Dear Chrysanthemums
A Novel in Stories
Impossible d'ajouter des articles
Désolé, nous ne sommes pas en mesure d'ajouter l'article car votre panier est déjà plein.
Veuillez réessayer plus tard
Veuillez réessayer plus tard
Échec de l’élimination de la liste d'envies.
Veuillez réessayer plus tard
Impossible de suivre le podcast
Impossible de ne plus suivre le podcast
0,00 € les 60 premiers jours
Offre à durée limitée
3 mois pour 0,99 €/mois
Offre valable jusqu'au 29 janvier 2026 à 23 h 59.
Jusqu'à 90% de réduction sur vos 3 premiers mois.
Écoutez en illimité des milliers de livres audio, podcasts et Audible Originals.
Sans engagement. Vous pouvez annuler votre abonnement chaque mois.
Accédez à des ventes et des offres exclusives.
Écoutez en illimité un large choix de livres audio, créations & podcasts Audible Original et histoires pour enfants.
Recevez 1 crédit audio par mois à échanger contre le titre de votre choix - ce titre vous appartient.
Gratuit avec l'offre d'essai, ensuite 9,95 €/mois. Possibilité de résilier l'abonnement chaque mois.
Dear Chrysanthemums
Lu par :
Catherine Ho
Acheter pour 12,44 €
-
Lu par :
-
Catherine Ho
-
De :
-
Fiona Sze-Lorrain
À propos de ce contenu audio
Composed of several interconnected stories, each taking place in a year ending with the number six, ironically a number that in Chinese divination signifies “a smooth life,” Dear Chrysanthemums is a novel about the scourge of inhumanity, survival, and past trauma that never leaves. The women in these stories are cooks, musicians, dancers, protestors, mothers and daughters, friends and enemies, all inexplicably connected in one way or another.
“Cooking for Madame Chiang,” 1946: Two cooks work for Madame Chiang Kai-shek and prepare a foreign dish craved by their mistress, which becomes a political weapon and leads to their tragic end.
“Death at the Wukang Mansion,” 1966: Punished for her extramarital affair, a dancer is transferred to Shanghai during the Cultural Revolution and assigned to an ominous apartment in a building whose other residents often depart in coffins.
“The White Piano,” 1966: A budding pianist from New York City settles down in Paris and is assaulted when a mysterious piano arrives from Singapore.
“The Invisible Window,” 2016: After their exile following the Tiananmen Square massacre, three women gather in a French cathedral to renew their friendship and reunite in their grief and faith.
With devastating precision, a masterly ear for language, and a profound understanding of both human cruelty and compassion, Fiona Sze-Lorrain weaves Dear Chrysanthemums, an evocative and disturbing portrait of diasporic life, the shared story of uprooting, resilience, artistic expression, and enduring love.
Vous êtes membre Amazon Prime ?
Bénéficiez automatiquement de 2 livres audio offerts.Bonne écoute !
Commentaires
"Global polyglot poet/translator/musician Sze-Lorrain’s first story collection is deftly embodied by Ho, who effortlessly spans generations, decades, and continents through a dozen interlinked stories that spotlight women hoping to escape turmoil and tragedy...With complementary fidelity, Ho amplifies Sze-Lorrain’s resonating text." (Terry Hong)
"Catherine Ho delivers a dynamic performance of this haunting collection of short stories that take place between 1946 and 2016 during the years that end in six, a sacred number in Chinese divination. Ho channels resilient women through tumultuous and traumatic times in Chinese history. Evoking a strong sense of place through rich details and lyrical writing, Ho brings well-developed characters to life. These include a former dancer during the Cultural Revolution, as well as three women who were exiled following the Tiananmen Square massacre. Spanning seven decades in Beijing, New York, Paris, Shanghai, and Singapore, Ho nimbly inhabits a diverse diaspora. While historical background details are spare, Ho’s versatile performance elevates this luminous debut."
Aucun commentaire pour le moment
