In this episode of the Dead Formats podcast, Chris is joined by Bones of 5 Day Rentals and DK from Nerds, Geeks, and the Kitchen Sink/DK & Dan Like Bands to discuss the 1991 TV movie Yes Virginia, There Is a Santa Claus starring Charles Bronson and Richard Thomas. The team explores the film's plot, which alternates between the struggles of a poor Irish immigrant family and the redemption arc of a cynical newsman played by Bronson. They analyze various aspects of the movie, including the repetitive plot structure, the insertion of Bronson's character arc, and its somewhat bleak depiction of Christmas. The conversation covers the movie's production details, including a notable scene where Bronson, true to form, punches another character. The episode is wrapped up with holiday well-wishes and appreciation for the multitude of guests who have contributed to the podcast's inaugural season.

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Chris is joined by guests Dan from TYTD Reviews and Triv from Trivial Theater to discuss the 1998 film Feeders 2: Slay Bells. The conversation covers various aspects of the film, including its plot, characters, and the evident progression of the Polonia brothers' filmmaking techniques from the first Feeders movie. The team also examines the movie’s mix of home movie footage, comedic elements, and unintentional humor. Discussions also touch on the film’s unique charm, its comparison to other classic low-budget horror films, and the peculiarities of Christmas-themed SOV films. The episode wraps up with thoughts on the state of modern low-budget filmmaking and potential future collaborations.

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Chris is joined by Brantley from Horror Drafts and George from The Best Little Horror House in Philly to discuss the 1972 Mexican lucha libre film, Santo vs. Frankenstein's Daughter. They break down the plot, discuss the film's unique blend of horror and wrestling, and analyze the cultural significance of Santo and lucha libre. The discussion also touches on the film's production values, character depth, and the broader context of Mexican cinema. The episode wraps up with reflections on the film's entertainment value and how it compares to other Santo movies.

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