De nieuwe podcastserie ‘Boegbeelden & Bliktrekkers’

Aflevering 1: 175 jaar historie van De Maas

(met Evert Jan van den Berg, Siep Wijsenbeek, interviewer Erik Peekel en Podcastmaker Rik Bouman)

In deze eerste aflevering van ‘Boegbeelden & Bliktrekkers’ duiken we in de rijke geschiedenis van de Koninklijke Roei- en Zeilvereeniging De Maas, één van de oudste en meest iconische watersportverenigingen van Nederland.

Presentator Erik Peekel gaat in gesprek met Evert Jan van den Berg en Siep Wijsenbeek. Podcastmaker Rik Bouman zorgt voor de juiste uitwerking. Hoe zag Rotterdam eruit in 1851 en wat was de cruciale rol van Prins Hendrik de Zeevaarder bij de oprichting

In deze aflevering ontdek je:

1. De omzwervingen naar Katendrecht: Hoe de vereniging op Katendrecht belandde en hoe men daar vroeger vanuit de stad naartoe reisde.
2. De geboorte van een familievereniging: De roemruchte afsplitsing (en hereniging) van de 'Trekvogels' en de herkomst van de beroemde rode broek.
3. Veerkracht in oorlogstijd: De impact van de Tweede Wereldoorlog, het verzetswerk van voorzitter Willem Ruis en de wederopbouw na de bevrijding.

Of je nu een gepassioneerd zeiler bent, een fanatieke roeier of een liefhebber van de Rotterdamse historie; dit gesprek werpt een uniek licht op het DNA van 'De Maas'.

The podcast delves into the illustrious history of the Royal Rowing and Sailing Society de Maas, a venerable institution that has fostered connections between the city of Rotterdam and its waterways for an impressive 175 years. I engage in a comprehensive dialogue with esteemed guests Evert-Jan van den Berg and Siep Wijsenbeek, who elucidate the origins of the society and its architectural marvel. As we traverse the narrative of the society's evolution, we uncover its transformation from a modest rowing club into a social nexus for both rowing enthusiasts and the wider community. The discussion further illuminates pivotal moments in the society's timeline, including its adaptation during historical upheavals and its role in cultivating a familial atmosphere among its members. Ultimately, we reflect on the enduring significance of the society, underscoring the water as a persistent element that binds generations of members together in their shared passion for maritime pursuits.

An exploration of the Sociëteit van de Koninklijke Roei en Zeilvereniging de Maas, situated in the picturesque heart of Rotterdam, reveals a storied legacy entwined with the maritime history of the city. Established 175 years ago, this esteemed institution stands not merely as a club for rowing and sailing but as a cultural nexus where prominent figures converge, fostering both athletic and social endeavors. The episode features an enlightening dialogue between Erik Pekel and his guests, Evert-Jan van den Berg and Siep Wijsenbeek, as they delve into the origins and evolution of the association, illuminating the architectural significance of its clubhouse, designed by the renowned architect Jürgen Stihl. The discussion traverses the transition from modest beginnings to the establishment of a prominent societal fixture, emphasizing the dual role of the building as a venue for sporting excellence and a social gathering place for the community. The conversation also encapsulates the architectural nuances of the clubhouse, highlighting its Art Deco influences and the striking green roof, a unique feature that enhances its visibility from the water. The guests elucidate the rich tapestry of...

Aflevering 23 met de eerste vier Olympische Winterspelen!

