Épisodes

  • Mai Serhan, "I Can Imagine It for Us: A Palestinian Daughter's Memoir" (American University in Cairo Press, 2025)
    Feb 21 2026
    I Can Imagine It for Us: A Palestinian Daughter's Memoir (American University in Cairo Press, 2025) is a young woman’s search for connection with her estranged father, her family’s past, and the Palestinian homeland she can never visit Mai Serhan lives in Cairo and has never been to Palestine, the country from which her family was expelled in 1948. She is twenty-four years old when one morning she receives a phone call from her estranged father. His health is failing and he might not have long to live, so he asks her to join him in China where he runs a business empire about which Mai knows nothing. Mai agrees to go in the hopes that they will become close, but this strange new country is as unknowable to her as her father. There, the ghosts of the Nakba come to haunt them both. With this grief comes violence, and a tragic death brings a whole new meaning to the word erasure. In a narrative made rich by its layers of fragmentation, as befitting the splintered and disordered existence of exile over generations, this courageous memoir spans Egypt, Lebanon, Dubai, China and, of course, Palestine. It is filled with bitter tragedy and loss and woven through with an understated humor and much grace. Mai Serhan is a Palestinian writer who grew up in Egypt. She is the author of CAIRO: the undelivered letters, winner of the 2022 Center for Book Arts Poetry Award, and I Have Never Been to the Place Where I am From, But I Will Imagine It For Us, a finalist for the 2022 Narratively Memoir Prize. She holds an MSt in creative writing from Oxford University, and has studied at NYU and AUC. She lives in Cairo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
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    32 min
  • Eray Çayli, "Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan" (U Texas Press, 2025)
    Feb 20 2026
    Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved. Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı’s years-long work in Northern Kurdistan, home to the world’s largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms. Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
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    1 h et 3 min
  • David Frankfurter ed., "Guide to the Study of Ancient Magic" (Brill, 2019)
    Feb 19 2026
    In the midst of academic debates about the utility of the term “magic” and the cultural meaning of ancient words like mageia or khesheph, this Guide to the Study of Ancient Magic seeks to advance the discussion by separating out three topics essential to the very idea of magic. The three major sections of this volume address (1) indigenous terminologies for ambiguous or illicit ritual in antiquity; (2) the ancient texts, manuals, and artifacts commonly designated “magical” or used to represent ancient magic; and (3) a series of contexts, from the written word to materiality itself, to which the term “magic” might usefully pertain.The individual essays in this volume cover most of Mediterranean and Near Eastern antiquity, with essays by both established and emergent scholars of ancient religions.In a burgeoning field of “magic studies” trying both to preserve and to justify critically the category itself, this volume brings new clarity and provocative insights. This will be an indispensable resource to all interested in magic in the Bible and the Ancient Near East, ancient Greece and Rome, Early Christianity and Judaism, Egypt through the Christian period, and also comparative and critical theory.Contributors are: Magali Bailliot, Gideon Bohak, Véronique Dasen, Albert de Jong, Jacco Dieleman, Esther Eidinow, David Frankfurter, Fritz Graf, Yuval Harari, Naomi Janowitz, Sarah Iles Johnston, Roy D. Kotansky, Arpad M. Nagy, Daniel Schwemer, Joseph E. Sanzo, Jacques van der Vliet, Andrew Wilburn. David Frankfurter holds the William Goodwin Aurelio Chair of the Appreciation of Scripture at Boston University. He joined the faculty of B.U. in the fall of 2010. A scholar of ancient Mediterranean religions with specialties in Jewish and Christian apocalyptic literature, magical texts, popular religion, and Egypt in the Roman and late antique periods, Frankfurter’s particular interests revolve around theoretical issues like the place of magic in religion, the relationship of religion and violence, the nature of Christianization, and the representation of evil in culture. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
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    40 min
  • Sary Zananiri, "Photographing Biblical Modernity: Frank Scholten in British Mandate Palestine" (I.B. Tauris, 2026)
    Feb 12 2026
    This open access book offers the first in-depth appraisal of the photographic archive of Frank Scholten (1881–1942), a queer Dutch photographer and Catholic convert whose work in Palestine between 1921 and 1923 provides a remarkable lens on the intersecting dynamics of modernity, religion, colonialism, and visual culture. Drawing on over 26,000 photographs, it situates Scholten's work within transnational religious, colonial, and nationalist networks. Employing a relational methodology, Photographing Biblical Modernity: Frank Scholten in British Mandate Palestine (I.B. Tauris, 2026) treats photography not merely as visual documentation but as a site of layered cultural encounters shaped by the movements of people, ideas, and ideologies. It interrogates biblical visuality, the performance of indigeneity, intercommunal relations, and the gendered politics of labour and nationalism.Through interdisciplinary engagement with visual culture, Middle East studies, and gender theory, this book considers how Scholten's positionality offers insights into both the granular details of Palestinian society and broader macro-historical shifts during a period of profound transition. Rather than framing Palestine as a biblical relic, Scholten's photographs reveal a socially and politically complex society under early British Mandate rule. Ultimately, this book positions Scholten's archive as a vital historical source for understanding the layered and contested narratives that have defined Palestine's modern history. Access the book here: here Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Blusky and IG: @robbyref Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
