Sinclaire Marie describes atmospheric firing as a collaboration rather than a technique—one that requires attention, patience, and a willingness to relinquish control. Drawn to fire as both an ancestral element and a living force, she frames wood firing as a communal, physically demanding process that demands full presence: listening to the crackle of the flames, responding to their rhythm, and accepting that the kiln will not always do what you want it to do. She reflects on how this uncertainty becomes a teacher, revealing growth through small, unexpected victories—a cup whose surface finally shows looseness and history, or a teapot that playfully subverts its own form. Rather than chasing efficiency or perfection, the process becomes about attention, endurance, and learning how to play seriously—to let labor, tradition, and experimentation coexist in the work.

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