The primary focus of this podcast episode is the inaugural Olympic Winter Games held in 1924 in Chamonix, France, which emerged as a significant milestone in the history of winter sports. Initially conceived as a subsidiary program to the Summer Olympics in Paris, the games garnered such acclaim that they were retroactively labeled as the first Olympic Winter Games after the Norwegian objection was withdrawn. The episode delves into the notable achievements of athletes, particularly highlighting Norway's dominance in skiing and skating, while also recognizing the participation of other nations and the unique circumstances surrounding the event. We examine the statistics of participation, including the stark gender disparity among athletes, and reflect upon the evolving nature of the Winter Olympics as subsequent events unfolded. Furthermore, we discuss the broader implications of these games in the context of international sports and their legacy, setting the stage for future competitions. The exploration of the inaugural Olympic Winter Games, which took place in Chamonix in 1924, unveils a historical tapestry woven with both triumph and contention. Initially conceived as a supplementary event to the Summer Games in Paris, the Winter Games garnered such remarkable success that they were retroactively declared an official Olympic event, contingent upon the withdrawal of objections from Norway, which had its own winter sports competition. This episode meticulously details the geopolitical landscape of the time, highlighting how the absence of notable nations such as Russia, Germany, and the Netherlands shaped the competitive field. The narrative further delves into the performances, with Norway emerging as the dominant force, claiming the majority of the medals, while the dynamics of participation and competition are examined through the lens of the limited number of athletes and nations present. This foundational moment sets a precedent for future Winter Games, illustrating the evolution of winter sports on a global stage. In a reflective analysis of the first Olympic Winter Games, the conversation meanders through the complexities of sportsmanship and national pride, emphasizing the significance of Chamonix as a pivotal location in Olympic history. The episode elucidates the cultural ambiance of Chamonix, described as a fashionable winter resort, juxtaposed against the backdrop of sporting excellence and national representation. The dialogue also touches upon the peculiarities of the early Winter Games, such as the introduction of sports like figure skating and ice hockey, which had previously been included in the Summer Games. The intriguing case of Kylis Krevstem, who uniquely defended his title from the Summer Olympics, serves as a focal point of discussion, highlighting the interconnectedness of winter and summer sports in this nascent period of Olympic competition. Through a serious and analytical lens, this summary encapsulates the essence of the episode, articulating the multifaceted themes of competition, culture, and the socio-political undercurrents of the time. The examination of the evolution of the Olympic Winter Games from their inception in 1924 to subsequent iterations reveals a narrative rich in historical significance and transformation. The podcast delves into the intricacies of the Chamonix Games, the subsequent Winter Games in St. Moritz, and the implications of the Lake Placid Games, all while emphasizing the growth of participation and the increasing prominence of female athletes. Notably, the transition from a predominantly male-dominated field to the inclusion of women in competitive events is articulated with a focus on the societal shifts that accompanied these changes. The episode critically evaluates the implications of the American dominance in Lake Placid, where the competitive format sparked controversies regarding fairness...

De podcastserie 'De mannen van Michelangelo' is nu te beluisteren op Spotify, op je iPhone via Apple Podcasts en alle andere podcastapps.

Podcasttip van Kunstmaffia: De podcastserie 'De mannen van Michelangelo' van zeer fijne collega's is nu te beluisteren op Spotify, op je iPhone via Apple Podcasts en alle andere podcastapps.

In december 2025 komen we weer terug met de zesde serie maar ter overbrugging kunt u regelmatig een gratis Nieuwsbrief van KUNSTMAFFIA lezen op https://kunstmaffia.substack.com/

En leuk uiteraard indien u ons zou willen ondersteunen voor onze zesde serie via:

https://fooienpod.com/kunstmaffia

Zeer veel dank mochten jullie iets voor onze podcast over hebben!

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Alright, folks, buckle up because we’re diving into a wild caper that went down on October 29, 1964, in the heart of New York City. Picture this: two dudes scaling walls and shimmying down ropes to snag a treasure trove of jewels from the American Museum of Natural History, including the legendary Star of India and the Dilong Star Ruby. This isn't just your average heist—it's a tale of audacity with our main man, Murf the Surf, leading the charge, all while the museum's security was snoozing away. As we wrap up Season 5 of Kunstmaffia, we’ll not only relive the thrilling escapade of these jewel thieves but also peek into what's next for us. Spoiler alert: we’re not disappearing entirely; we’ve got plans for a newsletter to keep you in the loop, so don’t go anywhere!

Imagine two surf-loving bandits pulling off a heist in the heart of New York City. This episode of Kunstmaffia tells the wild story of Jack Murphy, aka Murf the Surf, who, in a quest for thrill and riches, orchestrated the theft of the American Museum of Natural History's most prized gemstones. We’re talking about a heist so smooth, it could make a dolphin jealous! On the night of October 29, 1964, Murphy and his crew executed a plan that involved climbing walls, sneaking through half-open windows, and slicing through glass display cases like it was a hot knife through butter. The gems they stole were valued at over 450,000 dollars—back in the day, mind you! That’s a staggering amount, and today, it would be worth millions!

