Couverture de 88: As I Can: How Jan van Eyck Changed the Way We See

88: As I Can: How Jan van Eyck Changed the Way We See

88: As I Can: How Jan van Eyck Changed the Way We See

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May 6, 1432. Inside a cathedral in Ghent, a crowd gathers to witness something extraordinary—an altarpiece so lifelike that viewers can count individual flowers in a painted meadow and watch blood flow into a golden chalice. One witness records that the artist had discovered "a new perspective on seeing."

But the man behind this revolution wasn't a monk or a scholar. He was Jan van Eyck - a court functionary, a diplomat on secret missions, a bureaucrat with a paintbrush who would transform the possibilities of painting.

In this episode, we explore how van Eyck gave his patrons something they didn't even know they wanted: a new way to experience reality. From the glittering Burgundian court to the revolutionary Ghent Altarpiece, from the intimate mystery of the Arnolfini Portrait to a potential self-portrait that stares directly into your soul, we trace how one artist's technical innovations changed not only art but also human perception.

Discover the man who painted light as if it were tangible, embedded cryptic inscriptions in his frames, and whose motto - "As I Can" - was both humble and impossibly ambitious. This is the story of how Jan van Eyck invented hyperrealism six centuries before Photoshop and why his vision still shapes how we see the world today.


Resources:

The Ghent Altarpiece

The Arnolfini Portrait

The Man in the Turban



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Intro Music: Hayden Symphony #39
Outro Music: Vivaldi Concerto for Mandolin and Strings in D

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