For over 150 years, photography has played a powerful role in shaping how Indigenous peoples of the Americas are seen and too often misunderstood. Images made about Indigenous communities rather than by them have circulated widely in museums, textbooks and popular culture, reinforcing narratives of disappearance, distance or anthropological extraction. “In Light and Shadow,” the ambitious new book by photographers Brian Adams and Sarah Stacke, directly challenges that legacy, not by rejecting photography’s past but by radically re-centering who controls the archive, who tells the story and who the work is for.

Adams, an Iñupiaq photographer based in Anchorage, and Stacke, a Brooklyn-based photographer, writer and archival researcher, approach photography less as image-making than as long-term relationship-building and storytelling. Their collaboration grew out of “The 400 Years Project,” an expansive initiative marking the anniversary of the Mayflower by foregrounding Indigenous photographers across generations, geographies and the full range of photographic practice — from 19th-century studio portraits to contemporary conceptual work.

In this interview, Adams and Stacke discuss the ethical and logistical choices behind “In Light and Shadow,” the politics of archives and representation and what it means to be storytellers accountable to the people whose lives and histories they photograph.

https://brianadams.photoshelter.com/index

https://sarahstacke.com/

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