In this episode of the Go Creative Show, cinematographer James Whitaker discusses his work on the film 'Good Luck, Have Fun, Don't Die,' directed by Gore Verbinski. The conversation covers the film's unique genre-bending narrative, the challenges of cinematography within a limited budget and timeframe, and the creative decisions that shaped its visual style. Whitaker shares insights on lighting techniques, camera choices, and the importance of collaboration in filmmaking. He also expresses concerns about the impact of AI on the creative industry, reflecting on the balance between technology and human artistry.

Takeaways

The film's title reflects a parental warning about technology.
AI poses real challenges that society must address.
Working with Gore Verbinski is both fun and creatively fulfilling.
Genre-bending films allow for unique storytelling opportunities.
Realism in cinematography enhances audience engagement.
Budget constraints require innovative solutions in filmmaking.
Lighting plays a crucial role in conveying emotional depth.
Collaboration with the crew is essential for success.
Imperfection in filmmaking can serve the story.
AI's impact on creative jobs is a growing concern.

Follow our Guest

https://www.instagram.com/jameswhitaker_dop/

Follow our Host

https://www.instagram.com/benconsoli/

What can puppetry teach filmmakers about acting, storytelling, and cinematography?

In this episode of The Go Creative Show, host Ben Consoli sits down with puppeteer and filmmaker Andrew G. Cooper (Fraggle Rock) to break down the filmmaking discipline behind puppetry—and why it might be one of the most underrated tools for learning visual storytelling.

Andrew shares how puppets demand clarity in performance, intentional framing, and disciplined direction, offering lessons that translate directly to working with actors and cameras. They explore in-camera effects, the resurgence of practical filmmaking, and how creative constraints often lead to stronger storytelling. Andrew also dives into his experience working on large-scale productions and how puppetry informs his work as a writer and director, including a feature film currently in development.

Whether you're a cinematographer, director, or storyteller, this conversation will change how you think about performance on screen.

TAKEAWAYS

• Andrew G. Cooper's journey into puppeteering began with his mother's local puppet TV show.
• The transition from theater to film puppetry involves understanding the frame and camera techniques.
• Bringing life to puppets involves weight, breath, and focus.
• Puppeteers are often actors and directors, integrating their skills into performances.
• The resurgence of practical effects is driven by a desire for tangible, real experiences in media.
• Constraints in puppetry can lead to creative solutions and improvisation on set.
• Andrew's experience on Fraggle Rock was a significant leap from theater to television production.
• Training and passion are essential for aspiring puppeteers and filmmakers.
• The collaborative nature of film production allows for puppeteers to contribute creatively.
• Andrew is developing a feature film that explores cosmic horror with puppetry.

LINKS

www.andrewgcooper.com

🎧 Subscribe to the Go Creative Show wherever you get your podcasts

Join host Ben Consoli as he welcomes back Drew Wehde, the brilliant cinematographer behind The Bear Season 4. Drew dives deep into the chaos and beauty of shooting one of the most creatively daring shows on TV. From the philosophy of forgetting your work to designing lighting systems with 18Ks and Infinimats, Drew breaks down how The Bear achieves its raw, immersive style—and why sometimes, there's no storyboard at all. Whether you're a seasoned DP, an indie filmmaker, or a Bear superfan, this is a must-listen.

• How to be present — stay focused on the moment while filming
• Why filmakers should forget past work to unlock fresh creativity
• Balance between filmmaking and family matters
• Drew's crew shares his "live in the now" mindset
• The Bear uses bold, evolving visual techniques
• Lighting and color are core to the show's style
• He built a custom lighting system for fast adjustments
• The Season 4 finale is driven by character, not chaos
• No storyboards or shot lists — pure flexibility on set
• Filmmaking is a true collaboration with his team

🎥 Watch The Bear Season 4 Trailer
🎧 Subscribe to the Go Creative Show wherever you get your podcasts
📸 Follow Drew Wehde on Instagram @andrewwehde