But this isn’t just a tale of theft; it’s a deep dive into the personalities involved. Murphy was not only a skilled surfer but also a charismatic figure who could charm his way into any situation. The episode juxtaposes the thrill of the heist with the absurdity of the characters involved, from Murphy’s carefree attitude to the bumbling museum security that left the doors wide open for these mischief-makers. We’ll also touch on the after-effects of the heist, including how the FBI caught wind of their escapades and how the trio’s downfall was as dramatic as their rise. Keep your ears perked for some hilarious anecdotes and unexpected twists that will have you laughing as much as you’re gasping!

Takeaways:

• In deze aflevering

Shownotes: Zaak 57: De Afhaal Rembrandt

Of het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen:

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Zeer veel dank mochten jullie iets voor onze podcast over hebben!

Vergeet niet je gratis te abonneren op de podcast, zodat je geen enkele aflevering mist!

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Alright, folks, buckle up because we’re diving into some seriously wild art heist tales! First off, did you know that one painting can get stolen not just once, but four times? Yup, we’re talking about the infamous "Takeaway Rembrandt" that’s been on more adventures than your average globetrotter! Picture this: a sneaky thief sawed a hole in a museum door and made off with priceless masterpieces during a New Year’s Eve party, and that’s just the tip of the iceberg. We’ll be riffing on how this little piece of art history has been whisked away not once, not twice, but three times before finally settling down on the wall where it’s been safe and sound since ’86, earning its quirky nickname in the process. So grab your favorite snack and settle in as we spill the beans on art theft, clever crooks, and all the shenanigans that come with it in this episode of Kunstmaffia!

Buckle up, folks, because we’re diving headfirst into a world where art meets crime in the most outrageous ways! This episode is all about the *Takeaway Rembrandt*, a painting that’s practically a celebrity in the art theft scene. We start our journey in 1966 with a heist that’s more like a scene from a movie. A thief, armed with nothing but a plan and a saw, gains entry to the Dulwich Picture Gallery during the festivities of New Year’s Eve. It’s a heist done with finesse; we’re talking Rubens, Rembrandt, and more—a jackpot of Dutch Golden Age brilliance! But hang on, the plot thickens. As we journey through the timeline of thefts, including a young man who thought borrowing the painting for a quick doodle was a good idea, we can’t help but chuckle at the absurdity of it all. Picture the art world’s reaction as this portrait earns the title of most stolen artwork ever! With each twist and turn, we’re left pondering—how can one painting be so beloved and so elusive? The humor, the drama, the sheer audacity—it’s all here, making this episode a delightful romp through art history that blends laughs with a touch of crime intrigue!

Takeaways:

• Art heists have been happening for centuries, and some masterpieces have been stolen multiple times, which is just wild!
• One famous painting, the Vermeer in Ireland, was stolen twice by different thieves, once in '74 and again in '86!
• The infamous 'Laughing Boys' by Frans Hals has been stolen three times, and it's still missing – talk about a hot commodity!
• Can you believe a single artwork has been stolen four times? That’s some serious bad luck for the gallery!
• The Dulwich Picture Gallery heist in 1966 was executed so smoothly that there were no witnesses or security cameras – sneaky, right?
• After a massive search effort, the stolen art pieces were found hidden in a car trunk, proving crime doesn't pay... unless you're really, really sneaky!

Zaak 56: Een Frans Hals, Twee Lachende Jongens, Drie keer gestolen

Of het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen:

https://fooienpod.com/kunstmaffia

Zeer veel dank mochten jullie iets voor onze podcast over hebben!

Alright, folks, buckle up because today we’re diving into the wild world of art heists with a twist that’ll leave you chuckling and gasping. Our main gig today? The infamous “Two Laughing Boys” by Frans Hals—yup, that same masterpiece has been swiped not once, not twice, but three times! We’re talking about a tale that stretches from the late '80s to the present, where these cheeky chaps have become the poster boys for art theft drama. You’ll hear about the shenanigans of a guy in a ski mask who broke in and held a couple hostage just to snag those paintings—talk about a paint job gone wrong! And as we navigate through these theatrical escapades, we’ll also sprinkle in some fun facts about Hals and why his work still cracks us up four centuries later. So grab your snacks, sit back, and let’s unravel this artful comedy of errors together!

