This week, the Dads kick off their new 2 Dads 2 Decades series with 1980's Airplane!, and Steve arrives with the ultimate childhood credential: he first watched this movie at two years old on laserdisc. His parents reconsidered their parenting choices when three-year-old Steve looked up at them and said, "What a pisser." Nic's introduction came via TV broadcast around age eight, and both Dads credit this Zucker-Abrahams-Zucker classic with shaping their sense of humor. Steve went deep on the research, watching the 1957 disaster film Zero Hour! that Airplane! spoofs nearly shot-for-shot, and spends much of the episode pointing out how many "serious" lines are lifted verbatim from that film, including "I picked a bad week to quit smoking."

The Dads marvel at the stunt casting that put four dramatic actors into their first-ever comedic roles: Leslie Nielsen, Robert Stack, Lloyd Bridges (whose sons Jeff and Beau talked him into it), and Peter Graves. They dig into the gags that still land perfectly, from the white zone/red zone airport announcement bickering (performed by the actual married couple who did LAX announcements) to the Mayo Clinic doctor with mayonnaise jars behind him and a beating heart bouncing around his desk. The smoking ticket bit, the drinking problem visual gag, the line of passengers waiting to slap the hysterical woman with increasingly dangerous weapons, "We have clearance, Clarence. Roger, Roger. What's our vector, Victor?"—all rock solid forty-five years later. They also appreciate the details, like how the actress being slapped suggested making that line of attackers longer, which turned a good joke into an iconic one.

But the Dads also wrestle with what hasn't aged well, from Captain Oveur's deeply uncomfortable cockpit conversation with young Joey to the Peace Corps basketball sequence that lands with a thud in 2026. Steve frames it this way: 1934's It Happened One Night is as far from Airplane! as Airplane! is from today, which helps explain why some jokes feel like artifacts from another era. Still, this is a movie where the sum of its parts outweighs the whole, a gag-a-second comedy that launched Leslie Nielsen's second act and taught a generation that deadpan delivery of absurd lines is an art form.

This week, the Dads wrap up JanuArnie with Nic's personal favorite Schwarzenegger film, 1985's Commando, and Steve is seeing it for the very first time. Nic describes it as "black tar Arnie," the most purely distilled version of what makes Schwarzenegger movies tick, and he's been quoting it with college buddies for decades. The film wastes zero time establishing its chaos: four minutes in, three bodies are already on the ground, and the Dads haven't even gotten to the famous daddy-daughter ice cream montage where young Alyssa Milano smashes a cone into Arnold's face while deer eat from his hands like he's Snow White with biceps.

The villain situation sparks some heated discussion. Bennett, played by Vernon Wells, shows up looking like "Freddie Mercury in a crocheted chainmail vest" with fingerless gloves and a leather jacket, and Steve cannot get over how unintimidating he is. He's soft in the middle, clearly obsessed with Matrix in a way that reads more like a scorned ex-lover than a mortal enemy, and the Dads agree there's no counterbalance to Arnold's superhuman hero. Then there's Sully, a five-foot-two sleazeball in an oversized David Byrne suit who delivers increasingly disgusting one-liners until Arnold dangles him off a cliff and delivers the immortal "Remember when I said I'd kill you last? I lied." The Dads also geek out over recognizing the Beverly Hills Cop mansion, Bill Paxton's early cameo as a Coast Guard radar guy, and the baffling amount of steel drum in a movie set entirely in Los Angeles.

The final assault on the compound is where Commando truly earns its reputation: Arnold kills the same seven stunt guys multiple times each, throws saw blades through skulls, and fires a machine gun while standing completely exposed as hundreds of bullets somehow miss him entirely. The Dads catch action figures on visible stands during explosion shots and marvel at a body count so absurd it defies mathematics. It's loud, ridiculous, and exactly what Nic promised: pure, uncut Arnie at his most gloriously over-the-top.

This week, the Dads take another step through JanuArnie with James Cameron's 1994 spy action-comedy True Lies, and Steve is practically vibrating with joy from minute one. He calls it possibly the most fun he's had watching any of the 45 movies they've covered together. The film doesn't let up for its full two hours and twenty minutes, and neither do the Dads, who find themselves completely won over by Cameron's crowd-pleasing magic. From Arnold emerging from a frozen Swiss lake with a perfect tuxedo under his wetsuit to subtitle parentheticals reading "perfect Arabic," the guys geek out over every slick spy detail while Tom Arnold's Gib provides running commentary from the surveillance van, lamenting his ex-wife who took the ice cube trays out of the freezer. What kind of sick bitch does that?

Jamie Lee Curtis absolutely steals the show, and the Dads are here for it. Her legendary hotel room striptease gets the extended appreciation it deserves, with Steve and Nic marveling at her physical comedy chops and the sheer commitment of her performance. The dance is awkward and sexy and hilarious all at once, right down to her ankle buckling in those heels. Bill Paxton's sleazy used car salesman Simon earns equal time, spinning tales about being the mystery spy from the hotel shootout while eating a hot dog and declaring that "the 'Vette gets 'em wet." The Dads debate the impossibility of fast-forwarding and rewinding cassette tapes to precise dialogue cues and agree it's somehow less believable than anything involving nuclear warheads.

Then there are the Harrier jets. Steve loved Harriers as a kid, and this movie delivers them in full glory for the entire third act, from bridge pursuits to Arnold blasting out an entire floor of a Miami skyscraper. A pelican tips a truck off a bridge. Jamie Lee Curtis beats Tia Carrere senseless with a champagne bottle that refuses to break. Dana steals the detonator key despite having zero spy training. It's gateway Arnie at his absolute peak, surrounded by James Cameron's bulletproof blockbuster instincts and a cast firing on all cylinders.