This week Miranda speaks with Tom Murphy the founder of Make-Ready, the largest fine-art screenprinting operation in the world.

Tom grew up in Suffolk with pound-shop sketchbooks, bootleg band tees, and a fascination with how things are made. From a garage start nine years ago to collaborating with artists like Alex Katz, Ai Wei Wei, and Anish Kapoor, his path runs through open-access studios, industrial screen tech, and a deep respect for legendary shops like Brand X and Two Palms. It’s a conversation about craft, problem-solving, and that human impulse to leave a mark.

Hello, Print Friend Residency in Chiang Mai, Thailand

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This week Miranda speaks with Mary Farrell, a printmaker based in Spokane, Washington. They talk about how Mary’s upbringing (with her father’s work in tuberculosis research and her mother’s near-miss with a life in a convent) created a childhood that shaped her perspective as an artist. We explore her long love affair with the human figure, her fascination with the parallels between the body and the natural world, and how she uses printmaking processes like mezzotint to pull light from darkness—literally and metaphorically.

It’s a conversation about labor, love, and the lifelong unfolding of artistic voice, a reminder that, as Mary says, our best work is always still ahead of us.

Mary's Website

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Hello, Print Friend Residency in Chiang Mai, Thailand

Hello, Print Friend YOUTUBE

Hello, Print Friend MERCH

Hello, Print Friend WEBSITE

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Legion Paper

This week Miranda speaks with artist and collaborative printer Nathan Catlin—Master Printer at the LeRoy Neiman Center for Print Studies at Columbia University—whose practice spans relief, screenprint, mosaic, stained glass, and an ever-growing love affair with clay. We get into Nathan’s origin story (the heartbreak + linocut era), why the physicality of carving still feels like home, and how he keeps his own narrative prints clean and focused while helping other artists make wildly ambitious editions. We talk shop about trust in collaboration, the perils of pedantry, and projects that push the edge of “what counts” as print—from boomboxes packed with ephemera to playable records in thrift-store suitcases. We also talk about teaching at Columbia (and previously RISD and City), why prints remain the most democratic corner of the art world, and the quiet power of everyday moments—like a COVID-era bathroom haircut—pressed into permanence.

Nathan's Website

Nathan's Instagram

Hello, Print Friend Residency in Chiang Mai, Thailand

Hello, Print Friend YOUTUBE

Hello, Print Friend MERCH

Hello, Print Friend WEBSITE

Hello, Print Friend INSTAGRAM

Hello,Print Friend PATREON

Hello, Print Friend SPONSORS

Legion Paper