Get ready for a rollercoaster of a podcast episode that’ll have you laughing, gasping, and maybe even a little bit outraged. We're diving deep into the wild saga of 'De Twee Lachende Jongens', a masterpiece by Frans Hals that just can’t seem to stay put! Over the years, this cheeky painting has been swiped from the Hofje van Mevrouw van Aarde in Leerdam three times, and let me tell you, the stories behind each theft are juicier than a ripe Dutch cheese! We start with a thrilling recounting of the very first heist in 1988, where a masked bandit, armed and ready, decides that art should be free—his way! The audacity! And if you think that was the end of it, think again. Fast forward to 2011, and our beloved boys are off on another escapade, and then again in 2020! It’s like they’re the most wanted criminals in the art world, and we’re here for the drama!

But what makes this episode truly fascinating is how we weave in the rich history of Frans Hals. He was no ordinary painter; he’s part of the elite club of Dutch masters who defined an entire era. We get into the nitty-gritty of his life, his style, and how his art reflects the jovial spirit of his time. It’s not just about the thefts—oh no! We’re exploring the broader implications of art theft on culture and heritage, asking tough questions about how we protect our treasures when even the most secure museums aren’t safe. And let’s not forget the humor—because if you can’t laugh about a little art theft, what’s the point? With a mix of humor, insightful commentary, and a dash of crime drama, this episode will keep you on the edge of your seat. Who knew art could be this exciting? So sit back, relax, and let’s unravel the tale of those two laughing boys who just can’t stop getting into trouble.

Takeaways:

• In deze aflevering bespreken we de drie verschillende diefstallen van het schilderij 'De Twee Lachende Jongens' van Frans Hals, dat een waar kunstmaffia-drama is.
• Frans Hals, geboren in Antwerpen maar opgegroeid in Haarlem, wordt vaak vergeten in de schaduw van Vermeer en Rembrandt, maar zijn kunst blijft onvergetelijk.
• De gestolen schilderijen gingen voor miljoenen over de toonbank, maar de complicaties van verzekering en losgeld maken het een complexe zaak.
• De kunstwereld heeft een schimmige kant, waar criminelen zoals Klaas Bruinsma zelfs als culturele beschermers worden gezien, hoe bizar is dat?
• De terugkeer van de schilderijen na jaren van onduidelijkheid laat ons vragen over hoe vaak dit eigenlijk voorkomt in de kunstwereld en waarom.
• De huidige ontwikkelingen rondom de diefstal van 'De

Zaak 55: John Drewe, de Grootste Kunstzwendelaar van de 20e Eeuw!

Of het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen:

https://fooienpod.com/kunstmaffia

Zeer veel dank mochten jullie iets voor onze podcast over hebben!

We duiken deze keer in het leven van John Myatt, de man die de kunstwereld op stelten zette met zijn vervalsingen. Je gelooft het niet, maar deze dude was gewoon een doodgewone kunstschilder die ineens in de spotlight belandde toen hij werd opgepakt door Scotland Yard in 1995. En laat me je vertellen, het verhaal dat volgt is zo vol wendingen dat je denkt dat je naar een spannende thriller kijkt! Myatt maakte talloze vervalsingen voor een man genaamd John Drewe, die hem in zijn web van oplichting trok met beloftes die hij nooit kon waarmaken. Terwijl Myatt probeerde rond te komen als alleenstaande vader, werd hij een onbedoelde medeplichtige in een van de grootste kunstfraudes van de 20ste eeuw. En geloof me, we hebben het hier niet over een stel amateuristische knoeiers; de duo heeft zelfs kunstwerken verkocht voor miljoenen! Dus leun achterover en bereid je voor op een verhaal vol drama, intrige en een flinke dosis kunstzinnige misleiding.

Prepare for a rollercoaster of deception as we delve into one of the 20th century's most notorious art forgeries. The episode kicks off with the shocking police raid on John Myatt’s studio, a moment that would unravel a multi-million-pound fraud scheme. Myatt, the man behind the brush, initially just wanted to escape the monotony of farm life, but fate had other plans for him. His incredible talent for mimicking famous artists caught the eye of John Drewe, a man whose name could easily be mistaken for a comic book villain, but whose schemes were all too real.

The duo's partnership is a thrilling testament to the lengths people will go to for a quick buck, with Myatt painting the fakes and Drool crafting elaborate tales of provenance, turning their works into hot commodities in the art world. As the episode unfolds, we learn about the intricate fabrications that Drewe wove to sell these forgeries as genuine masterpieces. From fake documents to fictitious histories, the creativity behind their fraud is almost impressive—if it weren’t so illegal. Rick and Robert guide us through the twists and turns of their partnership, emphasizing how Myatt’s struggle to make a living as an artist led him down this treacherous path.

