Fun! Things you might want to know:

1. The story is a crime solving procedural in a sci-fi setting, and both sides of that are very well done! If you don’t care for either of those genres this probably isn’t for you. If you like one more than the other and the plot sounds interesting then I’d say give it a go. Just don't go in expecting a dystopia or a panicked medical thriller.

2. Confused about the two narrator options? There’s nothing in one version you might miss by choosing the other, so listen to the samples and go with your favorite. They really are two readings of the same book! Yes, there’s something a bit clever behind having different narrator options, but I'll let you discover what it is on your own. Both narrators do a fantastic job, so really you can’t go wrong.

3. There’s an attached novella at the end, a faux nonfiction-style account of the beginnings of Haden’s Syndrome. It originally came out as an optional prequel so you can choose to read it first or last. If you want to jump to it first, it’s 2 h 15 min into the second download on the Wil Wheaton version, 2:58:30 on the second download of Amber Benson’s. The novella’s many narrators were a great touch but overall I found the novella too scattered to add much. I had no problem jumping into the main story without reading it first, and I'm glad I didn't bother.

As for my personal impressions? Fun book! Not too dark, not too fluffy, good pacing, likeable characters and interesting concepts -- I can see a lot of people enjoying this one. I don’t normally seek out procedurals, but the quick pace and sci-fi quirkiness kept things fresh. The Scalzi fans are going to be happy! I’m beginning to recognize Scalzi’s humorous touches and short and sweet closes. When I got to the end I wanted to talk to someone about the story, so I guess I’m going to have to start recommending this so I can! (I’d also love to know who catches the extra little bit of social commentary without being told first…. Yet another reason I need to go push this book on people!) There’s room in the world building for more stories in this setting. I don’t really expect one, but if there ever is a sequel I’d definitely buy it!

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I said, She said, Dad said............

This book has a very interesting story and concept but god did the author read a single page of his own book. You do not make it more than 20 seconds straight throughout the whole book without hearing I said, dad said, van said, she said and so on. It is so irritating. Never has a book bothered me this much by pounding the same line over and over again (I said lol) I had to stop listening multiple times. I only write a bad review if the author gets lazy or just writes a bad book but like I said the story is rather interesting but the level the author writes at, knocks this book down on the overall score.

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“...he said.” “...she said.” Ad nauseam.

Unlistenable because of the terrible writing. Never have I read a book with “s/he said” after nearly every line of dialogue. Now I have to figure out how to get my monthly credit back.

Story was interesting, Wil Wheaton was fine, doomed by the poor technical skill of author.

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Did I listen to the same book as everyone else!?

What could have made this a 4 or 5-star listening experience for you?

I was SO bored!!! When I read the summary I could not wait for this book to come out .I was so excited. After listening...I was serisouly let down. The story was mostly backstory. There was a tiny amount of action, an even smaller amount of mystery and little character development. It was just a basic cop book, in a fascinating setting. I think the main reason I disliked this book was because there was SO MUCH potential to be an amazing book. I cared nothing for any of the characters, and that is rare for me.

What was most disappointing about John Scalzi’s story?

The book was mostly boring backstory, and little ittle character development.

You didn’t love this book... but did it have any redeeming qualities?

I really enjoyed the narrator, he was one of the best I have listened to. Also, the book was set in a very amazing world

75 personnes ont trouvé cela utile

I NEVER SAY IMPOSSIBLE

SHE LIVED LONG ENOUGH TO DIE A NORMAL DEATH
One reviewer said this was not Science Fiction/Fantasy. I can mention one item that makes this an unbelievable fantasy. In the story, the Jets are in the Super Bowl. That would not happen in real life. For me this had a slow start, as the introduction was nothing, but an info dump. Wheaton reads it like it is a disclaimer. It was so boring that I did not remember any of it. the story picked up big time in the third chapter and stayed strong till the end. I am not a huge police procedural type of guy and that is a big part of the story. On the other hand, a group of people who live in virtual worlds and/or live in robots, makes for an interesting story for me. Few could do it better then Scalzi, although I wanted to hear more about how they handled sex. It is a big part of most people lives, so it needed to be dealt with more then what JS did. l liked the characters and there was good character development.

YOU'RE A TRON FAN
The last two hours and 15 minutes is a related novella called Unlocked. It was two hours of interviews, which is not my favorite way to listen to a story. It started slow, but I found myself loving it by the end. I believe instead of it being a separate story, he should have used an interview between each chapter or each part as an interlude.

