Dead Man Walking
The Eyewitness Account of the Death Penalty That Sparked a National Debate
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Helen Prejean
À propos de ce contenu audio
Out of that dreadful intimacy comes a profoundly moving spiritual journey through our system of capital punishment. Here Sister Helen confronts both the plight of the condemned and the rage of the bereaved, the fears of a society shattered by violence and the Christian imperative of love. On its original publication in 1993, Dead Man Walking emerged as an unprecedented look at the human consequences of the death penalty. Now, some two decades later, this story—which has inspired a film, a stage play, an opera and a musical album—is more gut-wrenching than ever, stirring deep and life-changing reflection in all who encounter it.
Read by the author, Helen Prejean
Preface written by Archbishop Desmond Tutu and read by Dominic Hoffman
Afterwords written and read by Susan Sarandon and Tim Robbins
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Commentaires
“Deeply moving . . . Sister Prejean is an excellent writer, direct and honest and unsentimental. . . . She almost palpably extends a hand to her readers.” —The New York Times Book Review
“An immensely moving affirmation of the power of religious vocation. . . . Stunning moral clarity.” —The Washington Post Book World
“Here is one voice for life. We really should need no other.” —The New York Review of Books
"An intimate meditation on crime and punishment, life and death, justice and mercy and—above all—Christian love in its most all-embracing sense. . . . [Prejean] never shrinks from the horror of what she has seen. She never resorts to something so predictable as pathos or a play for sympathy." —Los Angeles Times
"A remarkable writer . . . Prejean's manner of describing the tortured relations among prisoners, criminal-justice officers and victims' families would be the envy of many novelists. Even if your own views on capital punishment are set in concrete, you are sure to be moved by the force of Prejean's personality and commitment." —Glamour
"Painful and powerful . . . [Prejean's] practical moral courage is heroic." —The New Yorker
"Providing a gritty look at what really happens in the final hours of a death row inmate . . . Prejean takes readers to a place most will thankfully never know . . . adeptly probing the morality of a judicial system and a country that kills its citizens." —San Francisco Chronicle
"An impassioned condemnation of capital punishment." —Cleveland Plain Dealer
"This arresting account should do for the debate over capital punishment what the film footage from Selma and Birmingham accomplished for the civil rights movement: turn abstractions into flesh and blood. Tough, fair, bravely alive—you will not come away from this book unshaken."
—BillMcKibben
“An immensely moving affirmation of the power of religious vocation. . . . Stunning moral clarity.” —The Washington Post Book World
“Here is one voice for life. We really should need no other.” —The New York Review of Books
"An intimate meditation on crime and punishment, life and death, justice and mercy and—above all—Christian love in its most all-embracing sense. . . . [Prejean] never shrinks from the horror of what she has seen. She never resorts to something so predictable as pathos or a play for sympathy." —Los Angeles Times
"A remarkable writer . . . Prejean's manner of describing the tortured relations among prisoners, criminal-justice officers and victims' families would be the envy of many novelists. Even if your own views on capital punishment are set in concrete, you are sure to be moved by the force of Prejean's personality and commitment." —Glamour
"Painful and powerful . . . [Prejean's] practical moral courage is heroic." —The New Yorker
"Providing a gritty look at what really happens in the final hours of a death row inmate . . . Prejean takes readers to a place most will thankfully never know . . . adeptly probing the morality of a judicial system and a country that kills its citizens." —San Francisco Chronicle
"An impassioned condemnation of capital punishment." —Cleveland Plain Dealer
"This arresting account should do for the debate over capital punishment what the film footage from Selma and Birmingham accomplished for the civil rights movement: turn abstractions into flesh and blood. Tough, fair, bravely alive—you will not come away from this book unshaken."
—BillMcKibben
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