But the story doesn’t end there. As Myatt’s world crumbles around him, we witness the impact of their actions on the art community and the eventual fallout when their scheme is exposed. The episode culminates in a courtroom drama that reveals the true cost of their deception, with Myatt receiving a surprisingly lenient sentence compared to Drewe’s lengthy prison term. It’s a gripping conclusion that raises questions about justice, morality, and the fine line between art and fraud. Kunstmaffia invites listeners to reflect on the nature of authenticity in art and the lengths to which individuals will go to chase their dreams—no matter how murky the path may be.

Takeaways:

• In 1995, Scotland Yard raided a London studio and arrested artist John Myatt for art forgery, leading to a wild tale of deception.
• John Myatt's journey from a struggling artist to an infamous forger is a rollercoaster of creativity and desperation, highlighting the thin line between art and fraud.
• The partnership between Myatt and John Drewe resulted in one of the largest art frauds of the 20th century, showcasing the dark side of the art world.
• Drewe's manipulation of provenance documents and the art market reveals how easily trust can be exploited in the high-stakes world...

Zaak 54: De Franse Kunstroof in Nederland

Of het nu groot of klein is, anoniem of niet, eenmalig of maandelijks, elke bijdrage helpt ons om dit fascinerende verhaal voort te zetten en meer verborgen verhalen aan het licht te brengen:

https://fooienpod.com/kunstmaffia

Zeer veel dank mochten jullie iets voor onze podcast over hebben!

Alright, folks! Today we're diving deep into the wild world of art heists, and let me tell ya, this one's a doozy! We're kicking things off with the audacious French art theft in the Netherlands back in 1795, when revolutionary troops rolled in like they owned the place—spoiler alert: they kinda did! Picture this: stadhouder Willem V, in a mad dash to save his royal skin, leaves behind a treasure trove of masterpieces that would make any museum curator weep. The French, under the banner of “liberty, equality, fraternity,” turned out to be art thieves in disguise, scooping up Dutch cultural gems to beef up the Louvre. So grab your popcorn and settle in, ’cause we’re unraveling a tale of stolen art, bold escapes, and how history sometimes gets a bit... sticky!

Let’s turn the clock back to January 1795, a time when Willem V was sprinting for his life, leaving behind a stunning collection of Dutch masterpieces that would soon become the spoils of war. Our hosts, Rick and Robert, guide us through the whirlwind of events that led to the French army marching into the Netherlands with one mission: to collect the cultural jewels and ship them off to Paris. They paint a vivid picture of how the French soldiers, armed with a list of coveted artworks, transformed into an elite squad of art thieves, all while the Dutch were left in a state of disbelief. It’s like a heist movie, but set in the 18th century!

The conversation takes a humorous turn as they poke fun at the absurdity of the situation, contrasting the grandiose ideals of revolution with the grim reality of cultural looting. We hear about the shenanigans of the French art experts who, under the guise of cultural enlightenment, dismantled Dutch identity piece by precious piece. The narrative is rich with anecdotes, exploring how paintings were rolled up and shipped off, while the Dutch were left with empty frames and bitter memories. And let’s not forget the elephant in the room—literally! The story of the stolen elephants adds a whimsical touch to the somber tale of loss, proving that history can be both tragic and delightfully bizarre.

As they wrap up, the hosts reflect on the ongoing implications of this artistic heist, connecting the dots to today’s conversations around cultural heritage and restitution. It’s a thought-provoking discussion that challenges us to think about who owns history and art, and how we’re still grappling with the consequences of these past actions. Spoiler alert: the road to restoring stolen art is still bumpy, and it seems France is holding onto its treasures like a kid clutching their candy on Halloween. So, grab your headphones and get ready for a deep dive into art, history, and a dash of hilarity!

Takeaways:

• The French Revolution sparked a cultural upheaval, leading to the plundering of artworks across Europe, especially in the Netherlands.
• In 1795, the French Republican army invaded the Netherlands, causing the Dutch stadtholder to flee, leaving behind invaluable art collections.
• The infamous French art theft was a well-organized operation, not just random looting by soldiers, showcasing a calculated approach to seizing cultural treasures.
• Despite the return of some artworks after the Napoleonic Wars, a significant portion of Dutch art remains missing in French collections even today.
• The legacy of colonial art theft continues to affect museums and cultural institutions across Europe, igniting debates about restitution...