Appropriation - What's Appropriation?
Studies in World Art, Book 110
Impossible d'ajouter des articles
Échec de l’élimination de la liste d'envies.
Impossible de suivre le podcast
Impossible de ne plus suivre le podcast
3 mois d'Audible Standard gratuits
Acheter pour 5,63 €
-
Lu par :
-
Bob Barton
-
De :
-
Edward Lucie-Smith
As a number of recent exhibitions have shown, there is a growing fashion for what is called appropriation in art. To you and me, what this means is slavish copying - no ifs and buts, apologies replaced by the paradoxical assertion that this is a thoroughly original, impeccably avant-garde thing to do.
Examples were a recent show at the Saatchi Gallery, entitled "Post Pop: East Meets West"; and "Sturtevant: Double Trouble", on view till late February at the Museum of Modern Art in New York. "Post Pop" was rife with things of this sort. For example, there were a number of versions, in different color ways, of Marcel Duchamp’s famous urinal (itself an appropriation of a sort). An upside-down copy by Glenn Brown of a Fragonard in the Wallace Collection. A Double Elvis (After Warhol) by a Belorussian artist called George Pusenkoff.
©2014, 2017 Cv Publications (P)2018 Cv PublicationsPoursuivre la série