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Shanghai, 2007: Fourteen-year-old Alva has always longed for more. Raised by her American expat mother, she’s never known her Chinese father, and is certain a better life awaits them in America. But when her mother announces her engagement to their wealthy Chinese landlord, Lu Fang, Alva’s hopes are dashed, and so she plots for the next best thing: the American School in Shanghai.

Call it "Zen and the Art of Farming" or a "Little Green Book", Masanobu Fukuoka's manifesto about farming, eating, and the limits of human knowledge presents a radical challenge to the global systems we rely on for our food. At the same time, it is a spiritual memoir of a man whose innovative system of cultivating the earth reflects a deep faith in the wholeness and balance of the natural world. As Wendell Berry writes in his preface, the book "is valuable to us because it is at once practical and philosophical."

Zero is just one of 20,000 people aboard a spaceship bound for a new planet set to be colonized. The journey is over a century long but luckily, everyone is in stasis, so they’ll be safe and sound asleep during the trip. Everyone that is, except for Zero, whose pod has malfunctioned, waking him up a hundred years early. His initial excitement in roaming the ship alone quickly turns to a heart-stopping interstellar adventure when a family of space pirates show up, trying to hijack the ship and take the colonizers hostage.

In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don't intend to produce. As the resumes pile up, only one of the applicants catches Aoyama's attention - Yamasaki Asami - a striking young former ballerina with a mysterious past. But she is a far cry from the innocent young woman he imagines her to be.

Former chief inspector Chen faces a tricky serial murderer case at the height of the Covid pandemic—and risks everything he has to expose the deadly effects of the Chinese Communist Party's so-called zero Covid policy to the world.

In his 1992 best-selling book The End of History and the Last Man, American political scientist Francis Fukuyama argued that the dominance of liberal democracy marked the end of humanity's political and ideological development. Thirty years later, with populism on the rise and the number of liberal democracies decreasing worldwide, Fukuyama revisits his classic thesis. A series of in-depth interviews between Fukuyama and editor Mathilde Fasting, After the End of History offers a wide-ranging analysis of liberal democracy today.

A popular young girl disappears without a trace, her skeletal remains discovered three years later in the ashes of a burned-out house. There's a suspect and compelling circumstantial evidence of his guilt, but no concrete proof. When he isn't indicted, he returns to mock the girl's family. And this isn't the first time he's been suspected of the murder of a young girl; nearly 20 years ago, he was tried and released due to lack of evidence. Chief Inspector Kusanagi of the Homicide Division of the Tokyo Police worked both cases.

Soseki Natsume's comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him. A classic of Japanese literature, I Am a Cat is one of Soseki's best-known novels. Considered by many as the greatest writer in modern Japanese history, Soseki's I Am a Cat is a classic novel sure to be enjoyed for years to come.

Judge Dee Renjie, Empress Wu's newly appointed Imperial Circuit Supervisor for the Tang Empire, is visiting provinces surrounding the grand capital of Chang'an. One night a knife is thrown through his window with a cryptic note attached: "A high-flying dragon will have something to regret!" 

Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. In Hong Kong Noir, 14 of the city’s finest authors explore the dark heart of the Pearl of the Orient in haunting stories of depravity and despair. 

No longer a chief inspector, Chen Cao finds himself as director of the Shanghai Judicial System Reform Office. To outsiders, it’s a promotion, but Chen knows he’s being removed from the spotlight as he’s immediately placed on involuntary "convalescence leave" to stop him interfering with any cases. However, with various high-profile crimes making headlines and fears escalating over vigilante reprisals, Chen’s superiors know he must at least appear active.   

First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys". Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle.

 The Art of Expressing the Human Body, a title coined by Bruce Lee himself to describe his approach to martial arts, documents the techniques he used so effectively to perfect his body for superior health and muscularity. 

Zero, Nyx, and the other Pathfinder colonists have adjusted to life on Kaguya. But Earth has built much faster starships-the Dreamcatcher arrives 10 years early, and the Stargazer arrives so early it actually got there before the Pathfinder did! Now the Stargazer is a lost shipwreck, and the race is on to find it, and who should show up looking for it but Nyx's dangerous family: Big Mama, Jim, and Kratt. Nyx and Zero will face kidnappers, pirates, shipwrecks, warlords, dragons, and maybe a new ally or two on their way to save the day once again.

Japan was a physical and psychological wasteland at the end of World War II. With over three million dead, 39 percent of city populations homeless, 40 percent of all urban areas flattened, 80 percent of all ships destroyed, and 33 percent of all industrial machine tools rendered inoperable, the country was devastated and demoralized. And yet, just 19 years later, Japan stood proud-modern, peace-loving, and open - welcoming the world as the host of the 1964 Olympics, the largest global event of its time.

In 1923 Shanghai, native and foreign travelers alike are enthralled by the establishment of a new railway line to distant Peking. With this new line comes the Peking Express, a luxurious express train on the cutting edge of China’s continental transportation. Among those drawn to the train are oil heiress Lucy Aldrich, journalist John Benjamin Powell, and vacationing Army Majors Roland Pinger and Robert Allen, wives and children in tow. All anticipate an idyllic overnight journey in first class. But the train’s passengers are not the only ones enchanted by the Peking Express.

Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

Xuan Juliana Wang's remarkable debut introduces us to the new and changing face of Chinese youth. From fuerdai (second-generation rich kids) to a glass-swallowing qigong grandmaster, her dazzling, formally inventive stories upend the immigrant narrative to reveal a new experience of belonging: of young people testing the limits of who they are, in a world as vast and varied as their ambitions. In stories of love, family, and friendship, here are the voices, faces, and stories of a new generation never before captured in fiction.

Conceived over 30 years of painting and creating in his studio, this book is Makoto Fujimura's broad and deep exploration of creativity and the spiritual aspects of "making". What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise.

Once a close associate of Mao Zedong and the nation’s most celebrated poet, Ai Weiwei’s father, Ai Qing, was branded a rightist during the Cultural Revolution, and he and his family were banished to a desolate place known as “Little Siberia,” where Ai Qing was sentenced to hard labor cleaning public toilets. Ai Weiwei recounts his childhood in exile, and his difficult decision to leave his family to study art in America, where he befriended Allen Ginsberg and was inspired by Andy Warhol and the artworks of Marcel Duchamp.