Marit Molin of Hamptons Community Outreach (HCO)—an organization proving that the Hamptons are far more than the “white parties and yachts” stereotype. In between the mansions are pockets of families living with food insecurity, kids without coats, and homes in dangerous disrepair—and Marit saw it up close.

Marit shares how a single moment sparked the mission: a child at her dining table didn’t want to stop doing arts and crafts because she didn’t have paper or markers at home. That heartbreak became action—a free, six-week Hamptons Art Camp (launched in summer 2018), running 9–3 and designed to give underserved kids safety, creativity, and real summer memories, while also easing the burden on working parents. But the needs didn’t stop when camp ended—families needed shoes, backpacks, school supplies, haircuts, and ongoing support.

Then COVID changed everything. Unable to fundraise for a camp no one knew could happen, Marit pivoted to what communities asked for most: food. HCO raised $320,000 in 2020, delivered 7,000 hot meals, 20,000 pounds of fresh produce, and provided groceries to 250 families twice a month, while also supporting struggling local restaurants by purchasing meals from them. As volunteers helped distribute door-to-door, HCO uncovered another crisis hiding in plain sight: families raising children in homes with black toxic mold, broken windows, collapsing ceilings, splintered floors, and no heat.

Today, HCO has grown from grassroots to high-impact—supporting hundreds of families and children, repairing dozens of homes, and building a serious pipeline of help. Marit’s current, crystal-clear goal: raise $4.5 million to help the 64 families on HCO’s home repair waiting list—including some who need an entirely new home. And if you want to show up with love in action, HCO’s annual fundraiser Love Fest is February 7th, 5–7 PM, at 230 Elm in Southampton. Learn more (and donate/volunteer) at HamptonsCommunityOutreach.org.

Tommy DiMisa is back for the first Philanthropy in Phocus episode of 2026 with his trademark “day-in-the-life” energy—ringing in the new year, celebrating his 48th birthday, and broadcasting not from the attic this time, but from the worldwide headquarters of Vanguard Benefits. Along the way, he shares highlights from a packed week: supporting a Queens Chamber of Commerce nonprofit needs assessment with local leaders, jumping on calls about mission-driven work (including efforts supporting incarcerated and formerly incarcerated people), and continuing to show up as “The Nonprofit Sector Connector” who helps organizations amplify their stories.

This week’s featured guest is Tracy Mitchell, Executive Director of Bay Street Theater in Sag Harbor (BayStreet.org). Tommy brings Tracy on because he’s intentionally challenging himself to learn more about the arts and culture space—especially as Bay Street Theater becomes a semi-finalist in the Long Island Imagine Awards. What follows is a lively, heartfelt conversation about the power of the arts to change moods, open minds, and build community. Tracy shares her remarkable path from being a child performer to producing work in television and film—including large-format projects like Back to the Future: The Ride, and an ABC primetime documentary special hosted by Oprah. Together, they reflect on how technology transformed storytelling, lowered the barrier to entry for creators, and expanded who gets to make and share meaningful work.

Tracy then pulls back the curtain on what makes Bay Street Theater special: it’s an intimate 299-seat professional regional theater that operates year-round, bringing in Broadway-level talent while producing new work and reimagining classics. She explains the scale of their summer season—multiple mainstage productions running eight shows a week—plus comedy, concerts, and special performances that keep the venue buzzing beyond the traditional theater calendar. One of the biggest missions Bay Street embraces is developing what’s next: supporting writers and artists through opportunities like their New Works Festival, where scripts are selected, performed by professional casts, and refined through audience Q&As. Tracy makes the case plainly: you don’t find “the next Hamilton” without taking chances on original work.

A centerpiece of the episode is Bay Street’s Literature Live program—created to ensure more students experience professional theater while they’re still in school. Tracy describes how the program adapts curriculum-connected books into 90-minute productions (with full sets, lighting, costumes, and professional actors), and brings middle and high school students in for free—schools just cover transportation. The real magic, she says, is what happens when students from different backgrounds watch the same story and take away different insights, sparking conversation, empathy, and connection. Tommy ties it back to the heart of the show: when art creates understanding, it strengthens community—and that’s nonprofit work in action.

To close, Tracy shares how listeners can help: volunteer support (they need about 10 volunteers per night), donations, and community investment keep the theater thriving, since ticket revenue covers only part of what it takes to operate. Tommy leaves the door wide open for future collaboration—hinting at an upcoming visit, tour, and promotional content to help Bay Street reach even more people. It’s a high-energy, feel-good episode that spotlights how arts organizations don’t just entertain—they educate, inspire, and create the shared experiences that hold communities together.