Narrator
I waited a long time to get this with Wil Wheaton, the other narrator got put on sale twice before Wheaton did. Wheaton is the best at snarky, smart mouth, funny books. This did not have so much of that. He was good, but not great.

100 personnes ont trouvé cela utile

couldn't make it 30 minutes...

Wil's reading was fine, and i couldn't make it far enough to comment on the story... but i had to stop twenty minutes into the book.

The conversational dialogue is just unbearable. Expect to hear "He/she/(name) said" every 3-8 seconds. I mean that very literally. There is no variety in designating the speaker, and very little reliance on conversational context.

Perhaps it gets better later on... but, for me, it was too much. I can't bring myself to struggle through that jarring annoyance for the remaining 9.5 hours when i have so many other books to listen though.

61 personnes ont trouvé cela utile

Intriguing premise wasted on average cop story

As with past works by Mr Scalzi, Lock In is a light and entertaining story that doesn't quite do justice to its compelling underpinnings. In this case, Mr Scalzi has fashioned a world in which 1% of the population are physically paralyzed and escape their bodies by directing their awareness and cognitive function into alternate frameworks. Some choose a non-spatial internet; some choose synthetic android bodies; a few choose bodies of "Integrators"—healthy humans who lease-out their bodies on an hourly basis. Unfortunately Mr Scalzi treats the first category merely as a MacGuffin and thereby severely limits the novel's potential as a work of true speculative fiction. Instead the reader is treated to a standard-issue cop story with a pleasant veneer. Lock In is told competently but without the liveliness that elevated some of his past novels. Mr Scalzi proved to be deft at writing dialogue for lawyers in Fuzzy Nation and fast-talking agents in Agent to the Stars, but his ear for dialogue has failed him here: the cop-talk is stale and predictable. A more adventurous book could have survived such weaknesses, but Lock In is timid in its scope and never quite recovers from its failings.

The narrator's sex is never known, so the option of listening to a male or female performer makes some sense. I alternated between Ms Benson's and Mr Wheaton's performances, and for whatever reason, the narrator became female in my mind, so perhaps Ms Benson's voice was the more significant for me. Mr Wheaton, on the other hand, is the brisker of the two and thereby imparts some extra energy into the story. All things being equal, I would recommend his performance.

32 personnes ont trouvé cela utile

Irritating

When a writer can't be more imaginative than "...,he said." and "...,she said." over and over again it is highly irritating. I returned the book.

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I said, he said

What did you like best about Lock In (Narrated by Wil Wheaton)? What did you like least?

Fun story

Would you recommend Lock In (Narrated by Wil Wheaton) to your friends? Why or why not?

I would recommend they read it as it would be easier to ignore all of the I said, he said, she said...
Wil Wheaton did a great job with the narration though.

Was Lock In (Narrated by Wil Wheaton) worth the listening time?

yes

40 personnes ont trouvé cela utile

Consistent Greatness Locked In With Scalzi-Wheaton

Some things fade with time. Not John Scalzi and Wil Wheaton. Not thus far. Lock In is their fifth audiobook collaboration, all of which I've listened to, and it is at least as good as any that have come before, possibly even the best of the bunch (close call with Android's Dream and Redshirts).

The difference this time is that unlike its predecessors, Lock In is not meant to be humorous. True, neither Scalzi nor Wheaton can help themselves, so the main character, Chris Shane, and Shane's co-investigators do get typically smarmy and sarcastic as they discuss matters among themselves and especially when interrogating people. That tone, modulated expertly to suit specific situations, only elevates the overall experience.

But this one is meant to be serious. In the near future, a flu-like virus has killed off hundreds of millions of people, left millions more physically paralyzed (though still mentally cognitive), and spawned huge new industries in giving lock-Ins (as the paralyzed are called) the ability to interface with the world, including an android-like mechanism allowing them to circulate in the world (called a threep due to its resemblance to the Star Wars android C3P0).

Chris Shane is a lock-in with a state of the art threep who has just joined the FBI in a unit that specializes in investigating crimes involving lock-ins. He is immediately thrown into a murder case that has wide-ranging ramifications. He and his partner (who is not a lock-in) and his roommate (who is also a lock-in and a technological genius) slowly peel away the layers and expose everything that is going on, all in classic Scalzi style.

The disease and its consequences -- social, political, economic -- give Scalzi a lot of leeway to comment on contemporary issues, with metaphors aplenty at the ready. But these are no more than glancing blows that just add depth to the novel. They do not, indeed cannot, ever overtake the story, which moves forward at breakneck pace, fueled by the momentum Wil Wheaton never fails to deliver as my favorite all-time narrator.

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