Résultats lu par "Steven Crossley" dans Toutes les catégories

William Marble is in serious debt, struggling to keep his family afloat, and close to facing bankruptcy when an opportunity presents itself. His rich nephew visits one night, giving Marble the chance to slip poison into his drink. When Marble has all the money he has ever dreamed of, he thinks life will surely be easier for him. Instead, his troubles are just beginning, as things are about to get a whole lot worse. Slowly William’s family becomes caught in a dangerous web of fear, secrets, and blackmail.

The year is 2024, and the residents of the Tower, a virus-proof apartment building, live in a state of permanent lockdown. The building is controlled by James, who keeps the residents safe but incarcerated. Behind bricked-up front doors, their every need is serviced; they are pampered but remain prisoners. This suits Eugene just fine. Ravaged by the traumas of his past, the agoraphobic ex-detective has no intention of ever setting foot outside again.

Arnold Landon finds himself drawn into another bitter dispute over land—in which a defenseless old woman pays the ultimate price. To the casual observer, Penbrook Farm might seem like a ramshackle hovel, buried deep in the woods of Northumberland. But to fragile old Sarah Ellis, it’s home. And the developers can have the place over her dead body. Of course, no one ever expected it to come to that.

A skeleton buried on a lonely Northumberland hill? Nothing wrong with that. Garrigill was once an ancient burial ground. Archaeologist Rena Williams is here to excavate the site. She is an old friend of Arnold’s. And with his help, her team have uncovered more than a few old bones already. But never like this. The bludgeoned skull, the modern dental work…nothing about this death feels accidental. Or even all that old. Who was the dead man, and what did he know that was worth killing for?

From the moment Karen Stannard comes striding in the door, Arnold Landon knows his workplace will never be the same. Now, he is saddled with a project he never wanted: the Ridgeway Viking Trust. Its shady leaders tell him there’s treasure buried in the rolling Northumberland Hills—they just need one more payout to reach it. But is there more to the Trust than meets the eye? Muck-raking journalist Alan Crickley seems to think so. He’s got the scent of corruption and he’s on the trail... Until the day he drives his car into a ditch, a stone’s throw from the dig.

From William Shakespeare’s series of history dramas, to Sir Walter Scott, and George R. R. Martin’s A Song of Ice and Fire—not to mention the smash-hit TV show Game of Thrones—the British civil war of 1455 to 1485 has inspired writers for centuries. Ed West’s My Kingdom for a Horse illuminates the bloody war fought for thirty long years between the descendants of King Edward III in a battle for the throne. 

Arnold Landon can’t help but feel drawn to Oldham Manor, an atmospheric medieval house in the middle of nowhere. When he is invited to catalogue the library there, he jumps at the chance. The place is a maze of musty old papers and books. And that’s not all. Late one night, he stumbles on a secret passage, twisting deep under the ground. Where will it take him? And why was it walled up? When a stranger turns up dead in a ditch, Landon begins to realize that someone is watching his every move. And they have a plan to ensure the past stays buried for good.

Thailand, 1996: Supot, a postman with the Royal Thai Mail service, hates his job. The only bright spot in his life is watching classic movies with his best friend, Ali, the owner of a video store. These cinephiles adore the charisma of the old Western stars, particularly the actresses, and bemoan the state of modern Thai cinema—until a mysterious cassette, entitled Bangkok 2010, arrives at Ali’s store.

Colin Bannock is hiding quite the secret. By day, he’s a smooth-talking lawyer. After hours, he is someone else entirely. He corners Arnold Landon, wanting him to join his society of history fanatics. Appalled, Arnold declines outright. He’s never been a joiner and, besides, he has enough on his plate already. He is hunting for a lost and ancient treasure. And he knows the hiding place is close. Then Bannock’s body washes up on the banks of the River Tyne, battered and bloated beyond recognition. Was he also chasing the mythic treasure?

Orson Welles' 1938 radio adaptation of The War of the Worlds has done much to obscure the real brilliance of the original work. Written at a time when "science-fiction" did not exist as a genre, The War of the Worlds was a new departure in literature. Author H.G. Wells, deeply committed to social improvement in turn-of-the-century Britain, used extra-terrestrial invasion to predict the results of a not-entirely-impossible violent upheaval in contemporary society: for "Martians" read "bolsheviks."

In the span of fifteen years, Dr. Thomas Neill Cream murdered as many as ten people in the United States, Britain, and Canada, a death toll with almost no precedent. Poison was his weapon of choice. Largely forgotten today, this villain was as brazen as the notorious Jack the Ripper. The Case of the Murderous Dr. Cream exposes the blind trust given to medical practitioners, as well as the flawed detection methods, bungled investigations, corrupt officials, and stifling morality of Victorian society that allowed Dr. Cream to prey on vulnerable and desperate women.