Résultats lu par "Si Chen" dans Toutes les catégories

Every night, in the college’s ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story. One dark October evening in the defunct churchyard, they find a hole that wasn’t there before. A fresh, open grave where no grave should be. But who dug it, and for whom?

In Jazz-Age Shanghai, Jingwen dances at the cabaret by day and runs errands for a powerful gang by night. But when a mysterious attacker steals faces from her fellow dancers, Jingwen is plunged into a world of powerful businessmen, silver-limbed gangs and vengeful gods as she tries to uncover the culprit.

June Chu is the “just good enough” girl. Good enough to line the shelves with a slew of third-place trophies and steal secret kisses from her AP bio partner, Rhys. But not good enough to meet literally any of her Taiwanese mother’s unrelenting expectations or to get Rhys to commit to anything beyond a well-timed joke. While June’s mother insists she follow in her (perfect) sister’s footsteps and get a (full-ride) violin scholarship to Northwestern (to study pre-med), June doesn’t see the point in trying too hard if she’s destined to fall short anyway.

The Jurassic Park series is one of the most famous and profitable movie franchises of all time. The movie spectacle broke film and merchandising records, pioneered special effects, and made Jeff Goldblum into an unlikely sex symbol, and now it has also been re-envisioned as a classic of queer feminist storytelling. In Clever Girl, Hannah McGregor argues that the female-only dinosaurs of Jurassic Park are stand-ins for monstrous women, engineered by men to be intelligent, violent, and adaptive, and whose chaos resists the systems designed to control them.

Lily Tso is stuck in the routine of a Hotel Guest Services Officer but her world turns upside down when she discovers that her parents, whom she believed dead, are very much alive. The shock pales in comparison to the revelation that she must now undertake a perilous mission to save America from a catastrophic biological attack. Thrown into a whirlwind of danger and deceit, Lily teams up with an FBI Special Agent and a daring young tycoon. Together they must navigate a labyrinth of threats and adversaries determined to stop them at any cost.

Jingwen spends her nights as a showgirl at the Paramount, one of the most lavish clubs in Shanghai, competing ruthlessly to charm wealthy patrons. To cap off her shifts, she runs money for her grandmother, the exclusive surgeon to the most powerful gang in the city. A position her grandmother is pressuring her to inherit. When a series of dancers are targeted—the attacker stealing their faces—Jingwen fears she could be next. And as the faces of the dancers start appearing on wealthy foreign socialites, she realizes Shanghai's mirage of carefree luxury comes at a terrible price.

Generous Press is a new kind of romance imprint. Someplace Generous—a vibrantly diverse and inclusive anthology of romantic short stories—can be described in one word: yes. Featuring stories by award-winning poets like Richard Siken, Rachel McKibbens, and Brionne Janae; acclaimed fiction writers like Temim Fruchter, Corinne Manning, and Max Delsohn; and popular thinkers like Jessica P. Pryde, Someplace Generous presents voices largely new to the genre of romance, each bringing a fresh take on what it means to tell a love story.

The Orca Job was supposed to set them all up for life, but it did not go according to plan. They lost their money, they lost their ship, and some of them lost their lives—the survivors scattering in a storm of recriminations. Ten years later, no one is who they were...and some are not what they seem. But Strange's son, Cayce, wants to put the gang back together to rescue his father, currently held captive. As if uniting the club isn't enough of a challenge, they also need major resources, and the only way they know how to acquire them is by falling into old habits.

In the mid-1990s, an American teenager, named Lao K in Chinese, stands on Coal Hill, a park in Beijing, a loop of rope in her hand. Will she assist her Chinese homestay mother, Li-Ming, who is dying of cancer, in ending her life, or will she choose another path? Twenty years later, Lao K receives a book written by Li-Ming called “Empire of Glass,” a narrative that chronicles the lives of Li-Ming and her husband, Wang, in pre and post-revolutionary China over the last half of the twentieth century. Lao K begins translating the story, which becomes the novel we are exploring.

Every night, in the college's ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story. One dark October evening in the defunct churchyard, they find a hole that wasn't there before. A fresh, open grave where no grave should be. But who dug it, and for whom?

A powerful decade-long study of adoption in the age of Roe, revealing the grief of the American mothers for whom the choice to parent was never real.