Meg Langslow

Meg Langslow is spending the summer at the Biscuit Mountain Craft Center, helping her grandmother Cordelia run the studios. But someone is committing acts of vandalism, which threaten to ruin the newly opened center's reputation.

Meg Langslow is at Trinity Episcopal locking up after an event and checking on the toucan that Rev. Robyn Smith is fostering in her office. After hearing a hammering in the crypt, Meg finds an elderly parishioner lying dead on the floor. Several niches have been chiseled open, several urns knocked out, and amid the spilled ashes is a gold ring with a huge red stone. The curmudgeonly victim had become disgruntled with the church and ranted all over town about taking back his wife's ashes.

It's Christmas time in Caerphilly, and the town is preparing for their live nativity. During rehearsals, Meg discovers a real baby in the manger, with a note attached that says the mother is leaving the baby girl there so that her father can take care of her, and the wording of the note implicates Meg's brother, Rob, as the father. Rob protests that he can't possibly be the father, but the town's suspicion creates a rift between him and his new girlfriend. Rob asks Meg to investigate on his behalf‚ to clear his name and to find the real parents of the baby.

Meg's grandfather has been booked to give lectures on a cruise as part of the education/entertainment itinerary, and he's arranged for a passel of family members to join him. The passengers’ vacation quickly becomes a nightmare when they wake up to find themselves broken down and in need of repairs. Things get even worse when a crew member announces to all that a woman has jumped overboard, leaving behind her shoes, shawl, and a note. The note reveals she's a disliked member of a writers' group onboard for a retreat, and the group is split on whether this is in-character for her.

While trapped by a snowstorm at a conference, a visiting ornithologist is murdered. Now, nobody may make it home in time for Christmas...unless Meg comes to the rescue.

When Meg's grandmother, Cordelia, hosts a Renaissance Faire at her craft center, the whole family is put to work: Meg handles the blacksmithing, Michael and the boys will be performing, and no one misses the opportunity to dress up in full regalia. More exciting to Grandfather is the pair of rare falcons he discovers breeding at the fairgrounds. Concerned for their well-being amid all the activity, he appoints himself their protector. When one of the actors performing at the fair is found dead, Grandfather is a prime suspect.

Meg’s running Caerphilly’s Helping Hands for the Holidays project, in which neighbors help each other with things they can’t do and can’t afford to have done. Her hopes for a relatively peaceful (if busy) Christmas vanish when someone murders Harvey the Hoarder, whose house the Helping Hands were decluttering. Was there any truth to the rumor that he had something valuable hidden beneath all his junk? Was one of his friends, neighbors, or relatives greedy enough to murder him for the rumored treasure?

Meg Langslow’s in for a busy summer. Her husband is directing a production of Macbeth, and most of the cast and crew are occupying spare bedrooms in their house. She also has to keep an eye on Camp Birnam, where a group of medieval reenactors are commemorating the real-life Macbeth by setting up what they fondly believe is an authentic medieval Scottish military camp. And then there’s Damien Goodwin, a filmmaker who has been hanging around, trying to document the production.

The cast of Donna Andrews’ New York Times best-selling Meg Langslow mystery series is back for an unforgettable holiday story in The Twelve Jays of Christmas.

Kevin, Meg's cyber-savvy nephew who lives in the basement, comes to her with a problem. He's become involved as the techie for a true-crime podcast, one that focuses on Virginia cold cases and unsolved crimes. And he thinks their podcast has hit a nerve with someone...one of the podcast team has had a brush with death that Kevin thinks was an attempted murder, not an accident. Kevin rather sheepishly asks for Meg's help in checking out the people involved in a couple of the cases. 

Christmas in Caerphilly is wonderful! Unless you’re a Canadian whose inconsiderate boss is forcing you to spend the holiday there, far from family and friends, with only a slim chance of a white Christmas. Meg already has her hands full, trying to make the season festive for the dozen programmers who are staying with her and Michael while working on a rush project with her brother’s software company. At least it’s an interesting project, since the Canadian company is doing forensic genealogy and DNA analysis. But when the boss is found murdered, there are too many suspects.

Meg is relaxing in the hammock, taste-testing Michael’s latest batch of Arnold Palmers and watching the hummingbirds at their feeders when her hopes for a relaxing early summer morning are dashed. First her father recruits her to help him install a new batch of bees in the hive in her backyard. Then Mayor Shiffley recruits her to placate the NIMBYs (Not in my backyard), as she calls them—a group of newcomers to Caerphilly who have built McMansions next door to working farms and then do their best to make life miserable for the farmers. 

Meg has been roped into participating in a weaponsmithing competition, a Forged in Fire wannabe organized by a blacksmith friend. Meg originally turned down an invitation to participate, but the night before the filming starts, someone attacks Faulk, her blacksmithing mentor, breaking his arm and eliminating him from the contest before it begins. Meg agrees to step in as his replacement to keep the project from failing. She's not thrilled that the filming will take place during December—Christmas is already a crazy time for her.

Meg's neighbors, the Smetkamps', have won a makeover for their old home from Marvelous Mansions, a flashy, yet dubious company, focused on making historic homes more "modern." The company is already several days into its makeover of the Smetkamps' house, and tensions are running high—not only between the officious, demanding Mrs. Smetkamp and her neighbors, but also between her and the renovation crew.