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    1 h et 15 min
  • Najati Sidqi, "Memoirs of a Palestinian Communist: The Secret Life of Najati Sidqi" (U Texas Press, 2025)
    Jan 30 2026
    In the public eye, Najati Sidqi was known as a journalist and writer, a translator of Russian classics, and an outspoken opponent of Nazism. However, Sidqi concealed a critical component of his life from the world and his family. He was an underground activist for the Palestinian Communist Party, a risky and influential pursuit that took him to early Bolshevik Moscow, British courts and prison cells in Palestine, Nazi Germany, intrigue-heavy interwar Paris, and Civil War Spain, Morocco, and Algeria. Throughout his journey, Sidqi continued to write, even as he faced fascism, intense surveillance, active warzones, the death of friends, and exile. Memoirs of a Palestinian Communist: The Secret Life of Najati Sidqi (U Texas Press, 2025) brings Sidqi’s incredible life and work to light, wryly narrating his international travels, his work as an activist, and his political dealings at a crucial moment for Palestine and the international fight against fascism. Translated from Arabic into English for the first time, it is a riveting firsthand account of an often-overlooked aspect of the history of the global left. Generous supplementary materials make the memoir accessible to students and non-specialist scholars: a preface by Sidqi’s grandson, a foreword by renowned historian Joel Beinin, a translators’ introduction that presents new research on Sidqi’s family history, a map of his travels, and a timeline, as well as a bibliographic essay offering pointers for further research.In this episode, Ibrahim Fawzy sat with Margaret Litvin to talk about The Memoir of Najati Sidqi as a powerful Palestinian life narrative and a groundbreaking collaborative translation project. Ibrahim Fawzy is an Egyptian literary translator and writer. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
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    26 min
  • Yossef Rapoport, "Becoming Arab: The Formation of Arab Identity in the Medieval Middle East" (Princeton UP, 2025)
    Jan 29 2026
    Today, much of the Middle East is “Arab”—an identity that now extends across North Africa and up through the Near East to Syria. Yet how did this region become Arab? How did this identity spread? Was it due to migration, or conquest? Historian Yossef Rapoport, in his book Becoming Arab: The Formation of Arab Identity in the Medieval Middle East (Princeton UP, 2025), makes a different argument: That the region’s medieval peasants adopted the Arab identity in response to shifting political power, changing land rights, and the spreading Muslim faith. Professor Yossef Rapoport of Queen Mary University London is a historian of the Islamic, Arabic-speaking Middle East in its Middle Ages, from about 1000 to 1500 CE. Among his publications are books on marriage and divorce in late medieval Cairo and Damascus, on the fourteenth-century religious reformer Ibn Taymiyya, and on medieval Islamic maps. You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Becoming Arab. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
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    42 min
  • Adam Bursi, "Traces of the Prophets: Relics and Sacred Spaces in Early Islam" (Edinburgh UP, 2024)
    Jan 26 2026
    Adam Bursi’s Traces of the Prophets: Relics and Sacred Spaces in Early Islam (Edinburg University Press, 2024) uses writings by early Muslims to map a history of material objects, relics, and tombs of prophetic figures as they were conceptualized in the 8th and 9th centuries. The book draws from various genres of writings, including biographies and hadith of the Prophet Muhammad and Qur’an commentaries and juristic compilations to capture the tensions and practices around tomb and relic veneration. Some of the discussion of Muslim relic veneration are polemical as they aim to establish some boundaries around similar pious practices amongst Jewish and Christian communities. In the process, we learn that there were indeed debates with regards to the post-mortem “traces” or “athar” of Muhammad’s tomb, which then impacted how spaces associated with him were also perceived, as well as other prophetic figures like Ibrahim (Abraham) or Daniel. Such examples raise conceptual questions of absence and presence and Prophet Muhammad’s capacity for intercession and obligatory versus non-obligatory rituals. In charting these early Muslim debates and narratives, Bursi masterfully captures the differing approaches Muslims had to holy bodies and sacred spaces. The book will be of interest to scholars who think about early Islamic history and also for scholars who work on contemporary Islamic material and shrine cultures. Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at shobhana.xavier@queensu.ca. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
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    57 min
  • Donna Stein, "The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art" (Skira, 2020)
    Jan 26 2026
    In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi’s patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2020) is a vivid account of Stein’s experience working on this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today’s art world. Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies
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    47 min